Paperback ©2017 | -- |
Friendship. Fiction.
Gangs. Fiction.
Murder. Fiction.
Graffiti artists. Fiction.
Scholarships. Fiction.
Best friends Jakub and Lincoln spend their evenings tagging buildings as "Morf" and "Skar." Jakub lives with his disabled Polish immigrant father in a rooming house, while Link's older brother, Henry, runs with the Red Bloodz. The boys thought they'd be best friends until one day everything changes: Jakub gets admitted to the prestigious St. Bart's while Link's brother convinces him to start lifting cars for his chop shop. When Henry goes too far and pushes Link to participate in a roughing up that results in murder, Link turns to Jakub for help. Unable to turn his best friend in to the police, Jakub tags to release his frustrations. When Henry realizes the tags are Jakub's art, Link is forced to bring in his best friend to prove his loyalty to the Bloodz else. While slow to start, Nelson crafts an engaging story about two boys struggling to survive, both of whom are presented a different path to take. Readers looking for a gritty story about true friendship and the consequences of one's actions will enjoy this offering.
Kirkus ReviewsTwo impoverished teens drift along different paths.Fifteen-year-olds Jakub Kaminsky (white, the son of a Polish-immigrant single father) and Lincoln Bear (a brown-skinned First Nations boy whose family lives off the reservation) are making the best of their small lives. The two friends enjoy going out at night and tagging their neighborhood as Morf and Skar. When Lincoln's brother Henry returns from prison, Lincoln is slowly pulled into Henry's gang, the Red Bloodz. Meanwhile, Jakub gets a free ride to the fancy private school across town. As their lives separate for the first time the two boys face different challenges on their own, and the author smartly assays how even the smallest of choices can lead toward destruction and self-sabotage. The cyclical nature of poverty and despair is a running theme here, ever present and honestly portrayed. Lincoln and Jakub are both distinct, fully formed characters who are supported by a cast of characters that bring out different facets of their personalities and also exemplify how different support systems shape perspective and attitude. The novel has very little humor, but it doesn't dwell in the maudlin either. There's a journalistic "just the facts" approach here that greatly appeals. This straightforward approach lends legitimacy to the novel's final act, one that in lesser hands would come off as over-the-top pulp nonsense. A smartly plotted examination of the despair that keeps people in their places and the hope that pulls them out of it. (Fiction. 14-17)
School Library Journal (Sun Jan 01 00:00:00 CST 2017)Gr 8 Up-A friendship forged in the streets is put to the ultimate test in Nelson's urban drama. By day, Jakub and Lincoln are seemingly ordinary teenagers in their down-on-its-luck neighborhood. By night, they assume alternate identitiesgraffiti artists Morf and Scaras they paint and tag their way across the city. But then things change: Lincoln's bad-tempered older brother, Henry, comes home from prison at the same time that Jakub is accepted on a scholarship to an exclusive prep school on the other side of town. From there, the two boys go down predictable paths. Jakub buys a secondhand blazer and tries to fit in at the school, while Lincoln begins running the streets for Henry. The story focuses primarily on Lincoln as he follows his brother into a seedy underworld of drugs, stolen cars, and, eventually, murder. Jakub's fish-out-of-water tale at the prep school is almost entirely abandoned as he concentrates instead on dealing with the fallout from Lincoln's bad decision-making. There are no surprises with the plot and characters, some of whom fall into typecast roles: Henry is all bad; Jakub's Polish immigrant father, purely noble. Lincoln's moral dilemmas feel believable, though, as do Jakub's frustrated attempts to help him, and readers who stick with this bleak narrative will be rewarded with an aptly dark ending that gives the book extra emotional weight. VERDICT A good supplement to a high-interest collection for reluctant teen readers.— Bobbi Parry, East Baton Rouge Parish School System, LA
ALA Booklist (Wed Feb 01 00:00:00 CST 2017)
Kirkus Reviews
School Library Journal (Sun Jan 01 00:00:00 CST 2017)
The sky gets pink close to dawn. Night bleeds away as the sun breathes life into day.
My finger throbs. The tip of it numb and sticky with paint. The street lamps flicker off as I stand back to survey my night’s work.
Huge swoops of colour light up the background, like my tag has landed in a puddle of rainbow slime. “Morf,” my other self, glows in bubble letters meant to look like liquid metal. All graff writers have a handle. Mine means something. To change, to morph. To become something else: a metamorphosis.
With a satisfied sigh, I turn my back on the side of the building and stuff spray cans, my bandana, and black book into my backpack. Hidden in shadows, I scale down the fire escape and drop to the alley, the cans in my pack rattling. In a few hours, people walking to the bus will look up and see my name flash before them. It wasn’t there yesterday. They’d never even noticed that building before. But, now, my name slaps them in the face. They can’t ignore me. My name looms above, stomping on them.
Two guys stumble out of a house party. I watch as they try to open the latch on the chain-link gate. Too many fumbling fingers. They’ll be trapped in the yard till their vision clears, or they pass out.
The rooming house rises up between two empty lots. The city tore down one house a few years ago and the other burned to the ground. Arson, the cops said. I smelled the smoke in my dream. Dad yelled at me to wake up as he tried to scoop me up, like he still had the strength to carry me. We made it out and watched from across the street, huddled in a blanket as flames engulfed the building. Two people died in the fire and I had nightmares for weeks.
