Using examples from nature in which animals care for their young, a human mother describes how she cares for her own baby. She cites bunnies, who are held close; joeys, who are carried in mom's pouch; lizards, who enjoy a patch of warm sun; wolves, who snuggle cozily in a den; kittens, who drink milk; and piggies, who calm down after a bath. When her own baby smiles, Mom replies, "You are not a bunny-roo-lizard-wolf-kitten-piggy. You are my baby." Marr's soothing text ("When I met you, you were small and trembling, and I thought you might be a little bunny. I held you close so you were warm") should prove calming for lap-sitting infants just beginning to focus on illustrations. White's watercolor and gouache artwork exhibits a cozy feel, with realistically drawn animals posed against simple, recognizable settings. This makes a good choice for one-on-one sharing or as a baby story-hour selection paired with Mary Murphy's I Kissed the Baby! (2003).

First, "you were small and trembling, and I thought you might be a little bunny." When "you kicked and squirmed...I thought you might be a lost kangaroo." A mom winkingly describes her journey to realizing "you are my baby." Animals, playful interpersonal-themed prose, a reassuring denouement, and a subdued palette are reminiscent of Margaret Wise Brown.

Baby-Toddler A sweet but less-than-successful parental love letter. Despite the title, a bunny only briefly appears. The narration begins "When I met you, you were small and trembling, and I thought you might be a little bunny," while the illustrations present a lone bunny quivering amongst bright foliage. On the next spread, a mother rabbit in an apron cuddles the bunny as the text explains, "I held you close so you were warm." On the following pages, readers are told how the little one behaves like a lost kangaroo, a curious lizard, and a thirsty kitten, each iteration necessitating some measure of comfort from an animal mother. The flow from one creature to another often feels abrupt, and some of the mother's actions may leave readers puzzled. For example, after "you" howled like a lonely wolf, the mother wolf "ran to [her] house and made you a cozy den so you had a home," a phrase that implies some separation yet feels out of place after pages of mother and child togetherness. In the end, the "you" is revealed to be the mother's human baby, but the lack of repetition and rhythm in the text and the complex comparisons lift this title well above the interest level of most babies and toddlers. White's hand-lettered text and delicate watercolor and gouache illustrations shine in spite of the narrative flaws, with a palette of earth tones against plenty of white space clearly differentiating each comparison. VERDICT Beautiful illustrations are the draw here. Unfortunately, the undistinguished text fails to find its audience. Chelsea Couillard-Smith, Sacramento Public Library, CA