In Country: A Novel
In Country: A Novel
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Paperback ©2005--
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HarperCollins
Just the Series: P.S.   

Series and Publisher: P.S.   

Annotation: The story of a contemporary girl's search to understand her father's death in Vietnam.
 
Reviews: 5
Catalog Number: #5523374
Format: Paperback
Publisher: HarperCollins
Copyright Date: 2005
Edition Date: 2005 Release Date: 09/01/20
Pages: 245 pages
ISBN: 0-06-083517-6
ISBN 13: 978-0-06-083517-0
Dewey: Fic
LCCN: 2006273518
Dimensions: 21 cm.
Language: English
Reviews:
School Library Journal

YA Sam, 17, is obsessed with the Vietnam War and the effect it has had on her lifelosing a father she never knew and now living with Uncle Emmett, who seems to be suffering from the effects of Agent Orange. In her own forthright way, she tries to sort out why and how Vietnam has altered the lives of the vets of Hopewell, Kentucky. Her untempered curiosity and imagination sprint off in all directions as she examines closely the often undiscussed, but always noticed, aspects of daily life. In this coming-of-age novel, Sam ponders many problems, among them Emmett's crusty, salve-covered pimples, veteran Tom's inability to have an erection and her good friend Dawn's pregnancy. Although Sam lives in a disheveled, tawdry house, she brings a freshness of spirit to the way she scrutinizes and revels in life. When she wants to understand living conditions in the Vietnam jungles, she decides she has to experience it, so spends the night beside a local swamp. A harshly realistic, well-written look at the Vietnam War as well as the story of a young woman maturing. Pam Spencer, Mount Vernon High School Library, Fairfax, Va.

Word Count: 84,481
Reading Level: 4.6
Interest Level: 9+
Accelerated Reader: reading level: 4.6 / points: 12.0 / quiz: 63412 / grade: Upper Grades
Reading Counts!: reading level:8.3 / points:14.0 / quiz:Q05773
Lexile: 730L
In Country

Chapter One

"I have to stop again, hon," Sam's grandmother says, tapping her on the shoulder. Sam Hughes is driving, with her uncle, Emmett Smith, half asleep beside her.

"Where are we?" grunts Emmett.

"Still on 1-64. Mamaw has to go to the restroom."

"I forgot to take my pill when we stopped last," Mamaw says.

"Do you want me to drive now?" Emmett asks, whipping out a cigarette. He smokes Kents, and he has smoked seven in the two hours they have been on the road today.

"If Emmett drives, I could set up front," says Mamaw, leaning

forward between the front seats. "I'm crammed in the back here like a sack of sausage. "

"Are you sure you feel like driving, Emmett?"

"It don't make no difference."

"I was just getting into it," says Sam, irritated.

It is her new car. Emmett drove through the heavy traffic around Lexington, because Sam wasn't experienced at city driving, but the interstate is easy. She could glide like this all the way across America.

At the next exit, Exxon, Chevron, and Sunoco loom up, big faces on stilts. There's a Country Kitchen, a McDonald's, and a Stuckey's. Sam has heard that Stuckey's is terrible and the Country Kitchen is good. She notices a hillside with some white box shapes-either beehives or a small family cemetery-under some trees. She shoots onto the exit ramp a little too fast, and the tires squeal. Mamaw gasps and clutches the back of Sam's seat, but Emmett just fiddles with the buttons on the old Army jacket in his lap. Emmett dragged it out of his closet before they left. He said it might be cold in Washington, It is summer, and Sam doesn't believe him.

Sam pulls in at the Sunoco and springs out of the car to let Mamaw out. Mamaw has barrel hips and rolls of fat around her waist. She is so fat she has to sleep in a special brassiere. She shakes out her legs and stretches her arms. She is wearing peachcolored knit pants and a flowered blouse, with white socks and blue tennis shoes. Sam does not know Mamaw Hughes as well as she does her other grandmother, Emmett's mother, whom she calls Grandma, but Mamaw acts like she knows everything about Sam. It's spooky. Mamaw is always saying, "Why, that's just like you, Sam," or "That's your daddy in you, for the world." She makes Sam feel as though she has been spied on for years. Bringing Mamaw along was Emmett's idea. He is staring off at a bird flying over the Sunoco sign.

