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Absorbing account of the famed libel trial, in London, that brought the whole enterprise of Holocaust denial to the bench. In Denying the Holocaust (1993), Lipstadt (History/Emory Univ.) described British historian David Irving as "a Hitler partisan wearing blinkers," a man who "on some level seems to conceive himself as carrying on Hitler's legacy." Dangerous words, particularly since Irving had written books on the history of the Third Reich that had been well received; the eminent military historian John Keegan, for instance, praised Irving's Hitler's War as one of the best books ever written about WWII. Irving, who had earned enough money from the sales of his books to own a Rolls-Royce and keep a place in London's fashionable Mayfair district, was quick to sue. It took six years for the case to come to trial, but when it did, Lipstadt and her legal team were stunningly well prepared; among other documents, they had a 700-page dossier prepared by historian Richard J. Evans examining the sources Irving claims to have used in making his years-long argument that Hitler was innocent of having ordered the extermination of European Jews. Lipstadt's reconstruction of the trial as it played out day by day has its dry patches, but her account rises above the case itself to indict the demimonde of Holocaust deniers generally. Into the bargain, Lipstadt convincingly characterizes Irving as a litigious anti-Semite with a penchant for bending historical facts to suit repellent theories, as the court concluded. By the end, following a couple of cliffhanger moments, readers will sense that justice has been done, though plenty of puzzling aspects remain: Irving continues to speak and publish, and, in the wake of the court's judgment, prominent historians, including Keegan, rose to his defense. This last word in the matter of DJC Irving v. Penguin Books Ltd and Deborah Lipstadt is a fascinating and meritorious work of legal—and moral—history.
My Day in Court with a Holocaust Denier
Chapter One
A Personal and Scholarly Odyssey
"No, I am not a child of Holocaust survivors."
Ever since I began teaching about the Holocaust I have been asked about my background. Some questioners seemed surprised by my response. Why else would I be interested in the topic? Others, however, felt that my personal distance from the event allowed a more scholarly perspective.
My father left Germany before the Third Reich and my mother was born in Canada. Growing up on Manhattan's Upper West Side, I had known many "refugees." No one called them survivors. Some had emigrated in the 1930s, leaving behind a comfortable middle-class existence. Others came after the war. My father helped many of them when they arrived in New York. He attempted to bring his five sisters to the United States but could not do so. They survived in other countries and came to New York in the postwar period. As a young child, I remember sensing that these Central European Jewish homes, with their heavy, dark furniture and steaming cups of tea accompanied by delicate homemade strudel and other distinctly European pastries, were different from those of my American schoolmates.
My parents' Modern Orthodox home was shaped by a dedication to Jewish tradition together with an appreciation for the surrounding secular society. One was as likely to find on our living room table a book on Jewish lore as a book on Rembrandt. My brother, sister, and I all attended Jewish schools. When I was in first grade, my parents decided to move from Manhattan to the suburbs. They chose Far Rockaway, a beachside community in Queens, because they admired the local rabbi, Emanuel Rackman, and decided that this was the man they wanted as a spiritual leader and a role model for their children. A graduate of Columbia Law School, he combined knowledge of Judaism with the contemporary world. His well-crafted muscular sermons, delivered without notes, covered a wide range of topics -- everything from the weekly Torah portion to Arnold Toynbee. Shortly after the fall of Stalin, during a period of Khrushchev-style perestroika, he traveled with a group of American rabbis to the Soviet Union. On the Shabbat of his return my father suggested that I stay in the synagogue during the sermon -- a time that we children generally ran all over the expansive lawn in front of the building. "It will be memorable," he assured me. Though I was not quite sure what "memorable" meant, I knew the trip had been something important. I did not grasp all that Rabbi Rackman said, but I understood that he had made contact with a group of Jews who were not free to live as we did, and he said that we could not forget them.
