Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)

Seven rhymed tales, dug from hard to find places! Look for millions of Seuss fans with bright shiny faces! As Seuss scholar Charles D. Cohen notes in his buoyant introduction, the stories—all published in magazines in the early 1950s, but never elsewhere except, for some, in audio editions—catch Ted Geisel at the time he gave over writing in prose, inspired by new insight into the capacity of children to absorb and enjoy words and word sounds. His command of language and cadence is sure, while the pedantry that sometimes weighed down his later work is also visible but only lightly applied: Extreme greed leads to the loss of a wish-granting seed in the title story, for instance, and an overfed "Gustav, the Goldfish" outgrows every container. (The latter story is an early version of an unrhymed tale published by Seuss' first wife, Helen Palmer, as A Fish Out Of Water.) In other premises that saw service elsewhere, "The Great Henry McBride" ambitiously daydreams of future careers, and a "Strange Shirt Spot" keeps moving from place to place despite a frantic lad's efforts to remove it. The buffed-up illustrations look brand new, and despite occasional signs of age—"Oranges! Apples! And all kinds of fruits! / And nine billion Hopalong Cassidy suits!"—the writing is as fresh, silly and exhilarating as it must have been when first seen. The good Doctor may be dead these 20 years, but he's still good for splendid surprises. (Picture book. 6-9)

School Library Journal (Wed Feb 01 00:00:00 CST 2012)

K-Gr 6 Seven stories published in magazines from 1948 to '59 appear with their original texts and illustrations, all of which have been technologically enhanced. In a lengthy introduction, Seuss scholar Charles D. Cohen describes his research in uncovering these stories and the ways in which they resonate with familiar Seussian elements and themes. Youngsters see the folly of greed when the duck in "The Bippolo Seed" wants more than he needs and ends up with nothing. The message in "The Rabbit, the Bear, and the Zinniga-Zanniga" is that, "&30;when you fight with Big Guys.../A bit of Quick-Thinking/counts much more than size!" An illustration of the foolish bear atop the tree while the rabbit escapes adds to the fun. "Gustav, the Goldfish" and "The Strange Shirt Spot" demonstrate the consequences of not following the rules. Unable to settle on one occupation, the protagonist in "The Great Henry McBride" dreams big, convincing himself and children everywhere that they can be and do anything. The delightful rhythm, tongue-tickling language, and trademark art exemplify how Seuss's work has delighted generations of readers and made learning to read fun. Marianne Saccardi, formerly at Norwalk Community College, CT

Horn Book (Sun Apr 01 00:00:00 CDT 2012)

Seuss scholar Charles D. Cohen reintroduces seven Seuss stories originally published in magazines (never before in book form). Youngsters can enter the recognizable Seuss world complete with staccato rhymes and familiar (color-enhanced) illustrations. Here they'll find a trickster, a(nother) feisty feline, and more. Listeners and beginning readers--as well as their caregivers--will appreciate the opportunity to revisit an old beloved friend.

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

This volume collects seven joyous Seuss stories that were published in Redbook in 1950 and 1951 but had never appeared in book form. In an insightful introduction, Seussian scholar Charles D. Cohen notes that Seuss wrote these tales at a transitional point in his career, when he grasped the importance of using the sounds of words to hook children on reading. The stories- rhymed couplets are pitch-perfect, the verse-s rhythm as snappy as in any of Seuss-s better-known works. In the title story, a duck and a cat-s greed spins out of control as they imagine everything that they-ll wish for from a magical seed. In -Steak for Supper,- an outlandish menagerie follows a boy home to dine: -A Nupper for supper! A Gritch! And a Grickle!/ And also an Ikka! Oh, boy! What a pickle!- These creatures and others are portrayed with Seuss-s trademark exaggeration and whimsy. The limitations of the source material are occasionally apparent-the longer stories overcrowd certain pages with text, the artwork sometimes feeling stretched to fit the format. Regardless, fans old and young will deem these -lost- stories a tremendous find. Ages 6-9. (Sept.)

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

Seven rhymed tales, dug from hard to find places! Look for millions of Seuss fans with bright shiny faces! As Seuss scholar Charles D. Cohen notes in his buoyant introduction, the stories—all published in magazines in the early 1950s, but never elsewhere except, for some, in audio editions—catch Ted Geisel at the time he gave over writing in prose, inspired by new insight into the capacity of children to absorb and enjoy words and word sounds. His command of language and cadence is sure, while the pedantry that sometimes weighed down his later work is also visible but only lightly applied: Extreme greed leads to the loss of a wish-granting seed in the title story, for instance, and an overfed "Gustav, the Goldfish" outgrows every container. (The latter story is an early version of an unrhymed tale published by Seuss' first wife, Helen Palmer, as A Fish Out Of Water.) In other premises that saw service elsewhere, "The Great Henry McBride" ambitiously daydreams of future careers, and a "Strange Shirt Spot" keeps moving from place to place despite a frantic lad's efforts to remove it. The buffed-up illustrations look brand new, and despite occasional signs of age—"Oranges! Apples! And all kinds of fruits! / And nine billion Hopalong Cassidy suits!"—the writing is as fresh, silly and exhilarating as it must have been when first seen. The good Doctor may be dead these 20 years, but he's still good for splendid surprises. (Picture book. 6-9)