Paperback ©2014 | -- |
Slaves. Louisiana. Juvenile fiction.
Time travel. Juvenile fiction.
Nineteen sixties. Juvenile fiction.
Slaves. Louisiana. Fiction.
Time travel. Fiction.
Nineteen sixties. Fiction.
United States. History. Civil War, 1861-1865. Juvenile fiction.
Louisiana. Juvenile fiction.
United States. History. Civil War, 1861-1865. Fiction.
Louisiana. Fiction.
It's 1960, but on the decayed Fairchild sugar plantation in rural Louisiana, vestiges of a grimmer past remain--the old cottage, overgrown garden maze, relations between white and black races. Stuck for the summer in the family ancestral home under the thumb of her cranky, imperious grandmother, Sophie, 13, makes a reckless wish that lands her in 1860, enslaved--by her own ancestors. Sophie's fair skin and marked resemblance to the Fairchilds earn her "easy" employment in the big house and the resentment of her peers, whose loyalty she'll need to survive. Plantation life for whites and blacks unfolds in compelling, often excruciating detail. A departure from Sherman's light fantasy Changeling (2006), this is a powerfully unsettling, intertextual take on historical time-travel fantasy, especially Edward Eager's Time Garden (1958), in which white children help a grateful enslaved family to freedom. Sophie's problems aren't that easily resolved: While acknowledging their shared kinship, her white ancestors refuse to see her as equally human. The framing of Sophie's adventures within 1960 social realities prompts readers to consider what has changed since 1860, what has not--for Sophie and for readers half a century later--and at what cost. Multilayered, compassionate and thought-provoking, a timely read on the sesquicentennial of America's Civil War. (Historical fantasy. 12 & up)
ALA BooklistIn the summer of 1960, 13-year-old bookish Sophie Fairchild Martineau is dumped at her mother's childhood Louisiana home, Oak Cottage, where Sophie's grandmother has taken to her bed, sighing for the Good Old Days before the War of Northern Aggression. In the stifling humidity, Sophie vents her silent resentment by clearing an overgrown maze, part of the once proud Fairchild plantation. After she wishes impulsively for a grand adventure, she is transported to Oak Cottage in 1860. Here, the story takes a startling turn as Sophie is mistaken for a slave by her ancestors. The vivid characters come to life through Sophie's nuanced observations, and the tension heightens as her compassionate understanding of her fellow slaves deepens. Sophie's shift back to her own time is abrupt, but the juxtaposition of the skillfully drawn settings allows readers to draw conclusions about racial equality, human dignity, and the innate drive to control one's own life. This multilayered story combines fantasy, clever literary allusions, and societal observations into a unique coming-of-age story.
Horn BookIts 1960, and thirteen-year-old Sophie is spending the summer at her grandmothers Louisiana bayou home. After meeting a mysterious creature, shes transported back in time one hundred years and (with her summer tan) mistaken for a slave. Sophies coming of age resonates with moral outrage and righteous indignation. Sherman pays homage to classic fantasy tropes while vividly evoking two historical settings.
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)It's 1960, but on the decayed Fairchild sugar plantation in rural Louisiana, vestiges of a grimmer past remain--the old cottage, overgrown garden maze, relations between white and black races. Stuck for the summer in the family ancestral home under the thumb of her cranky, imperious grandmother, Sophie, 13, makes a reckless wish that lands her in 1860, enslaved--by her own ancestors. Sophie's fair skin and marked resemblance to the Fairchilds earn her "easy" employment in the big house and the resentment of her peers, whose loyalty she'll need to survive. Plantation life for whites and blacks unfolds in compelling, often excruciating detail. A departure from Sherman's light fantasy Changeling (2006), this is a powerfully unsettling, intertextual take on historical time-travel fantasy, especially Edward Eager's Time Garden (1958), in which white children help a grateful enslaved family to freedom. Sophie's problems aren't that easily resolved: While acknowledging their shared kinship, her white ancestors refuse to see her as equally human. The framing of Sophie's adventures within 1960 social realities prompts readers to consider what has changed since 1860, what has not--for Sophie and for readers half a century later--and at what cost. Multilayered, compassionate and thought-provoking, a timely read on the sesquicentennial of America's Civil War. (Historical fantasy. 12 & up)
Starred Review for Kirkus Reviews
ALA Booklist
ALA/YALSA Best Book For Young Adults
Horn Book
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Voice of Youth Advocates
Wilson's Children's Catalog
Wilson's Junior High Catalog
"Multilayered, compassionate, and thought-provoking." — Kirkus Reviews (starred review)
Thirteen-year-old Sophie isn’t happy about spending the summer of 1960 at her grandmother’s old house in the bayou. Bored and lonely, she can’t resist exploring the house’s maze, or making an impulsive wish for a fantasy-book adventure with herself as the heroine. What she gets instead is a real adventure: a trip back in time to 1860 and the race-haunted world of her family’s Louisiana sugar plantation. Here, President Lincoln’s Emancipation Proclamation is still two years in the future and passage of the Thirteenth Amendment is almost four years away. And here, Sophie is mistaken, by her own ancestors, for a slave.