Paperback ©1999 | -- |
Greenlaw, Linda,. 1960-.
Swordfish fishing. Grand Banks of Newfoundland. Anecdotes.
Originally profiled in Sebastian Junger's hugely popular The Perfect Storm (1997), Captain Greenlaw pens her account of one memorable fishing trip to the Grand Banks of Newfoundland aboard her ship the Hannah Boden Greenlaw and crew are in search of a slammer, one month at sea that hopefully will bring them upwards of 60,000 pounds of very valuable fish. Probably the world's only female swordboat captain, Greenlaw recounts the 20-hour workdays, the frequent equipment breakdowns, and the in-fighting that eventually erupts among her crew. Not surprisingly, her all-male crew includes some macho types, but that's something Greenlaw uses to her advantage; her efforts are always matched or bettered by the men, as No self-respecting fisherman will allow himself to be outworked by a woman. Exciting and gritty, especially when the big fish are biting and Greenlaw is expertly detailing the dangerous world of deep-ocean fishing. (Reviewed May 15, 1999)
Kirkus ReviewsA precise account of what happens aboard a swordfishing boat on the Grand Banks when it is not being terrorized by a perfect storm, from a captain among the fleet. It was Greenlaw's sister ship, Andrea Gail, that went down in the Halloween storm of 1991, a tragedy recounted by Sebastian Junger in his bestselling book. Here it is Greenlaw's intention to tell the story of a more typical swordfishing trip, how she manages the boat, crew, and fishing during the month they will be together at sea pulling a 40-mile longline. And she does tease from the everyday a fixating description of the fisherman's ("fisherwoman . . . I hate the term") shipboard day, preparing for and pulling in the harvest, contending with that temperamental nuisance known as the weather, judging bait or her boss ("very pushy and never satisfied"); she makes clear the importance of a good cook: "times of bad food were also periods of serious crew problems." Then there is the simple nature of the work, the hundreds of hours of arduous physical labor squeezed in a few weeks, under brutal conditions, that you might not get paid for. Greenlaw comes across as a savvy captain with a knack for knowing the mood of both her crew and the weather (and no shrinking violet: "The meek may inherit the Earth, but they'll never get my piece of the ocean"). Yet there is a spit and polish to her writing that feels distant from the subject, not so much overwritten as manufactured. There is a noticeable lack of sting and fear when things go wrong. Absent as well are doubts or confusions Greenlaw might have understandably entertained about this or that, which undercuts any rawness or immediacy demanded by the retelling of events. Still, this is a welcome flip side to the multitude of hellzapoppin' peril-at-sea stories, a world apart in its rhythms but often as not just as riveting. (photos, not seen) (Author tour)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)She's smart, hard-working and good at what she does, though sometimes she wishes she had a life. Greenlaw is captain of the Hannah Boden, sister ship to the Andrea Gail, the sword-fishing boat whose disappearance was described with agonizing verisimilitude in Sebastian Junger's bestseller, The Perfect Storm. Greenlaw tells a comparatively quotidian tale, """"the true story of a real, and typical, sword-fishing trip, from leaving the dock to returning."""" Not trying to compete with Junger's operatic tale of death on the high seas, Greenlaw deals with stormy personalities rather than with bad weather. She rounds out the story with her gimlet-eyed description of a captain's biggest headache after nature itself: the crew. Racism, drug use, baffling illnesses: these are all elements of a 30-day journey for six people crammed aboard a 100-ft. boat designed less for human comfort than to carry the 50,000 pounds or more of fish it will eventually take on. But Greenlaw picks her sailors carefully and, through her own example, inspires a fierce loyalty among the men--such as the one who extracted his own abscessed tooth rather than return to shore (""""In my experience,"""" she notes, """"very few men are willing to pull their own teeth""""). Greenlaw's narrative should foster an abiding respect in anyone who has tossed a swordfish steak on the grill, and it is certain to induce jaw-dropping admiration among personnel managers everywhere. Photos not seen by PW. (May)
School Library JournalYA-The story of a woman who attended college, worked on fishing ships, and became a fishing captain. Greenlaw's name came to national attention a few years ago in Sebastian Junger's The Perfect Storm (Knopf, 1997) when her vessel's sister ship capsized, losing all its crew. Here, readers accompany the captain and her five-man crew as they travel in calmer weather on the Hannah Boden from their home port of Gloucester, MA, to catch swordfish on the Grand Banks of the North Atlantic. The readable, straightforward account of the trip reveals the day-to-day regularity of steaming to the site, preparing, setting, and hauling in the four-mile long fishing line, followed by cleaning and icing the catch. This routine allows for about four hours of sleep per day and continues for two to three weeks. It's a demanding job and the necessary precision of tasks handled by the crew is astonishing. Interspersed throughout the book are chapters entitled "Mug-Up," which provide folkloric background about ships and fishing superstitions. A fascinating look at an unusual career.-Pam Spencer, Young Adult Literature Specialist, Virginia Beach, VA Copyright 2000 Cahners Business Information.
ALA Booklist
Kirkus Reviews
Library Journal
New York Times Book Review
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
The term fisherwoman does not exactly roll trippingly off the tongue, and Linda Greenlaw, the world's only female swordfish boat captain, isn't flattered when people insist on calling her one. "I am a woman. I am a fisherman. . . I am not a fisherwoman, fisherlady, or fishergirl. If anything else, I am a thirty-seven-year-old tomboy. It's a word I have never outgrown." Greenlaw also happens to be one of the most successful fishermen in the Grand Banks commercial fleet, though until the publication of Sebastian Junger's The Perfect Storm, "nobody cared." Greenlaw's boat, the Hannah Boden, was the sister ship to the doomed Andrea Gail, which disappeared in the mother of all storms in 1991 and became the focus of Junger's book.The Hungry Ocean, Greenlaw's account of a monthlong swordfishing trip over 1,000 nautical miles out to sea, tells the story of what happens when things go right -- proving, in the process, that every successful voyage is a study in narrowly averted disaster. There is the weather, the constant danger of mechanical failure, the perils of controlling five sleep-, women-, and booze-deprived young fishermen in close quarters, not to mention the threat of a bad fishing run: "If we don't catch fish, we don't get paid, period. In short, there is no labor union." Greenlaw's straightforward, uncluttered prose underscores the qualities that make her a good captain, regardless of gender: fairness, physical and mental endurance, obsessive attention to detail. But, ultimately, Greenlaw proves that the love of fishing -- in all of its grueling, isolating, suspenseful glory -- is a matter of the heart and blood, not the mind.
"I knew that the ocean had stories to tell me, all I needed to do was listen." -- Svenja Soldovieri