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Holocaust, Jewish (1939-1945). Comic books, strips, etc. Fiction.
Jews. Germany. Comic books, strips, etc. Fiction.
Jews. Great Britain. Comic books, strips, etc. Fiction.
World War, 1939-1945. Refugees. Comic books, strips, etc. Fiction.
Kindertransports (Rescue operations). Comic books, strips, etc. Fiction.
Germany. History. 1933-1945. Comic books, strips, etc. Fiction.
An 11-year-old Jewish girl travels alone from Berlin to Great Britain in the Kindertransport of 1938.In a follow-up to Good-bye Marianne (1998), Watts and Shoemaker continue their adaptation of Watts' 2000 novel, Remember Me. On the cover, a girl sits forlornly on a suitcase under the bold black title against a background of Nazi red. Endpapers offer a hopeful hint of her mother's soft embrace as she looks at the starry night sky. Sandwiched in between is a straightforward, first-person telling of Marianne Kohn's story as she holds out hope of a reunion with her parents. Author and illustrator show their collaborative finesse in a wonderfully rendered marriage between text and art. Nine chapters shape Marianne's journey, each beginning with a map on a stark black page that seems to loom over a year of wartime bleakness. Marianne is in the dark about her future, literally and figuratively. Fuzzily drawn, gray-toned panels make her fear and loneliness palpable. She's billeted in one unhappy situation after another in London and Wales, often with sponsors scornful of refugees. She's renamed by one woman who "wants me to call her ‘Mother' and turn me into her dead child." Thought bubbles clearly convey Marianne's deepest concerns while she stumbles through conversations in English. A book that invites close reading, this will spark interest in the plight of all refugees. (glossary) (Graphic historical fiction. 10-16)
ALA Booklist (Wed Mar 01 00:00:00 CST 2017)This beautifully rendered graphic novel tells the story of Marianne, an elementary-age Jewish refugee from Nazi Germany. She escapes to the relative safety of Britain on a kindertransporte, ending up in the Welsh countryside before the London Blitz. Marianne never gives up hope that she will be reunited with her parents. She writes them religiously and hangs on every word of incoming post from Germany. The sketchy, dark pencil artwork elevates the sense of dystopia that Marianne feels as she floats from one foster home to the next. Although the story addresses heavy elements of history (the Holocaust, systemic anti-Semitism, the separation of displaced families), it maintains an optimistic tone throughout. Marianne is a resilient and forgiving young woman. She sees past the faults and judgments of her foster families, focusing rather on her gratitude for their willingness to shelter her. This would make a gentle, highly visual addition to Holocaust curricula, or it could be an excellent tool for introducing xenophobia and refugee crises to upper-elementary and middle-grade readers.
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)An 11-year-old Jewish girl travels alone from Berlin to Great Britain in the Kindertransport of 1938.In a follow-up to Good-bye Marianne (1998), Watts and Shoemaker continue their adaptation of Watts' 2000 novel, Remember Me. On the cover, a girl sits forlornly on a suitcase under the bold black title against a background of Nazi red. Endpapers offer a hopeful hint of her mother's soft embrace as she looks at the starry night sky. Sandwiched in between is a straightforward, first-person telling of Marianne Kohn's story as she holds out hope of a reunion with her parents. Author and illustrator show their collaborative finesse in a wonderfully rendered marriage between text and art. Nine chapters shape Marianne's journey, each beginning with a map on a stark black page that seems to loom over a year of wartime bleakness. Marianne is in the dark about her future, literally and figuratively. Fuzzily drawn, gray-toned panels make her fear and loneliness palpable. She's billeted in one unhappy situation after another in London and Wales, often with sponsors scornful of refugees. She's renamed by one woman who "wants me to call her ‘Mother' and turn me into her dead child." Thought bubbles clearly convey Marianne's deepest concerns while she stumbles through conversations in English. A book that invites close reading, this will spark interest in the plight of all refugees. (glossary) (Graphic historical fiction. 10-16)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Shoemaker-s quiet, silvery-penciled panels soften this Holocaust narrative, a companion to
Gr 5-8This follow-up to Watts's Good-bye Marianne is a fictionalized account inspired by the author's real-life experience with the Kindertransport, a heroic rescue operation that brought Jewish children to Great Britain prior to World War II. Eleven-year-old Marianne flees Austria, arriving in London in December 1938. Though she trusts her family's decision to send her away to safety, it doesn't make the process any less painful as she struggles to adjust to a new country and sponsors who never seem pleased with her. Cold Aunt Vera treats Marianne more like hired help than a guest, while Auntie Vi is overprotective and views her as a replacement for the daughter she recently lost. Her days pass in confusion, hurt, and sadness. Black-and-white pencil sketches reflect a mood of loneliness and the bleakness of the time period. With about six panels per page, it can be difficult to discern the action, given that the sketches are shadowy and individual features are very small and similar. The glossary, which defines terms associated with the Nazi Party and Welsh phrases that appear in text when Marianne must flee London late in the book, does a great job of explaining terms at an age-appropriate level without shying away from harsh truths. Though the conclusion may feel abrupt, middle grade readers will appreciate the happy ending. VERDICT A first purchase for collections that own Good-Bye Marianne and for libraries looking to expand their offerings on the experiences of refugees.Samantha Lumetta, Public Library of Cincinnati and Hamilton County, OH
Starred Review for Kirkus Reviews
ALA Booklist (Wed Mar 01 00:00:00 CST 2017)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal (Wed Mar 01 00:00:00 CST 2017)
In this follow-up to the successful Goodbye Marianne, Irene Watts explores what it is like for a young refugee girl to flee Nazi-occupied Austria alone. The poignant story is relatable to the terrible situation facing refugees in Europe and around the world today.