Publisher's Hardcover ©2017 | -- |
Paperback ©2018 | -- |
Supernatural. Fiction.
Good and evil. Fiction.
Individuality. Fiction.
Orphans. Fiction.
Debut author van Arsdale creates an eerie medieval world where fear of nature and magic create a rigid, puritanical society. In seven-year-old Alys' tiny rural village of Gwenith, two once-human sisters known as soul eaters kill all the adults, leaving only children under 15 alive. Rescued by traveling peddler Pawl, the children of Gwenith are taken in by the village of Defaid. Alys is adopted by a kindly couple, but knows she cannot share her secret e has met the soul eaters and shares their hunger for living beings. For nine years, the Defaiders use Gwenith's orphans to guard the village from soul eaters and the Beast, a legendary creature, but eventually the soul eaters invade the village. Alys is then singled out as a witch and sentenced to death. With a fast-moving plot, atmospheric flashbacks, and the lyrics of a children's song about the dangers of the Beast used to excellent effect as section markers, this is a swift and compelling read that will be popular with fans of fantasy and fairy tale retellings.
Horn BookThe soul eaters kill Alys's parents and every adult in Gwenith. In her new village, suspicion falls on Alys--she had been awake during the attack. When Alys meets the Beast, the evil creature in the village elders' holy book, it confirms her connection to the soul eaters. Rock-solid setting and a Salem witch triallike culture ground readers in this psychologically intense fantasy.
Kirkus ReviewsIn a dark atmospheric fantasy debut, one young woman (like so many adolescents) finds her greatest enemy is the monster within.After twin sisters tragically warped into wraithlike "soul eaters" wreak vengeance upon the adults who betrayed them, 7-year-old Alys and the rest of the surviving children seek refuge with a neighboring village—at the price of cruel servitude to their oppressive Elders. Over the decade that follows, Alys is secretly drawn to The Beast, the mystical spirit of the "fforest" widely deemed the source of all evil. To her horror, she also realizes a growing sense of kinship with the vampiric sisters, even to a compulsion to drain the souls of anyone threatening her. Van Arsdale limns a bleak, doleful world, inspired by medieval Wales, where the "white as snow," rigid, and puritanical townsfolk contrast negatively with the more ethnically diverse, gender-fluid, and carefree people of the Lakes. Alys' archetypical hero's journey meanders at a dreamlike pace: great swathes of earthy quotidian detail are punctuated by set pieces of grotesque horror and brief interludes of beauty, compassion, and perfunctory-feeling romance. Her final confrontation with the sisters (and her own inner demons) occurs in a phantasmagorical climax that is a pure distillation of all that comes before, at once achingly poetic and frustratingly opaque. Moody, ponderous, and baroque; a good choice for readers with Gothic inclinations. (Fantasy. 12-18)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Alys was only seven when soul eaters killed the adults in the village of Gwenith. She was then taken to nearby Defaid, where she made a life with new parents. It isn-t much of a life, though: when soul eaters attack Defaid, a -great wooden Gate- is built around the village, and the children of Gwenith must guard the Gate through the night. Theirs is a colorless existence, and Alys feels the pull of the dark -fforest- surrounding the village, and the beast that lives there. From the sorrowful opening that introduces the soul eaters, van Arsdale-s lyrical debut spans about eight years, revealing the growing darkness Alys feels inside and the weight of the secret she carries. When Alys is accused of a terrible crime, she-s forced to leave the village and confront her destiny. Atmospheric and immersive, van Arsdale-s eerie fantasy keeps its focus on Alys-s struggle to reconcile who she is with what she wants to be as it builds toward a poignant and satisfying conclusion. Ages 14-up.
