Publisher's Hardcover ©2014 | -- |
Conduct of life. Fiction.
Friendship. Fiction.
Peer pressure. Fiction.
High schools. Fiction.
Schools. Fiction.
Single-parent families. Fiction.
Los Angeles (Calif.). Fiction.
Good girls don't usually kill their best friend, announces high-school junior Emma in an opening, flash-forward scene that clinches immediate interest. A social recluse with an overprotective psychiatrist father, Emma seizes her family's relocation to L.A. and her entrance into a prestigious prep school as an opportunity to redefine herself. When most of the female students appear to be straight out of the movie Mean Girls, Emma latches on to rebellious and manipulative Siobhan. Together, they set their sights on Afterparty, the height of L.A. parties, and create a bucket list of bad behaviors to check off along the way. While Emma pretends to make fellow student Dylan just another check mark, she falls hard for him, causing a strain with ever-controlling Siobhan. In Stampler's unflinching look at wealthy, decadent youth and complicated relationships, realistic characters and tight dialogue add to the tension d there's plenty of it.
Horn Book (Fri Aug 01 00:00:00 CDT 2014)Sick of her conservative father and boring friends, seventeen-year-old Emma befriends Siobhan, a charismatic troublemaker who promises to show Emma a good time. While Emma struggles to shed her good-girl persona, the girls' friendship turns slowly destructive. Some conflicts lean too heavily on preventable misunderstandings, but Emma's strong narrative voice propels this private school romp to a harrowing, violent conclusion.
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)After moving to Los Angeles with an overprotective father, 16-year-old Emma Lazar is eager to shed her -Emma the Good- reputation. When she is instantly befriended by beautiful but volatile Siobhan, Emma begins drinking, sneaking out to parties, and lying to her father (and nearly everyone else). While Siobhan spices up Emma-s bland life, Emma isn-t sure Siobhan is on her side-especially after Dylan, whom Emma describes as -the most attractive person I have even seen,- gets between them. Stampler-s (Where It Began) plot is steeped in ever-increasing drama and debauchery, including drug use, group sex, and attempted murder; even so, the story drags at times as readers meander through familiar territory of expensive backdrops, boyfriend stealing, and beautiful but desperate friends. Stampler-s writing is confident, and Emma can be both funny and poetic (she describes an intimate moment with Dylan as -imprinted on my heart, like the afterimage of a burst of light, under your eyelids when you close your eyes-), but her story often lacks the momentum to keep this party going. Ages 14-up. Agent: Brenda Bowen, Sanford J. Greenburger Associates. (Jan.)
School Library Journal (Sat Mar 01 00:00:00 CST 2014)Gr 9 Up-Emma is tired of being "Emma the Good," so when she and her father move to Beverly Hills for her junior and senior years of high school, she decides it is time to change. She understands her father's fears-her mother was an addict and died of an overdose-but he is smothering her with his rules and protectiveness. On her first day at school, she meets Siobhan and the two bond. Siobhan is everything Emma isn't-wild, unafraid, free to do what she wants with a mother who often eggs her on. Emma also meets Dylan, an enigma to whom she is immediately attracted-handsome, smart, a rebel. Siobhan and Emma make a pact that Emma will, during the course of her junior year, sneak out of the house, attend parties, drink, have sex, and attend the legendary Afterparty at the end of the school year. Emma becomes fairly comfortable living her dual life, and her friendships with Siobhan and Dylan grow, until Siobhan hooks up with Dylan at a party and the two begin dating. This is the beginning of the end as things start to spiral out of Emma's control. She is a strong character whose struggle to balance parental expectations and the typical teen desire for freedom reads very realistically. Siobhan, as the bad girl, and Dylan, as the bad boy love interest, are slightly more predictable but still well drawn and relatable. Most of the other characters, including Emma's dad, Siobhan's mother, and Dylan's parents, as well as the "mean girls" at the exclusive private school they all attend, are much more stereotypical. Overall, the book reads like a blend of a standard teen romance with Beverly Hills, 90210 and still manages to be appealing. Janet Hilbun, Texas Women's University, Denton, TX
