The Pirate's Coin: A Sixty-Eight Rooms Adventure
The Pirate's Coin: A Sixty-Eight Rooms Adventure
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Dell Yearling
Just the Series: Sixty-Eight Rooms Adventures Vol. 3   

Series and Publisher: Sixty-Eight Rooms Adventures   

Annotation: A magical coin leads sixth-graders Ruthie and Jack to 1753 Massachusetts and to Jack's pirate ancestor when they return to the Art Institute of Chicago's miniature Thorne Rooms on a mission to restore an African American family's reputation.
 
Reviews: 3
Catalog Number: #5531187
Format: Paperback
Publisher: Dell Yearling
Copyright Date: 2014
Edition Date: 2014 Release Date: 05/27/14
Illustrator: Call, Greg,
Pages: 210 pages
ISBN: 0-307-97720-X
ISBN 13: 978-0-307-97720-5
Dewey: Fic
LCCN: 2012017540
Dimensions: 20 cm.
Language: English
Reviews:
ALA Booklist

The Sixty-Eight Rooms Adventure series blends multiple topics of fascination to many a reader: miniaturization (think The Borrowers), time travel (think the Magic Tree House), mystery (think Hardy Boys), and secretly trawling a museum behind the scenes (think From the Mixed-Up Files of Mrs. Basil E. Frankweiler). In this third outing, Jack's ancestor, from whom he inherits a gold coin, was apparently a seagoing man, and the coin appears to be connected to the adventures the kids have when they make themselves small enough to stroll though the doll-sized, historically decorated Thorne Rooms at Chicago's Art Institute. The mystery of the coin, and another involving Phoebe, a slave girl the friends met in a previous outing, reveal a new facet of the rooms' importance: as repositories for vital artifacts. Retrieving one for a classmate related to Phoebe becomes the duo's mission, even as they discover unwanted consequences. Intriguing, and with enough loose ends to entice readers to further installments, this remains a standout series.

Horn Book

Sixth graders Jack and Ruthie, able to shrink and use the Art Institute of Chicago's miniature Thorne Rooms as time portals, clear a friend's family name with evidence from her slave ancestor and almost negate Jack's existence through an encounter with his pirate ancestor. Full of coincidences and sweet resolutions, this series continues to provide adventure for readers unready for more intense scenarios.

School Library Journal (Mon Feb 06 00:00:00 CST 2023)

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School Library Journal (Mon Feb 06 00:00:00 CST 2023)
Word Count: 40,147
Reading Level: 5.1
Interest Level: 4-7
Accelerated Reader: reading level: 5.1 / points: 6.0 / quiz: 158765 / grade: Middle Grades
Reading Counts!: reading level:4.5 / points:10.0 / quiz:Q64844
Lexile: 740L
Guided Reading Level: U
Fountas & Pinnell: U

Fans of magic, mystery, and adventure will love the third The Sixty-Eight Rooms Adventure—a perfect next step for kids who love the Magic Tree House series, and just right for readers who love Chasing Vermeer, The Mixed-Up Files of Mrs. Basil E. Frankweiler, and Wonderstruck. Sixth Graders Ruthie and Jack return to the Art Institute of Chicago's magical Thorne Rooms. During a school presentation, Ruthie and Jack discover that their classmate Kendra is descended from Phoebe Monroe, the young slave they befriended when they traveled to 19th-century South Carolina. Kendra tells them that long ago her family lost their good name and their business selling herbal remedies when mobsters accused them of stealing the recipes! Only Ruthie and Jack know the truth--because only they know about the secret ledger that Phoebe wrote the recipes in long ago! Ruthie and Jack's mission to clear Kendra's name takes them back to the Thorne Rooms, where a mysterious old coin leads them to 1753 Cape Cod and to Jack's own ancestor . . . the pirate Jack Norfleet! But playing with history can be dangerous! Suddenly, Jack's very existence is in jeopardy! Can Ruthie and Jack find the proof they need to help Kendra? And can they fix the past and save Jack's future . . . before it's too late?

Here's What People Are Saying about The Sixty-Eight Rooms Adventures!
The New York Times:
"Irresistible."

Chicago Sun-Times:
"Exhilarating."

Chicago Tribune:
"Marianne Malone has tapped into a fantasy that is . . . completely universal."



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