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Self-confidence. Fiction.
Self-perception. Fiction.
Identity. Fiction.
Loss (Psychology). Fiction.
Friendship. Fiction.
Sisters. Fiction.
Israelis. United States. Fiction.
Staten Island (New York, N.Y.). History. 20th century. Fiction.
Eighth-grader Roxanne misses her mother, who has gone home to Israel for several months to care for a relative. It's the early 1980s, in Staten Island, and Roxanne's other big concern is her family's lack of thorough-going Americanness; being Israeli, she has decided, is a problem. She and her nine-year-old sister live on a diet of television, cold cereal, and waiting for their father to return late each night from driving his cab. Then Liat, a girl Roxanne's age, moves in next door and challenges the sisters to explore the possibilities around them and accept their identity as Israeli-Americans. The denouement, in which Liat's father packs her up for another move, this time back to Israel, feels rushed. But Friedman does an exquisite job in bringing the two older girls to life and showing how each has responded to her family's upheavals and current circumstances. Minor characters are also compelling and, for the most part, endearing.
Horn BookRoxanne, who wants to be an all-American girl, wishes her Israeli American family was more like the Brady Bunch. New neighbor Liat teaches Roxanne to have self-confidence and be proud of her heritage. Readers might not recognize the copious (and increasingly tedious) seventies and eighties references, but Roxanne's angst about growing up and her desire to fit in are timeless.
Kirkus ReviewsRoxanne (Ravit) Ben-Ari is an Israeli-American girl growing up in 1980s New York City. Family life is less than idyllic, with her mother away in Israel and her father working late into the night as a cab driver. The long afterschool hours are spent watching favorite television reruns, eating sporadically from a nearly empty refrigerator and managing to get by with homework assignments. Roxanne aches for her mother's safe return and longs to fit in with her all-American schoolmates, the very reason she changes her Hebrew name. When Liat, a new Israeli girl, moves into the empty "cursed" house on the block, Roxanne's attitude on life and her family circumstances is transformed. Liat's Israeli pride brings a fresh perspective that encourages a new confidence in Roxanne, who can then identify with and appreciate her family and dual cultural lifestyle. Told in a first-person voice that is both sardonic and sincere, Friedman's novel succeeds in bringing forth some common issues that challenge any immigrant American child who must straddle separate ways of life while striving for that true-blue American image. (Historical fiction. 10-13)
School Library JournalGr 5-8 When Roxannes mother returns to Israel to care for an ailing relative, the 13-year-old and her younger sister are left to fend for themselves. They eat cold cereal and canned mushrooms for dinner every night or buy hotdogs from the neighbors, and spend their afternoons and evenings watching television while their father works late nights as a cab driver in Manhattan. But when Liat moves into the cursed house next door, Roxanne slowly discovers that her obsession to become all-American might not be as important as she once thought. Confident and unconcerned with what others think, Liat is proud to retain her Israeli name (Roxanne has changed hers from Ravit) and is not embarrassed by her fathers clothes, thick accent, wildly decorated car, or outrageous girlfriend. The fact that Liats house does turn out to be curseda mysterious house fire forces the family to return to Israelseems a bit far-fetched, but it does add drama to the story. Roxannes fixation with television quickly becomes tiresome, and todays readers might not relate to all of the aspects of 1980s culture sprinkled throughout the narrative, such as the coveted winged hairstyle. Despite these weaknesses, this is a readable coming-of-age story that captures many universal aspects of the contemporary immigrant experience coupled with middle school angst, first crushes, and the importance of finding ones own wings. Rachel Kamin, North Suburban Synagogue Beth El, Highland Park, IL
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It's not a scary or ugly house, like those haunted houses you see in the movies, but it is different. It's the biggest house on the block, and the only one painted bright pink. And the backyard leads to the woods, which are scary. Nobody else's house leads to the woods.
My sister, Gayle, and I are walking home from school when we see the sign:
House for Sale
Contact Appleseed Agency
Neither of us says anything. Finally Gayle asks,
"What kind of weird name is Appleseed?"
"I dunno," I reply. "Maybe it's . . ." But I trail off, because I can't think of an explanation. We stare at it for a few more seconds in silence, then finally start for our house.
Gayle walks straight into the kitchen, turns on the TV, and gets out the cereal. "Do you think anyone will buy it, Roxanne?" she asks as she dumps a rushing stream of Cocoa Pebbles into her bowl.
"Yeah, I guess so," I say. I make sure the TV is tuned to Channel 5, which shows the best reruns after school.
We sit at the kitchen table watching TV and eating cereal, but my mind drifts from The Brady Bunch to the Cursed House. I think about all the awful stories we've heard about the people who lived there--like the one about Stood-Up Serena. Stood-Up Serena was a high school senior who was stood up by her date on the night of the senior prom. She walked into the woods in her lavender prom gown and never came back.
Then there was the time the FBI swarmed over the house in the middle of the night with flashlights and guns. The family who lived there got busted for something major, but no one ever found out what.
Four months later, the Brinns moved in. They were there only a week when their youngest daughter fell down the stairs and broke her neck. On the way to her funeral, the whole family died when a milk truck plowed into their car on the Staten Island Expressway.
The Staten Island Advance splashed the story on its front page, describing the accident scene as "a haunting shade of bright pink"--spilled milk mixing with spilled blood. It also mentioned that the house the family had lived in was bright pink, but it didn't say it was called the Cursed House. The house has been empty ever since.
"Do you really think it's Cursed?" Gayle asks.
"Yeah, it seems like it," I reply.
Gayle stops her spoon in midair. "Do you think it's pink because of blood?"
"Yeah," I say again.
"How come the Curse doesn't come to our house?" she asks, and although she says this nonchalantly, I can tell the idea makes her anxious.
I pause, because I really don't know. Finally I say, "I guess Curses don't work that way. I guess Curses just stay where they are."
Gayle nods, satisfied with my response.
Truth is, even though the Cursed House has always been right next door, it isn't a big part of my life and I don't worry about it.
This is a list of the things I do worry about:
a. eddie
b. gym
c. my hair
d. being Israeli
I make a lot of lists. They help me think. I sometimes write them down, but mostly I just make them in my head.
After eating a second bowl of cereal, I go upstairs to put away my school things. The first thing to greet me when I walk into my room is my poster of Prince Charles and Lady Diana on their wedding day. Gayle bought it for me on my thirteenth birthday. Gayle's birthday--she turned nine--is the day before mine.
"Roxanne!" Gayle suddenly screeches. "Come quick!"
"What? What?" I yell as I run down the stairs.
Gayle is standing in front of the window in our living room, pointing outside, her mouth frozen into a giant O.
A blue station wagon is parked in the driveway of the Cursed House. A woman with a fluffy mound of carrot-orange hair, wearing a brown skirt and yellow jacket, is pulling a sign out of the trunk.
Before I can make out what the sign says, I know what it is. I have seen this exact situation in countless commercials. The woman is a real estate agent, and the sign she slides slowly into place reads:
Sold.
Excerpted from The Importance of Wings by Robin Friedman
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
In 1980s New York, eighth-grader Roxanne misses her mother and struggles with her Israeli-American identity and her father's long hours.
Roxanne (Ravit) Ben-Ari is an Israeli immigrant girl looking to fit in. An evangelist for TV reruns like Wonder Woman, The Brady Bunch, and Little House on the Prairie. Roxanne is desperate to emulate all-American TV girls.
But things change when Liat moves in nearby, and Liat's self-confidence enables Roxanne to embrace her own unique identity.