Voice of Youth AdvocatesEmma is a self-proclaimed "good girl," with a well-meaning but overprotective father. When they move to Los Angeles, Emma is torn between the responsibilities of her old identity and the lure of the glamorous and decadent L.A. teen culture. At school she meets the worldly and reckless Siobhan, who decides Emma would be the perfect "friend" to corrupt. What follows is a story of conflicting loyalties and moral dilemmas. Emma is drawn more and more into Siobhan's world of parties and drugs as the two devise a pact to prepare Emma for Afterparty, the end-of-school bash where anything goes. Plans go awry when the two end up falling for the same boy, however, ending in a tragic confrontation at Afterparty.Throughout the book Emma finds herself fighting for middle ground between the high school experience of "Emma the Good"good grades, steady boyfriend, volunteering at the food bankand the experience she gets with Siobhanchecklists, wild parties, and freedom from her father. Many readers will be able to relate to this classic teenage conflict, even if Emma's privileged lifestyle feels unfamiliar. The characters are realistically flawed, and watching the story unfold is uncomfortable because of it. Afterparty will be most suitable for older teens due to drug-related and sexual themes and will probably be most popular among girls.Johanna Nation-Vallee.
ALA Booklist (Wed Jan 01 00:00:00 CST 2014)
Bulletin of the Center for Children's Books
Horn Book (Fri Aug 01 00:00:00 CDT 2014)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal (Sat Mar 01 00:00:00 CST 2014)
Voice of Youth Advocates
CHAPTER ONE
THE BEACH CLUB WHERE WE land our first day in L.A. is all white and sun-bleached, with striped awnings and a platoon of valet parking guys in shorts and starched safari shirts, like privates in the tap-dancing division of a silent movie’s tropical army. The sky is dazzling blue with a faint grayish haze, a smudge all along the horizon.
My dad thinks it’s some smog-like form of breathable dirt.
I think it’s the edge of Paradise.
On the drive from the hotel to the beach, I start counting palm trees, but there are so many, I lose track. Then I count cars so low to the ground that you could use their hoods for coffee tables, and then landmarks that I’ve seen in movies. The pink-and-green façade of the Beverly Hills Hotel. The gates of Bel Air. The Ferris wheel on the Santa Monica Pier.
My dad says, “We’re not in Kansas anymore.”
Although you wouldn’t know that if you looked at us.
My dad is in creased khaki pants and a blazer and a white shirt and cuff links. I had to fight with him to leave off the tie because, seriously, it’s a beach party at a beach club at the beach.
I am wearing a sundress that is saved from intolerable dowdiness only by the fact that it’s vintage. (Hint: If your dad insists you wear skirts that are several inches longer than any skirt worn by a girl who wasn’t Amish since the nineteenth century, go vintage.)
Cinched waist, wide belt, Audrey Hepburn flats, and big cat’s-eye sunglasses.
I say, “Best city yet. So far.”
We have spent almost my whole life wandering all around the North American landscape like a tiny band of lost nomads from the icy North, pausing at medical schools that needed a visiting professor, my dad, who could work on their research grants, and then pack up and leave. Dragging his kid behind him.
Until now.
My dad says, “Ems, are those polarized lenses? Blue eyes and sun don’t mix.”
I say, “Dad. Of course they are.”
Welcome to California.
I have been here for less than twenty-four hours. I am sitting in the backseat of a limousine behind a driver in a jet-black cap who drives too fast. I am dressed for 1958. And already I am telling lies.
We head down a sharp incline at the edge of a bluff toward the beach and up the coast. I can’t tell if we’re in Santa Monica or Malibu or some other sunbaked city that I’ve never heard of.
I start counting cars with surfboards strapped on top of them, and cars with surfboards sticking out of hatchbacks. I start counting cars with out-of-state license plates, with drivers who look ecstatic to be here and not there when we pass them.
I am counting license plates because I don’t want to think about whether there’s some way my dad can check out if my sunglasses really are polarized.