A believer in intra- and interreligious dialogue, long before it was in vogue, Rackman reached out to people both within the Jewish community and outside of it. Right-wing religious Jews attacked him for his attempts to demonstrate how one could -- and should -- draw upon the best in both traditional Judaism and the secular world. I remember how my father would seethe at these attacks and stress how important it was for Rabbi Rackman's ideas not to be silenced. Long before I knew precisely what a role model was, I knew that I wanted to be like him.
Though synagogue attendance and observance of Jewish rituals set the rhythm of our home, we were very much part of the broader world. In addition to ensuring that my siblings and I received an intensive Jewish education, my parents exposed us to theater, museums, art, and politics. Even after we had moved to the suburbs my mother would often take us into Manhattan on Sundays to see exhibits, attend the special youth symphonies at New York's Ninety-second Street YMHA, watch parades, climb the rocks in Central Park, and even tour visiting aircraft carriers. My parents encouraged a degree of independence in us. When I was twelve and wanted to go into the city to see a movie at Radio City Music Hall or visit a museum, they encouraged it. The problem was finding a classmate whose parents did not think it a totally reckless excursion. I usually managed to find an intrepid soul. I soon learned to navigate my way through the city.
By middle school I had gained a reputation, particularly with my teachers at the Jewish day school I attended, as a feisty and combative student. When teachers did something that I did not consider fair, I would challenge them -- often not very diplomatically. Invariably, my mother would appear in the principal's office to defend my actions and plead my case. I had the impression that, although she did not appreciate these school visits, she admired my gumption. I knew that I had been named Deborah because she loved the biblical character. When I was still quite young she had described how Deborah led her people in battle and dispensed justice. I liked the notion that I was named after such a person. When my mother admonished me for getting in trouble, I told her I was just emulating Deborah.
My mother was a free spirit. It was not unusual for her to announce: "There's a wonderful Van Gogh exhibit at the Guggenheim. Ditch school. Let's go." And I did. Despite -- or possibly because -- neither my father nor mother had been able to attend college, they became intense autodidacts, continually attending classes and lectures. I remember spirited discussions around our Shabbat table about Rachel Carson's Silent Spring, J. D. Salinger's Franny and Zooey, Philip Roth's Goodbye, Columbus, civil rights, the 1968 New York City teachers' strike, and the war in Vietnam, which we uniformly opposed. My mother and I marched in Harlem in solidarity with the Birmingham-Salem civil rights protestors ...
History on TrialMy Day in Court with a Holocaust Denier. Copyright © by Deborah Lipstadt. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Excerpted from History on Trial: My Day in Court with a Holocaust Denier by Deborah E. Lipstadt
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Now a major motion picture starring Rachel Weisz, Timothy Spall and Tom Wilkinson.
“A compelling book: memoir and courtroom drama, a work of historical and legal import. ” -- Jewish Week
Deborah Lipstadt, author of the groundbreaking Denying the Holocaust, chronicles her six-year legal battle with controversial British World War II historian David Irving that culminated in a sensational 2000 trial in London
In her acclaimed 1993 book Denying the Holocaust, Deborah Lipstadt called putative World War II historian David Irving “one of the most dangerous spokespersons for Holocaust denial”, a conclusion that she reached by examining his cunning manipulations of evidence, partisanship to Hitler, persistent exoneration of the Third Reich, and his confirmed celebrity among swelling ranks of anti-Semitic organizations internationally. In 1994, Irving filed a libel lawsuit, not in the U.S. courtroom—where the onus of proof lies on the plaintiff, but in the UK—where the onus of proof lies on the defendant. At stake were not only the reputations of two historians, but the record of history itself.
The four-month trial took place in London in 2000 and drew international attention. With the help of a first-rate team of solicitors and historians and the support of her UK publisher, Penguin, Lipstadt won, her victory proclaimed on the front page of major newspapers around the world. Part history, part real life courtroom drama, Denial is Lipstadt’s riveting, blow-by-blow account of the trial that tested the standards of historical and judicial truths and resulted in a formal denunciation of the infamous Holocaust denier.
Originally published as History on Trial.