Publisher's Hardcover ©2018 | -- |
School children. Juvenile fiction.
Schools. Juvenile fiction.
Jungles. Juvenile fiction.
Jungle animals. Juvenile fiction.
Learning. Juvenile fiction.
Writing. Juvenile fiction.
Courage. Juvenile fiction.
School children. Fiction.
Schools. Fiction.
Jungles. Fiction.
Jungle animals. Fiction.
Learning. Fiction.
Writing. Fiction.
Courage. Fiction.
Africa. Juvenile fiction.
Africa. Fiction.
Sandwiched between endpapers of yellow-lined paper showing the upper- and lowercase cursive alphabet, this quiet story shouts the pricelessness of literacy.In an unnamed rural country, three brown-skinned children dance in the streets because the war has ended and they can finally return to school. No one feels more excited than Ayobami, the young protagonist wearing a checkered blue-and-white dress and with cornrowed, beaded hair. On her way to school, clever Ayobami negotiates her way out of becoming breakfast for a hippo, a crocodile, a leopard, a snake, a spider, and a mosquito by promising each she'll give them their names on paper when she returns from school. She delivers on her promise, but, having given away all evidence of her newly acquired literacy, she has nothing to show her disappointed father at home—but the wind's magic reveals Ayobami's accomplishments. The book's surreal illustration style varies widely throughout, keeping readers engaged with shifting colors, patterns, moods, and textures. Paced differently from most American picture books, this one also has hefty, durable "stone paper" pages that are "waterproof and tear resistant" and "produced without water…trees and…bleach," making the book a green choice. Letters appear in unlikely places throughout this story—among the leopard's spots; in the spider's web—emphasizing that reading can always help expand our understanding.A marvelous tale of one girl's passion for reading, writing, and learning. (Picture book. 4-8)
ALA Booklist (Thu Mar 01 00:00:00 CST 2018)In a postwar place where seedlings are beginning to sprout from bullet casings, Ayobami and the other children are excited about returning to school. Instead of following the river to school, as her father advised, Ayobami detours through the jungle, where she encounters many dangerous animals; but she negotiates for her safety by promising to return with their names written on a piece of paper. Crocodile, snake, leopard, mosquito, and spider are intrigued by this prospect and let her continue. At school Ayobami learns "the music that comes from making words," enabling her to fulfill her promises. A few additional complications are happily resolved by the power of her burgeoning literacy. With the feel of an Aesop's fable, this story is both empowering and reflective of the joy school can bring to children whose lives have been disrupted by war. Beautiful illustrations in graphite, watercolor, and colored pencil lend an ethereal, magical quality to this unnamed place, where dangerous creatures have endearing faces, and letters of the alphabet flutter around Ayobami like protective stardust.
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)Sandwiched between endpapers of yellow-lined paper showing the upper- and lowercase cursive alphabet, this quiet story shouts the pricelessness of literacy.In an unnamed rural country, three brown-skinned children dance in the streets because the war has ended and they can finally return to school. No one feels more excited than Ayobami, the young protagonist wearing a checkered blue-and-white dress and with cornrowed, beaded hair. On her way to school, clever Ayobami negotiates her way out of becoming breakfast for a hippo, a crocodile, a leopard, a snake, a spider, and a mosquito by promising each she'll give them their names on paper when she returns from school. She delivers on her promise, but, having given away all evidence of her newly acquired literacy, she has nothing to show her disappointed father at home—but the wind's magic reveals Ayobami's accomplishments. The book's surreal illustration style varies widely throughout, keeping readers engaged with shifting colors, patterns, moods, and textures. Paced differently from most American picture books, this one also has hefty, durable "stone paper" pages that are "waterproof and tear resistant" and "produced without water…trees and…bleach," making the book a green choice. Letters appear in unlikely places throughout this story—among the leopard's spots; in the spider's web—emphasizing that reading can always help expand our understanding.A marvelous tale of one girl's passion for reading, writing, and learning. (Picture book. 4-8)
Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)
ALA Booklist (Thu Mar 01 00:00:00 CST 2018)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Winner of the 2018 International Latino Book Awards "In this beautiful gem about a girl who wants to learn to read, letters burst forth from imagery done in cut-paper collage and a rainbow of color, each page telling its own story with a quiet, understated voice." -- B.C. ( New York Times ) The war is over and little Ayobami can finally go to school. Everyone is extremely happy, and joy is all over the town. The children are excited to go to school and have a great time, but Ayobami is so impatient that she cannot wait for the other kids and decides to go to class alone. To keep her from getting lost, Ayobami's father builds a paper boat and pushes it out into the river, telling her, "If you follow it downstream, you will arrive at the schoolhouse." But when the ship sinks, Ayobami must find another way to school through the winding paths of the jungle. With only the help of a paper and a spent pencil, Ayobami sets off on an exciting journey with a fundamental objective: to learn to read and write. Will the wild animals from the jungle allow her to reach her destination safely?