Gr 7 Up-rom the night she first meets the strange twin sisters outside her village and yet feels no fear, Alys knows there is something different about her. The twins suck away the souls of all of the adults of Alys's village that night, leaving them dead. The children are compelled to take refuge in a nearby town, Defaid, where they are treated as second-class citizens, forced to patrol the town boundaries and tend to the sheep outside of town while the Defaiders are safe in their beds. Alys tries to lead a normal life, but after an encounter with a strange beast mentioned in gruesome children's rhymes and further interactions with the soul eaters, she knows she cannot be normalbut can she at least keep herself from being evil? This debut takes inspiration from darker Grimm fairy tales and doesn't shy away from horrorlike elements. The work is dominated by atmospheric writing, the tone alternately brooding and stark. But the substance of character and story fall short of the promising setup and ambience. Characters are largely two-dimensional, and the people of Defaid are stereotypical pilgrimlike religious fanatics. The prose does a lot of telling rather than showing, which can lead to a feeling of disengagement in readers. A late-appearing romantic interest is a distraction, and while the happy-ever-after ending may satisfy some, it feels too gentle for an otherwise sinister tale. VERDICT An intriguing premise that only half delivers. Not recommended.Gretchen Kolderup, St. Helens Public Library, OR
Voice of Youth AdvocatesLong ago, twin sisters living in Gwenith village were banished to a dark forest. They returned many years later as vengeful soul eaters, unleashing their wrath on the villagers and sparing only children under fifteen. Alys, along with the other orphaned survivors, is relocated to Defaid, a puritanical village ruled by a harsh High Elder. Fearing the soul eaters and the Beast, a forest spirit rumored to be the source of all evil, the Defaid villagers force the Gwenith children to serve as guards at the village gate every night. Guarding secrets about her past, Alys feels drawn to the Beast and the forest. With fear running high in Defaid and Gwenith children disappearing, Alys is accused of being a witch. She flees, but soon realizes that in order to save the ones she loves, she must confront not only the soul eaters, but also what she has become. van Arsdale has crafted a mesmerizing dark fantasy that explores the consequences of religious hatred, the subjective nature of good and evil, and the struggle to define and accept oneself. Interspersing Alyss journey with eerie nursery rhymes and the soul eaters points of view, van Arsdales narrative ebbs and flows into an almost too-swift resolution, but fans of foreboding fantasy will enjoy the ride. Another wonderful aspect is van Arsdales refuge community for the orphans of Gwenith; it is filled with culturally diverse and gender non-conforming characters.Jewel Davis.
ALA Booklist
Bulletin of the Center for Children's Books
Horn Book
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Voice of Youth Advocates
ONE
Nights were long for Alys.
And they were always the same. Her mother washed her and dropped her flannel nightshift over her head. She tucked Alys between linen sheets and under wool blankets that felt heavy on Alys's restless limbs. Then came Alys's night-long entrapment by darkness and quiet and the absence of sleep.
Alys looked longingly after Mam as she left the room. Mam turned back once and smiled at Alys, then closed the door behind her, snuffing the glow of light from the warm kitchen. Alys imagined her father sitting out there, pipe in mouth, toes near the fire. Then she lay in bed listening to the sounds of the house fall around her--the low murmur of her parents, the clattering of a dish, the footsteps on wood floors.
Then silence.
She could hear them breathing. Mam's soft sighs, Dad's snores, a moan.
Alys was seven now, and she'd been this way for as long as she could remember. She dreaded the night.
If only she were allowed to get out of bed. It was the knowing that she couldn't get out, that was what made sleeping so impossible for her. Told to lie still and sleep, Alys felt the strongest urge to do exactly otherwise. Her eyes instead flew open and stayed that way. She had no siblings so she couldn't know this for sure, but she'd been told that she was an odd child this way, that most children knew to give in to sleep when the time came. Alys could not do this.
Alys decided that this night would be different. This night, when the sighs and the snoring rose in the air, she would declare an end to her nights of entrapment. She would make the night her own.
She waited long after silence fell, just to be sure. Then she dropped her feet to the cold wood floor. It was end of summer, near harvest, and although the days were still warm, already she sniffed autumn in the air. She found her woolen stockings and boots, a wool overdress. She was not a child who needed to be told what to wear. Mam always told Alys that she was sensible that way.
Alys wasn't being sensible now. This wasn't the wisest night for her to wander. She knew this, and yet she couldn't stop herself. She'd made a plan, and after so much waiting, after such a long imprisonment, she refused to wait another night. She couldn't wait. She wouldn't. Not even after what had happened last night with the farmer and his wife, nor the night before that, when the wolves came and ate up all the chickens, and goats, and horses in the entire village of Gwenith. Alys was sad about Mam's chickens. They were so sweet and warm in her lap, and they laid such nice eggs.
Alys had heard her parents talk about the farmer and his wife, the ones who were dead. They lived way out on the edge of the village, nearly to the fforest. Mam had said the only reason they were found at all is that someone thought the farmer might know what had happened to all the animals. Mam said that surely all that bloodshed was the work of a witch, and that was where the other witch and her twin girls had lived. And then Dad said that just because you had married one witch, didn't mean you had married another. Mam disagreed, and said she supposed it did mean that very thing, because then why else was the farmer dead? And weren't Mam's own dead chickens proof they were all being punished for that man's sins and whatever he and his wife had been getting up to out there where no one could see them? Then Dad had given Mam a look, and Mam realized that Alys was listening, and well . . . that was the end of that.
