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Hurston, Zora Neale. Childhood and youth. Juvenile fiction.
Hurston, Zora Neale. Childhood and youth. Fiction.
African American girls. Juvenile fiction.
Slaves. United States. Juvenile fiction.
African American girls. Fiction.
Slaves. United States. Fiction.
Florida. History. 20th century. Juvenile fiction.
Florida. History. 20th century. Fiction.
A curse, the legacy of slavery, and a fight for justice collide in this fictionalized account of author Zora Neale Hurston's childhood adventures, sequel to Simon's Zora and Me, co-written with Victoria Bond (2010).Twelve-year-old Zora Neale Hurston is as brave and adventurous as her best friend, Carrie Brown, is cautious. The year is 1903, and the girls live in Eatonville, Florida, the first incorporated all-black town in the U.S. Late one night, during an escapade, the girls discover their friend Mr. Polk injured outside his cabin. Mr. Polk is known to be mute, but to the girls' surprise, he speaks—though not in English—to Old Lady Bronson, the town conjure woman, when she arrives to tend to his wounds. By night's end, Zora has made a pact with the conjure woman, and she and Carrie find themselves embroiled in a half-century-old mystery involving an enslaved girl named Lucia. Through alternating chapters, narrated by Carrie in 1903 and Lucia in 1855, Lucia's story and its connection to Zora and Carrie's world come to light. Raw depictions of slavery and its aftermath provide important context as the Eatonville community's resilience is tested in the face of injustice. The voices of Zora, Carrie, Lucia, and their families and friends make for powerful, unflinching storytelling, worthy to bear the name of a writer Alice Walker called a "genius" of African-American literature.An extraordinary, richly imagined coming-of-age story about a young Zora Neale Hurston, the long, cruel reach of slavery, and the power of community. (biographical note, timeline) (Historical fiction. 10-14)
School Library Journal Starred Review (Tue Jan 03 00:00:00 CST 2023)Gr 5-8 Two years have passed since their last adventure in Zora and Me (2010), but the fictionalized Zora Neale Hurston and her best friend Carrie Brown are as curious as ever about the goings-on in their town of Eatonville, FL, the first all-black incorporated town in the United States. When their mute friend and neighbor, Mr. Polk, is the victim of a seemingly senseless attack and speaks to the town's hoodoo lady, Old Lady Bronson, the friends use their skills and town connections to get to the bottom of the mystery at hand, uncovering a curse that dates back to the time when slavery was legal in the United States. And slavery, to the surprise of Carrie and Zora, wasn't really that long ago. The story of a city separated by 48 years and a war1903 Eatonville and 1855 Westin, as Eatonville was formerly knownis told in alternating chapters. Simon offers keen insight into how the past affects the present, no matter how many years between them. VERDICT A worthy purchase for all upper middle grade and middle school collections. Brittany Drehobl, Morton Grove Public Library, IL
Horn Book (Tue Jan 03 00:00:00 CST 2023)Young Zora Neale Hurston and her friend Carrie (Zora and Me) are pulled into another mystery involving their tight-knit African American community in Eatonville, Florida. The main narrative, set in 1903, alternates with that of a girl enslaved on a Florida plantation in 1855. Their stories merge with a heart-stopping climactic scene. Simon's suspenseful plot moves briskly even as it folds in profound, timely, and important themes. Reading list, timeline.
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)A curse, the legacy of slavery, and a fight for justice collide in this fictionalized account of author Zora Neale Hurston's childhood adventures, sequel to Simon's Zora and Me, co-written with Victoria Bond (2010).Twelve-year-old Zora Neale Hurston is as brave and adventurous as her best friend, Carrie Brown, is cautious. The year is 1903, and the girls live in Eatonville, Florida, the first incorporated all-black town in the U.S. Late one night, during an escapade, the girls discover their friend Mr. Polk injured outside his cabin. Mr. Polk is known to be mute, but to the girls' surprise, he speaks—though not in English—to Old Lady Bronson, the town conjure woman, when she arrives to tend to his wounds. By night's end, Zora has made a pact with the conjure woman, and she and Carrie find themselves embroiled in a half-century-old mystery involving an enslaved girl named Lucia. Through alternating chapters, narrated by Carrie in 1903 and Lucia in 1855, Lucia's story and its connection to Zora and Carrie's world come to light. Raw depictions of slavery and its aftermath provide important context as the Eatonville community's resilience is tested in the face of injustice. The voices of Zora, Carrie, Lucia, and their families and friends make for powerful, unflinching storytelling, worthy to bear the name of a writer Alice Walker called a "genius" of African-American literature.An extraordinary, richly imagined coming-of-age story about a young Zora Neale Hurston, the long, cruel reach of slavery, and the power of community. (biographical note, timeline) (Historical fiction. 10-14)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)In this compelling sequel to
Starred Review for Kirkus Reviews (Tue Jan 03 00:00:00 CST 2023)
School Library Journal Starred Review (Tue Jan 03 00:00:00 CST 2023)
Horn Book (Tue Jan 03 00:00:00 CST 2023)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
There are two kinds of memory. One is the ordinary kind, rooted in things that happened, people you knew, and places you went. I remember my father this way: laughing, picking me up, singing lullabies in his gentle bass. I see him swinging my mother in a half circle, the hem of her blue skirt flying up to show the rough white thread she used for mending, like a bed of stars along a ridge. The second kind of memory is rooted in the things you live with, the land you live on, the history of where you belong. You tend not to notice it, much less think about it, but it seeps into you, grows its long roots down into the richest soil of your living mind. Because most of us pay this second kind of memory no mind, the people who do talk about it seem to us superstitious or even crazy. But they aren't. The power of that memory is equal to any of the memories we make ourselves, because it represents our collective being, the soul of a place.
After losing my father, after nursing myself to sleep nights on end with glimpses of the past with him, I was well enough acquainted with the first kind of memory. But by twelve I was still too young to pay much mind to the memories held by the town we lived in, by Eatonville itself.
That all changed the night we found Mr. Polk, his blood soaking into the earth. When I look back, I wonder how it had never before occurred to me that Eatonville, America's first incorporated colored town, might have a history that stretched back beyond its name and my twelve years. How could I have thought our town began with Teddy, Zora, and me, that it had just opened into the infinite present of our young lives? In fact, we were living out Eatonville's history as blindly as pawns in a century-old chess game. We were no more new or free than the land itself, but like all young people, we confused our youth with beginning and our experience with knowledge. It wasn't until that night -- when we heard the town mute speak to the town conjure woman -- that Zora and I began to forge a real connection with the land, a connection that let us know ourselves through a past we hadn't lived but was inside us all the same.
Excerpted from Zora and Me: the Cursed Ground by T. R. Simon
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A 2019 Edgar Award Nominee
A powerful fictionalized account of Zora Neale Hurston’s childhood adventures explores the idea of collective memory and the lingering effects of slavery.
“History ain’t in a book, especially when it comes to folks like us. History is in the lives we lived and the stories we tell each other about those lives.”
When Zora Neale Hurston and her best friend, Carrie Brown, discover that the town mute can speak after all, they think they’ve uncovered a big secret. But Mr. Polk’s silence is just one piece of a larger puzzle that stretches back half a century to the tragic story of an enslaved girl named Lucia. As Zora’s curiosity leads a reluctant Carrie deeper into the mystery, the story unfolds through alternating narratives. Lucia’s struggle for freedom resonates through the years, threatening the future of America’s first incorporated black township — the hometown of author Zora Neale Hurston (1891–1960). In a riveting coming-of-age tale, award-winning author T. R. Simon champions the strength of a people to stand up for justice.