In fascinating detail, Aronson tells the story of America during J. Edgar Hoover's reign as head of the FBI and "the nearly fifty years of criminal activity that was his legacy." For today's students, Communism and anti-Communism are "just terms that appear on tests, like the Whig, Greenback, or Know-Nothing parties," but this volume brings alive the drama of the Cold War period and demonstrates its significance for readers now. Taking his title from Hoover's 1958 work on the dangers of Communism, Aronson writes about the dangers of a "security at all costs" mentality during the Cold War and, by extension, our post-9/11 world. He covers a large slice of history--the Palmer raids of 1919, the gangster era, the Scottsboro case, World War II, the Rosenbergs, Joseph McCarthy, the civil rights movement and Watergate--but this is no mere recitation of the facts; it's a masterpiece of historical narrative, with the momentum of a thrilling novel and the historical detail of the best nonfiction. With references as far-flung as Karl Marx, Stalin, Wordsworth, American Idol, The Hunger Games and The Lord of the Rings, this is as much about how history is written as it is about Hoover and his times. Extensive backmatter includes fascinating comments on the research, thorough source notes that are actually interesting to read and a lengthy bibliography. Written with the authority of a fine writer with an inquiring mind, this dramatic story is history writing at its best. (Nonfiction. 14 & up)

Gr 9 Up-We hear a great deal in the media about the loss or watering down of American values. If Master of Deceit makes nothing else clear, it shows plainly that these issues are far from new, and that powerful people have always attempted to shape events and trends in ways that benefited them. It begins with a prologue discussing a letter to Dr. Martin Luther King, Jr., in 1964, a letter that threatened him with exposure of being a Communist pawn unless he committed suicide. It was penned by an FBI official in an attempt to impress his boss, J. Edgar Hoover. The text moves on to give a lucid account of the rise of the Communist Party in both Russia and the United States. It parallels the lives of John Reed and J. Edgar Hoover, showing the varying impacts of two strong personalities, and then moves on chronologically to cover the main events of Hoover's life. Relying on wide reading and vast research, Aronson paints a nuanced and evenhanded portrait of a man who was complicated, almost certainly neurotic, and who had an iron will to control—both himself and others. Thoroughly discussing the FBI's role in law enforcement, the McCarthy witch hunts and HUAC, campaigns against Dr. King and civil rights, and comparing the egregious violations of individual rights and due process committed by the agency to the conduct of post-9/11 containment and treatment of Arab Americans, this book is a must for high school students. Extensive use of black-and-white photos and period cartoons greatly enhances the text. The author's closing note on "How I Researched and Wrote This Book" is both revelatory and engaging. This groundbreaking volume will encourage dialogue on tough issues of integrity, security, individual rights, and the shifting sands of American values.— Ann Welton, Helen B. Stafford Elementary, Tacoma, WA

This biography is an unflinching portrait of an insecure, scheming zealot who conflated communism, civil rights, and the antiwar movement into a singular, immeasurable menace and dedicated himself to eradicating it. The author looks at and behind the historical record, examining Hoover's public conduct and peering into the murky corners of his personal life, finding motivation for his fierce exertion of control in the suspicions about his sexuality and his race. Large black-and-white reproductions of photos, internal memos, and cultural artifacts document a troubled man on a mission. For all of his respect for his subject's complexity, Aronson's contempt is unmistakable. He draws overt parallels between Hoover's particular brand of fearmongering and the intractable contemporary polarity of American government. A full 30 pages of back matter include an epilogue, copious source notes, and an index (not seen). Most compelling is the afterword, wherein the author expresses the challenges and fears he faced exposing the underbelly of the FBI under Hoover, making this both a gripping historical investigation and an instructive example of the researched communication of ideas.

This book chronicles the facts of Hoover's personal life and his half-century-long stranglehold on the FBI. The biography of an American villain, a history of America during the last century, and a meditation on what it means to be American in the present era--Aronson delivers another provocative book with an ambitious focus, sprawling and scattershot at times, but almost gloriously so. Bib., ind.

In fascinating detail, Aronson tells the story of America during J. Edgar Hoover's reign as head of the FBI and "the nearly fifty years of criminal activity that was his legacy." For today's students, Communism and anti-Communism are "just terms that appear on tests, like the Whig, Greenback, or Know-Nothing parties," but this volume brings alive the drama of the Cold War period and demonstrates its significance for readers now. Taking his title from Hoover's 1958 work on the dangers of Communism, Aronson writes about the dangers of a "security at all costs" mentality during the Cold War and, by extension, our post-9/11 world. He covers a large slice of history--the Palmer raids of 1919, the gangster era, the Scottsboro case, World War II, the Rosenbergs, Joseph McCarthy, the civil rights movement and Watergate--but this is no mere recitation of the facts; it's a masterpiece of historical narrative, with the momentum of a thrilling novel and the historical detail of the best nonfiction. With references as far-flung as Karl Marx, Stalin, Wordsworth, American Idol, The Hunger Games and The Lord of the Rings, this is as much about how history is written as it is about Hoover and his times. Extensive backmatter includes fascinating comments on the research, thorough source notes that are actually interesting to read and a lengthy bibliography. Written with the authority of a fine writer with an inquiring mind, this dramatic story is history writing at its best. (Nonfiction. 14 & up)