Madlenka
Madlenka
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Paperback ©2000--
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Square Fish
Annotation: Madlenka, whose New York City neighbors include the French baker, the Indian news vendor, the Italian ice-cream man, the South American grocer, and the Chinese shopkeeper, goes around the block to show her friends her loose tooth and finds that it is like taking a trip around the world.
 
Reviews: 7
Catalog Number: #5524131
Format: Paperback
Common Core/STEAM: Common Core Common Core
Publisher: Square Fish
Copyright Date: 2000
Edition Date: 2010 Release Date: 10/12/10
Pages: 1 volume (unpaged)
ISBN: 0-312-65912-1
ISBN 13: 978-0-312-65912-7
Dewey: E
LCCN: 99057730
Dimensions: 26 cm.
Language: English
Reviews:
Starred Review for Publishers Weekly

Incorporating many of the visually astonishing methods of Tibet Through the Red Box, S!s chronicles the adventures of a New York City girl (based on S!s's own daughter) whose loose tooth occasions a one-of-a-kind round-the-world tour. S!s reels readers into Madlenka's neighborhood using meticulous cross-hatch drawings with a pale blue-gray wash: a distant view of the earth, then a continent, then an islandDall with tiny red dotsDlead up to the title page, which zeroes in on Madlenka's building on her block on Manhattan's Lower East Side. At last, the red dot becomes distinguishable as Madlenka's blouse as she stands in the window on the fourth floor. Discovering her tooth loose, the girl runs down the three flights of stairs to spread the news. The moment Madlenka makes her announcement, """"Hey, everyone my tooth is loose!"""" her block breaks out of its box-like shape and transforms into a round carousel bursting with color. Here S!s sets the rhythm for the balance of the book. Madlenka's first stop is the French bakery. A silhouette image of the heroine appears at the left of the spread, as she calls out to the baker, """"Hello, Mr. Gaston. My tooth is loose!"""" S!s frames her image with a scaled-down version of the city block and a border that highlights the bakery's yields. On the right-hand side of the spread, Mr. Gaston enters his p tisserie carrying baguettes (""""Bonjour, Madeleine. Let's celebrate""""); through a die-cut view of a tapestry in his shop window, readers see the Eiffel Tower flying the French flag. A turn of the page reveals a spread of the Eiffel Tower surrounded by not only Notre Dame and the Arc de Triomphe, but also Bemelmans's Madeline and Saint-Exup ry's Little Prince. Her visit to Mr. Singh's newsstand (""""Sathsariakal, Madela"""") offers a glimpse of India; a stop at Mr. Ciao's ice cream truck (""""Buon giorno, Maddalena""""), a taste of Italy. Each of her visits sparks similar exchanges and other distant destinations, but thanks to S!s's careful buildup, the shops and their keepers retain a cozy proximity. As he did with Tibet Through the Red Box, S!s takes readers to exotic lands, yet continues to bring them back to the comfort of what they know. In Tibet, it was the father's study; here, it is Madlenka's block. When Madlenka returns home and tells her parents that she """"went all around the world,"""" readers will feel that they, too, have been armchair travelers, delivered safely home in S!s's capable hands. Ages 4-8. (Oct.)

ALA Booklist (Fri Sep 01 00:00:00 CDT 2000)

In the universe, on a planet, on a continent, in a country, in a city, on a block, in a house, in a window, in the rain, a little girl named Madlenka finds out her tooth wiggles. She has to tell everyone. So begins Sis' latest book, and on the following pages, Madlenka delivers her news around the world as she circles her block and celebrates with the international shopkeepers in visually stunning spreads rendered in Sis' signature drawings of detailed fantasy. A full-page image of each merchant and his storefront faces an aerial view of Madlenka, surrounded by the concentric borders. First are her block's stores (with each new shop colored in as it's introduced). Also present are small, culturally signifying cartoons that in some instances seem Eurocentric and stereotypical: the images for Mr. Ciao, from Italy, for example, are Pisa, pizza, and spaghetti; the drawings for Eduardo, seemingly representative of the entire continent of Latin America, show generalized categories--mountains, rivers, and people, including a figure in headdress and loincloth. The real magic comes in the cleverly cut-away windows in each storefront through which children glimpse complex, global dreamscapes. Madlenka journeys through these mystical places, too, and it is these surreal, wordless stories-within-the-story that will excite a wide range of children, launching them in their own imagined departures.

Horn Book (Sun Apr 01 00:00:00 CST 2001)

In her urban microcosm, Madlenka walks around the block to share news of her loose tooth. She's greeted by a French baker, an Indian news vendor, and a Latin American greengrocer, among others. Luscious with visual imagery, the imaginative book has much for small children to enjoy now and plenty to appreciate more fully later. Sís has woven an intriguing adventure within the compass of a small child's own world.