I am trying to think about all the seagulls here and all this light instead.
How I’m wearing coconut oil instead of dermatologist-approved number 50 sunblock so I can get tan during the last remnants of afternoon sun at this beach party.
I feel very princess-y in the back of this black car. The valet and the driver and my dad all lunge to open my door.
My dad wins. There’s not a minute that he isn’t trying to take care of me. Sometimes maybe too much, but still.
We are here because the head of the Albert Whitbread Psychiatric Institute dropped dead on the last day of July, by the side of the road, on his annual bicycle trek through Provence. The Institute started trying to hire my dad to replace him when his corpse was still in a cooler in France. My dad has spent the month of August trying to decide whether to sign the contract sentencing him to five years in Sodom and Gomorrah, which, if you’re not up on your Biblical trivia, were the ancient prototypes of Sin City.
Usually I am the person protesting the move while my dad tries to explain why moving from Montreal to Toronto to St. Louis to Philadelphia to Baltimore to Washington, D.C., to Chicago in the space of ten years is a good thing.
Not this time. This time I want it.
We walk under a striped awning toward a cluster of white clapboard buildings between the parking lot and the sand.
My dad brushes sand off the cuffs of his pants and gestures toward the club, where, I can tell just by the way he’s frowning, there’s way too much perfectly tanned skin and visible fun. He rolls his eyes “Would you say this is more killer or more gnarly?”
I say, “Dad, I love you, please don’t get mad at me, but if you want these people to hire you, you can’t say those words out loud ever again.”
I don’t know when people actually said “killer” and “gnarly,” but I’m pretty sure my dad was in Quebec, speaking French, back when they did.
My dad says, “Let’s not get ahead of ourselves. I have to decide if I want them to hire me.”
This would be the whole rest of high school in one place, and the place would be here. I have already decided.
Beyond the giant wooden deck of the main building, there are pools and shuffleboard and rows and rows of beach chairs, studded with giant striped umbrellas that skirt a lagoon on one side and go straight down to the surf on the other.
Kids my age seem to own the chairs and the fire pit and the snack shack by the lagoon. My father makes me promise that I will not, under any circumstances, even so much as dip my baby toe in that lagoon, which he is pretty sure is formed from toxic runoff from a storm drain.
“What if my hair catches fire from a rogue tiki torch?” I say.
“Ems, I’m sure there’s a highly trained staff of lifeguards with fire extinguishers if that happens.”
“Just so long as I can swim in the ocean when we move here.”
“If we move here.”
A hostess in white linen leads us to wicker club chairs on the deck next to Dr. Karp, the head of the Albert Whitbread Institute board of directors, and his wife, who are mounting a campaign to convince my dad that Los Angeles, far from being Sin City, is actually a lot like Heaven. Only with a beach.
It is hard to tell from here if all those kids are hanging on the outskirts of the beach club willingly and are having a wonderful time (in which case we should move here and join up immediately, despite the toxicity) or if they’ve been dragged here under protest to keep them penned up and away from the un-rich.
The piped-in music plays “I Wish They All Could Be California Girls,” followed by “California Dreaming,” a version of “Hotel California” with marimbas, and “I Love L.A.”
All I want at that moment is to be a California girl leading a normal California life, sitting by the lagoon, drinking, all right, a bottle of root beer, with my magically transformed California dad, who has become completely okay with me engaging in normal California teen activities.
For my whole life, I was that girl. The girl who wasn’t allowed to watch PG-13 movies until I turned thirteen—which made sleepovers tricky, since if I couldn’t, nobody else could. The one time I broke down and watched the forbidden movie, and my dad found out, I basically spent the next two weeks in my room, nodding my head during long, heartfelt talks about how disappointed he was, and didn’t I have a moral compass?
It wasn’t a ploy or a trick or a parental manipulation, either. The thought that I might not be Emma the Good filled him with woe. I cried so much that he made me crème brûlée with a burnt sugar crust, and I sobbed the whole time I was eating it.