Alys should have been afraid of the wolves and the idea of a witch being married to a farmer, but she wasn't. Alys, in fact, had never been afraid. Her favorite nursery rhymes were the scary ones. The ones about The Beast sucking out your soul and leaving behind nothing but gristle and skin. Those were the ones Alys liked best. When her friend Gaenor squealed and shut her eyes and clapped her hands over her ears, Alys just laughed and kept singing. Sometimes she'd promise Gaenor she'd stop, and just at the moment Gaenor trusted Alys enough to drop her hands from her ears and open her eyes again, Alys would continue:
The Beast, It will peek in on you
When you're fast asleep
Open up
Invite It in
And oh your Mam will weep
Alys stepped out of her room, listened again for Mam and Dad's breathing. Then she was through the kitchen and out the kitchen door before she could think twice or change her mind.
The air was chill and moist and open around her. And the sky, oh the sky. It was awash in stars.
Alys looked up at the sky, felt lifted up by it. She turned to see how it might look different, to catch parts of it that she couldn't bend her head back far enough to see. It was lovely to be so free, everyone in the village asleep, and Alys not even trying to sleep. If she could spend every night this way, Alys thought to herself, she'd have no reason to dread it anymore.
Standing in Mam and Dad's kitchen yard, Alys began to feel hemmed in again. She could sense the house rising up behind her, the coop and the barn on either side of her. And she knew that through the darkness rose their neighbors' houses. What Alys wanted was a fallow field--a stretch of tall grass that she could feel spreading out all around her as far as her eye could see through the dark. And Alys knew where just such a field lay. She only had to get herself to the road, follow it out of the village, and there it was, big and wide and bordered only by fforest that was even bigger and wider than the field.
Her legs carried her through the dark. She held her arms out to either side, felt the night air float over and around her. She was alone but not lonely.
Then the field. In she walked, feeling the long grass brush her skirts, scratch and tickle even through her stockings. No longer could she feel any kind of structure around her. When she reached the center of the field, she looked up again at the stars. The sky was an endless bowl tipped over, the stars pouring down on her like grains of light. She opened her eyes wide to take them in.
She felt them before she saw them--the women.
It wasn't that they made a sound. It was more the way they didn't make a sound that attracted Alys's notice, the sense of a presence without bodies attached. But they did have bodies, she saw. These women. These women made of mud and leaves. They floated through the grass and they saw Alys with their wide gray eyes that glowed even in the night, as if they were lit from within.
And still Alys wasn't afraid. Curious, yes. Alys had never seen women like these before. They weren't village women--at least not from any village that Alys had ever heard of. They didn't even look like travelers. Travelers were odd-looking sorts, but these women were odder. They looked, it occurred to Alys, more like trees than women.
And then they were near her, next to her, standing either side of her and each resting a hand of mud and clay on her shoulders. They were slim, and although they were much taller than she, Alys realized that they weren't women at all. They were still girls. Older than Alys, but maybe not so much older. Not mothers, certainly.
"What is your name?" Only one of the girls said it, and yet it seemed like both of them did. Alys felt a kind of energy pass through her shoulders, a shivery thread connecting their hands.
"I'm Alys."
"Alys, go to sleep," the other said.
When the other said it, Alys felt an instant tug in her eyes, like a curtain being pulled. But no, Alys thought, that wasn't what she wanted. She sent the curtain flying up again, opened her eyes wider. "But I don't want to sleep," Alys said.
"There is no fear in this one, Benedicta." The girl sniffed the air around Alys. She had been sniffed by Gaenor's dog just like that.
"No, there is no fear, Angelica."
Benedicta. Angelica. Alys had never heard those names before. She thought they were beautiful. And there was something beautiful about these owl-eyed girls, their long dark hair tangled with branches and leaves.
Then they left her. Just as quickly as they came, the girls floated on. Out of the field and into the dark, disappearing at a point off in the distance that told Alys nothing about where they were going.
Excerpted from The Beast Is an Animal by Peternelle Van Arsdale
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
A girl with a secret talent must save her village from the encroaching darkness in this “achingly poetic” (Kirkus Reviews) and deeply satisfying tale.
Alys was seven the first time she saw the soul eaters.
These soul eaters are twin sisters who were abandoned by their father and slowly grew into something not quite human. And they feed off of human souls. When her village was attacked, Alys was spared and sent to live in a neighboring village. There the devout people created a strict world where fear of the soul eaters—and of the Beast they believe guides them—rule village life. But the Beast is not what they think he is. And neither is Alys.
Inside, Alys feels connected to the soul eaters, and maybe even to the Beast itself. As she grows from a child to a teenager, she longs for the freedom of the forest. And she has a gift she can tell no one, for fear they will call her a witch. When disaster strikes, Alys finds herself on a journey to heal herself and her world. A journey that will take her through the darkest parts of the forest, where danger threatens her from the outside—and from within her own heart and soul.