Kirkus Reviews

Madlenka is losing her tooth and sets out to make her happy announcement to everyone in her multiethnic New York City neighborhood. This brief story captures all of Sis's most distinguished qualities of dreamlike mystery while remaining accessible to younger children. The book is meticulously designed, from the endpapers, which show New York as a flyspeck on planet Earth and zoom in on Madlenka's city, neighborhood, block, house; to the book's square shape that replicates Madlenka's block; to the die cuts through which readers view Madlenka on the one hand and a distant culture on the other. As she visits each shop on her block, Madlenka shares her news with a shopkeeper from another country who literally offers a visual window on his culture (France, India, Italy, Latin America, Africa, Asia). Ingenious page design often demands that the reader rotate the page, just as Madlenka herself, always visible safely at the center, circumscribes the block and by extension the globe. While cultural appreciation and inclusiveness are Sis's clear intent, some concerns must be noted. Madlenka's culturally diverse neighbors are as overly costumed as collectible "dolls-of-all-nations." Doubtless Mr. Singh (India) does wear a turban, but he may not wear pointy-toed shoes. The exotic costumes may also prove misleading to suburban children who also live with people of many cultures, but who likely see more assimilation in styles of dress. The exquisite double-page spreads invite close inspection, but prove unequal in content and specificity: the European cultures are rich in historic and cultural minutiae, while Africa and Latin America reveal a paucity of detail. Sadly, comparison is unavoidable. There is a lamentable lack of differentiation in world regions. Thus Asia, Latin America, and Africa are treated as one country visually, which will be deceiving to young readers. Undeniably clever, well-intentioned, and beautiful, but flawed. (Picture book. 3-6)

School Library Journal

PreS-Gr 4-A little girl joyfully skips around her New York City block to proclaim the news that her tooth is loose. In S's's hands, this is a journey filled with mystical creatures and magical symbols, as the child is greeted by an international panoply of merchants and neighbors. The tale unfolds as Madlenka first gives a realistic description of what she enjoys at each location, followed by a fanciful dreamscape of what she encounters in each world. She visits an Indian news vendor, an Italian ice-cream seller, a Latin greengrocer, among others, before returning home and explaining to her worried parents where's she's been. "Well-I went around the world. And I lost my tooth!" The opening pages depict increasingly focused aerial views, starting with a red dot on the globe on the endpapers and moving to a dizzying child's perspective of surrounding skyscrapers. Centered square or circular die-cuts frame the little blonde figure clad in pink on the left, offering glimpses into exotic lands on the right. The stark white background around the child contrasts effectively with the dark ink-and-watercolor scenes once the threshold has been crossed. Groups will be captivated by the concept and the drama provided by the die-cuts and the fantastic settings. Individuals will pore over the many details, delighting in the emergence of forms and meaning provided by close inspection. An odyssey made all the more wondrous by pairing a big moment in a small child's life with the happenings in the cosmos.-Wendy Lukehart, Dauphin County Library, Harrisburg, PA Copyright 2000 Cahners Business Information.

Reviewing Agencies: - Find Other Reviewed Titles
Starred Review for Publishers Weekly
ALA Booklist (Fri Sep 01 00:00:00 CDT 2000)
Bulletin of the Center for Children's Books
Horn Book (Sun Apr 01 00:00:00 CST 2001)
Kirkus Reviews
School Library Journal
Wilson's Children's Catalog
Word Count: 139
Reading Level: 1.4
Interest Level: K-3
Accelerated Reader: reading level: 1.4 / points: 0.5 / quiz: 43333 / grade: Lower Grades
Reading Counts!: reading level:1.3 / points:1.0 / quiz:Q22655
Lexile: AD460L

A trip around a city block is like a trip around the world! Peeking out through a die-cut window on the jacket, Madlenka invites the reader to enter her world. And what a world it is! On the surface, it looks like an ordinary city block, but as we meet Madlenka's neighbors -- the French baker, the Indian news vendor, the Italian ice-cream man, the Latin American grocer, a retired opera singer from Germany, an African American school friend, and the Asian shopkeeper -- and look through die-cut windows to the images and memories they have carried from old country to new, we can see that Madlenka's block is as richly varied as its inhabitants. And why is Madlenka going around the block, jumping for joy? Her tooth is loose, and she wants everyone to know! Madlenka is a 2000 New York Times Book Review Notable Children's Book of the Year. This title has Common Core connections.


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