By the time we hit Chicago, the only kind of coeducational activities that didn’t leave him in a state of overwrought parental panic were rehearsals of the Chicagoland Youth Orchestra.
Yet here we are.
Here I am, the girl who has been craving sugar all her life, in Candy Land. Here I am, standing on the exact sandy spot where I want my life as the girl previously known as Emma the Good Girl to begin. Here I am, sliding the sunglasses into my bag after I look at all the other beach club kids and see that cat’s-eyes aren’t an Audrey Hepburn kind of fashion statement at all; they’re just weird.
Mrs. Karp, who keeps putting her hand on my arm when she talks, says, “Your daughter is so lovely. I’ll bet you have to beat the boys off with a stick.”
Not that he wouldn’t, given a boy and a stick, but this is the completely wrong direction for the conversation to be going. In fact, two boys standing in line for the bar at the edge of the deck are at that moment checking me out. At least they are until my dad gives them a look suggesting that unless they avert their gaze, they won’t live long enough to put their shirts back on.
Mrs. Karp tells me how much I’ll like California, oblivious to my dad miserably trying to get the sand out of his shoes.
“But really, a new school that’s already started?” my dad says. “During junior year.”
“But school doesn’t start for days, and I’m a really fast packer!” (Also a highly experienced packer. I could be out of Illinois in forty-eight hours.)
Mrs. Karp pats my hand and says, “Isn’t she precious,” as if I weren’t actually there.
Then Dr. Karp tells my dad how he’s also on the board of Latimer Country Day, where half the kids at this very club (kids who appear to be drinking beer and hooking up in broad daylight halfway across this crowded strip of ritzy beach) go to school, and moments from now, I, too, could be attending.
I am quite certain my dad is appalled at the thought of me having anything to do with these kids. Every time Mrs. Karp offers to take me down to the lagoon to introduce me to some kids my age, he shoots me a don’t-you-dare look and I end up ordering more lemonade.
My dad sighs, “You’d probably have to drive a car.”
The prospect of spinning out down the beachfront highway, behind the wheel, windows down, completely free, makes me almost die of longing. I start wondering if there are GPS bracelets you can clamp on your kid’s ankle, but I’m pretty sure that if you could buy them, I’d have one already.
I say, “I wouldn’t mind driving.”
My dad, who generally manages to walk the fine line between oppressive dictator and overprotective good guy, smiles. He says, “I thought you might have that reaction.”
It’s getting dark, and after hours of observation, I want to go sit with the kids. A lot. Even though I am wearing a polka-dotted dress with a circular skirt that falls three inches below my knees and they’re wearing almost nothing. Even if I end up next to the girls who came up onto the deck to moan about something to their mothers and gave me a who-are-you-and-what-are-you-doing-here once-over on their way back to the sand.
Not a chance.
We have reservations in the dining room, where the waiter hovers over us, keeping our water glasses perfectly full and whisking away the appetizers like a magician before bringing even more food. Of course, Mrs. Karp has long since given up on trying to maneuver me across the sand to meet other kids. She has practically given up talking to me altogether, ever since she kept trying to shove surf ’n’ turf down my throat over my (extremely polite) protests. Then she clammed up, horrified that maybe she was trying to force lobster on a kosher person who can’t actually eat shellfish.
I am not a kosher person. It isn’t even clear if I’m a Jewish person. My dad claims he wants me to make spiritual decisions when I hit adulthood. I just don’t like lobsters. They’re like giant bugs that stare up at you from the plate. I keep telling her that it’s okay, but Mrs. Karp looks stricken, even when my dad reassures her that we left all that (kosher food? religion? all vestiges of our past life?) behind in Montreal.
I am starting to feel as if I’m a walking, talking motherless-girl vacuum that nice women who so much as spot me across the room are inexplicably drawn to fill with helpfulness and insects of the sea.
I wander off in search of the ladies’ room, in search of five unsupervised minutes during which I plan to chew some contraband gum, which my dad thinks is a disgusting and therefore unacceptable habit. I am visualizing a moving truck carting our stuff across the Rocky Mountains.
When I see him.