There’s two cop cars, their lights flashing, in front of the rooming house. The blue and red orb spins, reflecting off the windows. Shrugging off my backpack, I ditch it in the empty lot next door. I know they aren’t there for me, but my heart pounds anyway. I swear and kick at a stone. If the sirens wake up my dad, he’ll see I’m not asleep on the couch where I’m supposed to be.
Without my backpack, I feel naked, exposed. It’s like battle armour. I eye the cops; a couple of them mill around the front yard, blocking my entrance. No police tape is up yet. That’s a good sign. Means no one is dead. One of them looks at me, doesn’t bother to question why I’m returning home at this time of the night. I was ready with an excuse if he had: I fell asleep at my best friend Lincoln’s house.
I put my head down and brush past them, taking the steps in two strides. Two more cops stand outside 1D. The McLarens. Mr. and Mrs. Domestic Abuse. Should have guessed.
I cried angry tears the first night we moved to this place. When the landlady, Laureen, opened the door to the apartment, Dad and I froze in the hallway; neither one of us wanted to walk inside. It stank. Like piss and body odour. Laureen had promised to have it cleaned before we moved in. But she couldn’t do anything about the stains on the floor or the foam exploding from the couch cushions. Dad explained why we were moving from our two-bedroom apartment to the rooming house. There was no choice. They raised the rent and he couldn’t afford it anymore, not even with a housing subsidy. If we wanted a roof over our heads, this was it.
Laureen gave Dad two keys, held together by a red twist tie. He gulped and stuffed them in his pocket like he didn’t want to admit they belonged to him. I knew what Dad was thinking, what he was always thinking. This wasn’t the life he moved here for. We’d be better off in Poland than living in this shithole. But, he made his choice twenty years ago, promising my mom a life in Canada. They’d escaped under a barbed wire fence and hid in the trunk of a car, then relied on the kindness of strangers. And for what? So my mom could die after giving birth to me and Dad could end up with a mangled leg from his job at the train yard.
He could feel sorry for himself, but he doesn’t. Polish pride, he calls it. There are some things that are non-negotiable: church every Sunday, good grades, and good food. No matter how tight things are, Dad always has a meal ready for me. I come home from school to find him limping between the sink and stove, boiling potatoes or stirring soup. My brain needs food, he says. We won’t have empty stomachs. That was one thing we’ll never have, empty stomachs. He had enough of that in Poland. A boy can’t grow or succeed in school with hunger pains to distract him.
He probably should have been a chef. He hums to himself, old Polish folk tunes, when he cooks, his fingers turning crimson with beet juice. Or love songs, if he’s feeling nostalgic, glancing up at the one photo we have of my mom. Grainy and out of focus, she’s standing in front of the church, the golden spire rising from a white dome, a mosaic of the holy family glinting in the sun. Scrawny legs, made scrawnier by the fullness of her skirt, and bushy curls obscuring most of her face.
Father Dominic stopped by the apartment soon after we moved in. Taking a look around, he skimmed over the books and his eyes came to rest on the crucifix perched above the couch. He nodded at it, like he was greeting a friend. Father Dominic had baptized me and stood over my mother in the hospital as she took her last breath. All in the same week. It was touch and go with me in those early days. No one knew if I’d make it or not. I don’t ask a lot of questions about what happened. Dad doesn’t like to talk about it. Says I’m a blessing from God, no matter what. But then he gets teary and quiet.
The door clicks shut behind me. I half expect Dad to be sitting up waiting for me. But he’s a heavy sleeper. Sirens in the night are so common, we’ve both learned to sleep through them. His snores fill the apartment, a low rumbly wheeze.
I pull back the sheet and blanket on the couch, leaving my jacket on the armrest. Closing my eyes, I picture the newly marked building. Like a baptism, I christened it mine.
I’ll walk past it in the morning, to see how the colours look in daylight. I drift off to sleep content. I accomplished something this night. No one could accuse me of not leaving my mark on the world. It was there, for all to see.
Excerpted from Blood Brothers by Colleen Nelson
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
A Winnipeg Free Press Bestseller! * In the Margins Book Award, Top Ten Selection * CCBC's Best Books for Kids & Teens (Fall 2017) Selection Close as brothers, Jakub's and Lincoln's lives diverge when Jakub gets a private school scholarship and Lincoln is lured into a gang. Fifteen-year-old Jakub Kaminsky is the son of Polish immigrants, a good Catholic boy, and a graffiti artist. While his father sleeps, Jakub and his best friend, Lincoln, sneak out with spray paint to make their mark as Morf and Skar. When Jakub gets a scholarship to an elite private school, he knows it's his chance for a better life. But it means leaving Lincoln and the neighbourhood he calls home.While Jakub's future is looking bright, Lincoln's gets shady as he is lured into his brother's gang. Jakub watches helplessly as Lincoln gets pulled deeper into the violent world of the Red Bloodz. The Red Bloodz find out Jakub knows more than he should about a murder and want him silenced -- for good. Lincoln has to either save his friend, or embrace life as one of the Red Bloodz.