"Regular?" a blond boy in a Sunoco shirt asks.

"Yeah. Fill 'er up." Sam likes saying "Fillup." Buying gas is one of the pleasures of owning a car at last. "Come on, Mamaw," she says, touching her grandmother's arm. "Take care of the car, would you, Emmett?"

He nods, still looking in the direction of the bird.

The restroom is locked, and Sam has to go back and ask the boy for the key. The key is on a ring with a clumsy plastic Sunoco sign. The restroom is pink and filthy, with sticky floors. In her stall, Sam reads several phone numbers written in lipstick. A message says, 'The mass of the ass plus the angle of the dangle equals the scream of the cream." She wishes she had known that one when she took algebra. She would have written it on an assignment.

Mamaw lets loose a stream as loud as a cow's. This trip is crazy. It reminds Sam of that Chevy Chase movie about a family on vacation, with an old woman tagging along. She died on the trip and they had to roll her inside a blanket on the roof of the station wagon because the children refused to sit beside a dead body. This trip is just as weird. A month ago, Emmett wouldn't have gone to Washington for a million dollars, but after everything that happened this summer, he changed his mind and now is hell-bent on going and dragging Mamaw along with them.

"I was about to pop," Mamaw says.,

That was a lie about her pill. Mamaw just didn't want Emmett to know she had to pee.

When they return the key, Mamaw buys some potato chips at a vending machine. "Irene didn't feed us enough for breakfast this morning," she says. "Do you want anything?"

"No. I'm not hungry."

"You're too skinny, Sam. You look holler-eyed."

Irene is Sam's mother, Emmett's sister. They spent the night in Lexington with her in her new house--a brick ranch house with a patio and wall-to-wall carpeting. Irene has a new baby at the age of thirty-seven. The baby is cute, but Irene's new husband has no personality. His name is Larry joiner, but Sam calls him Lorenzo Jones. In social studies class, Sam's teacher used to play tapes of old radio shows. Lorenzo Jones was an old soap opera. Sam's mother's life is a soap opera. The trip would be so different if her mother could have come. But Sam has her mother's credit card, and it is burning a hole in her pocket. She hasn't used it yet. It is for emergencies.

Emmett is in the driver's seat, with the engine running. He is drinking a can of Pepsi. "Are y' all ready?" he asks, flicking cigarette ash on the asphalt. He has moved the car, but it's still close to the gas pumps. A scene of a sky-high explosion, like an ammunitions dump blowing up, rushes through Sam's mind.

" Give me a swig of that," says Sam. "Did you pay?" She takes a drink of Emmett's Pepsi and hands it back.

In Country. Copyright © by Bobbie Ann Mason. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Excerpted from In Country by Bobbie Ann Mason
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Bobbie Ann Mason’s debut novel—"a brilliant and moving book... a moral tale that entwines public history with private anguish."  —Los Angeles Times Book Review

“How Ms. Mason conjures a vivid image of the futility of war and its searing legacy of confusion out of the searching questions or a naïve later generation is nothing short of masterful.” —Kansas City Star

Samantha “Sam” Hughes is in her senior year of high school in rural Kentucky. Her father, whom she never knew, was killed in Vietnam before she was born. Sam lives with her uncle Emmett, a veteran who appears to be suffering from exposure to Agent Orange. Amidst worrying about her uncle and yearning to figure out who she is and learn about the father she never knew, Sam develops feelings for Tom, one of Emmett's veteran buddies. Tom and Emmett attempt to shield Sam from the truth of what they endured, but she has become convinced that her life is bound to the war in Vietnam.

In Country is both a powerful and touching novel of America’s ghosts and a beautiful portrayal of a family, not unlike many others, left bruised and twisted by the war. At the time of its publication in 1985, Richard Eder’s rave LA Times review concluded: “One of the questions for post-war American literature, dealt with variously by Updike, Cheever, Roth, Salinger and a host of others, is whether the larger capacities of the human spirit can be exercised, so to speak, in a motel room equipped with color TV and a drinks refrigerator. The answers vary; Mason has found her own striking variety of ‘yes.’”


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