The guy is in a gray Latimer Country Day football tee, worn almost to transparency, and tight but not disgustingly tight jeans, ocean-soaked around the ankles. I am at a dead end in the maze of hallways and unlabeled doors where the ladies’ room is supposed to be.
The guy has a corkscrew and two wineglasses dangling from his fingers. He has a face you could draw from memory a second after you first see it, a line drawing of hard-edged, witty symmetry. He looks like an underwear model who also attends Yale, and is deeply amused by the world but not so much so that you’re distracted from the cheekbones, or the eyelashes, or the long upper lip, or the mouth.
The mouth.
There is a bit of toasted marshmallow at the corner of his mouth. Which he licks off.
He says, “So. Were you looking for me?”
I watch his tongue trace his lower lip, possibly in search of remnants of marshmallow and possibly flirting.
He has the best hair. Light brown, shiny, slightly spiky from having been in the ocean recently enough to still be damp and only just shaken dry.
He says, “Did I miss something?”
“What?” I am leaning against one of the unmarked doors, which is cold and slippery, as if it’s sucked up all the air-conditioned air and left the hallway balmy.
He says, “You’re looking at my mouth.”
I am.
I say, “Marshmallow.”
He tilts his head. He is bemused, and also gorgeous.
I say, “I’m trapped up here in the dining room with surf ’n’ turf, and I want marshmallows.”
He says, “Poor you. Avoid the clams. Unless you like rubber. You could stick them together and use them for handball.”
I say, “Not my game.”
He rests the back of his head against the wall opposite, but it’s a very narrow hall. “What is your game?”
Oh God, a line! I’ve been here for less than twenty-four hours, I’m just wandering around looking for a quiet place to chew a stick of gum, and I’m two feet away from a tan guy who is feeding me a line.
The guy leans forward. He smells like salt water and smoke from the bonfire down by the lagoon. He slips the hand that isn’t holding the corkscrew and the glasses into the small of my back and then he pauses, and I smile, and he’s kissing me.
Welcome to California.
I do not hook up with random guys in prep-school tees, and I don’t flirt, and I don’t kiss them back—not that I’ve ever had the opportunity to kiss them back—and I don’t put my hand on their shoulders in tacit acknowledgment of how much I want to be doing this strange, random, surprising thing.
There are footsteps, but he doesn’t stop until he’s finished kissing me. Doesn’t look back at the blond girl in the black bikini top and sarong who is looking at me over his shoulder. I didn’t know that people even actually wore sarongs. It might just be a really well-draped beach towel.
She says, “Right. Well, don’t get any ideas about sister-wives, jerkoff. Just give me the corkscrew.”
He is smiling, apparently capable of smiling intensely at two girls simultaneously.
I would jump back, but I’m already pressed against a closed door. I say, “Oh God, is this your boyfriend?” She looks as if he’d be her boyfriend. She is wearing a thin chain with a tiny diamond every few inches that is pooled between her breasts, and she has the same wet hair and the same potential for a lucrative career modeling tiny pieces of lingerie while glaring.
She says, “You can have him. He’s a shit kisser, anyway.” She hooks a finger through his belt loop and pulls him away, down the hall.
I go back to the dinner party, but it’s hard to pay attention.
Three weeks later, we live here.
Excerpted from Afterparty by Ann Redisch Stampler
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
A toxic friendship takes a dangerous turn in this riveting novel from the author of Where It Began.
Emma is tired of being good. Always the perfect daughter to an overprotective father, she moves to Los Angeles dying to reinvent herself. This is why meeting Siobhan is the best thing that ever happened to her. And the most dangerous. Because Siobhan is fun and alluring and experienced and lives on the edge—and she wants Emma to come with her.
And it may be more than Emma can handle.
Their high-stakes pacts are spinning out of control. Loyalties and boundaries are blurred. And it all comes to a head at the infamous Afterparty, where an intense, inescapable confrontation ends in a plummet from the rooftop…
How many lies can you tell your father, your best friend, your boyfriend, and yourself before everything falls apart?