Necessarily vastly abridged to maintain the publisher's page count, and without referencing Kipling's idiom, this graphic novelization nonetheless offers readers a rich retelling. Pages pop with nicely varied frames that befit their content, and characters' speech and captions are appropriately assigned rather than being seemingly random text attributions. The deeply and broodingly colored images, however, are what make this a good read, with animal-appropriate movement, expressive faces, and animated body language. While certainly no substitute for Kipling's own storytelling prowess, this is, nonetheless, a worthwhile version to provide for visual learners, whether as a lead-in to the original or as a stand-alone experience. The tight binding may frustrate some but the book won't wear out.

An attractive reissue of a classic children's book has attractive illustrations reflecting traditional Indian art. But typographical errors are common, and, although the fact is unmentioned, the text has been slightly abridged.

Gr 3-5-All three adaptations of these classic novels fall prey to the usual pitfalls involved in such a process. The bare outlines of the plots are provided, but character development, a true sense of place and time with regard to setting, and masterful description of the action all go by the wayside. Jungle Book is mistitled as it references only the Mowgli stories and moves from incident to incident so quickly that the "law of the jungle" morals in Kipling's anthropomorphic fables are lost. Treasure Island is written in a similar breakneck, choppy style, and Long John Silver, one of the most memorable characters ever created, is eminently forgettable in this telling. In 80 Days, the historic events that made such a journey even thinkable, like the opening of the Suez Canal and the completion of the Transcontinental Railroad, are never mentioned, nor is the International Date Line, which enabled Fogg to win his wager, mentioned, let alone explained. The cartoon illustrations in all three volumes border on offensive as no matter which country or culture is depicted, the dot-eyed faces are virtually identical except for minor variations in skin tone. Some illustrations make no sense, as when the action in 80 Days describes the servant Passepartout at the bottom of a circus pyramid, but the picture is of a Japanese tearoom.-Grace Oliff, Ann Blanche Smith School, Hillsdale, NJ Copyright 2007 Reed Business Information.