Copyright Date:
2012
Edition Date:
2012
Release Date:
05/22/12
Pages:
x, 501 pages
ISBN:
1-609-80376-0
ISBN 13:
978-1-609-80376-6
Dewey:
Fic
LCCN:
2012000276
Dimensions:
28 cm.
Language:
English
Reviews:
Kirkus Reviews
Classic literature gets desterilized with the help of the modern world's most daring graphic artists. In this first of three volumes, editor Kick (100 Things You're Not Supposed to Know, 2008, etc.), better known for rabble-rousing at Disinfo.com, collects an incredible variety of graphic adaptations of oral tales, plays, essays, sonnets and letters. Starting with The Epic of Gilgamesh and ending with Hamlet, this meaty slab is laced with more wit, beauty, social commentary and shock than one might expect from a book tailor-made for college classrooms. The expected suspects are all here in excerpted or abridged form, including The Odyssey, Beowulf and The Divine Comedy. But there are unexpected entries, too. Tania Schrag turns in a delightfully explicit depiction of the Greek play Lysistrata by Aristophanes, while Vicki Nerino delivers a raw take on an explicit yarn usually expunged from The Arabian Nights. Noah Patrick Pfarr turns John Donne's "The Flea" into an elaborate lesbian tryst. Robert Crumb does his characteristically bizarre take on James Boswell's London Journal, with high debauchery intact. More unpredictable entries are drawn from Native American folktales, a Japanese play, Chinese poetry and The Tibetan Book of the Dead. Serious treatments are given to King Lear and A Midsummer Night's Dream, not to mention a museum-worthy portrait by Eric Johnson of a minor character from Edmund Spenser's The Fairie Queen. Some of the artistic heavy hitters in this volume include a selection from Seymour Chwast's outstanding adaptation of Chaucer's Canterbury Tales, Rick Geary's take on the Book of Revelation, Peter Kuper's blistering take on Jonathan Swift's "A Modest Proposal" and the legendary Will Eisner's view of Don Quixote from his 2003 graphic novel The Last Knight. The infamous Molly Crabapple closes the book with rich portraits of The Marquise de Merteuil and Vicomte de Valmont from Dangerous Liaisons. If artists, as British sculptor Anish Kapoor famously said, make mythologies, then this volume is genuinely a marriage of equals.
Bibliography Index/Note:
Includes bibliographical references and index.
THE GRAPHIC CANON (Seven Stories Press) is a gorgeous, one-of-a-kind trilogy that brings classic literatures of the world together with legendary graphic artists and illustrators. There are more than 130 illustrators represented and 190 literary works over three volumes—many newly commissioned, some hard to find—reinterpreted here for readers and collectors of all ages.
Volume 1 takes us on a visual tour from the earliest literature through the end of the 1700s. Along the way, we're treated to eye-popping renditions of the human race's greatest epics: Gilgamesh, The Iliad, The Odyssey (in watercolors by Gareth Hinds), The Aeneid, Beowulf, and The Arabian Nights, plus later epics The Divine Comedy and The Canterbury Tales (both by legendary illustrator and graphic designer Seymour Chwast), Paradise Lost, and Le Morte D'Arthur. Two of ancient Greece's greatest plays are adapted—the tragedy Medea by Euripides and Tania Schrag’s uninhibited rendering of the very bawdy comedy Lysistrata by Aristophanes (the text of which is still censored in many textbooks). Also included is Robert Crumb’s rarely-seen adaptation of James Boswell’s London Journal, filled with philosophical debate and lowbrow debauchery.
Religious literature is well-covered and well-illustrated, with the Books of Daniel and Esther from the Old Testament, Rick Geary’s awe-inspiring new rendition of the Book of Revelation from the New Testament, the Tao te Ching, Rumi’s Sufi poetry, Hinduism’s Mahabharata, and the Mayan holy book Popol Vuh, illustrated by Roberta Gregory. The Eastern canon gets its due, with The Tale of Genji (the world’s first novel, done in full-page illustrations reminiscent of Aubrey Beardsley), three poems from China’s golden age of literature lovingly drawn by pioneering underground comics artist Sharon Rudahl, the Tibetan Book of the Dead, a Japanese Noh play, and other works from Asia.
Two of Shakespeare’s greatest plays (King Lear and A Midsummer Night’s Dream) and two of his sonnets are here, as are Plato’s Symposium, Gulliver’s Travels, Candide, A Vindication of the Rights of Woman, Renaissance poetry of love and desire, and Don Quixote visualized by the legendary Will Eisner.
Some unexpected twists in this volume include a Native American folktale, an Incan play, Sappho’s poetic fragments, bawdy essays by Benjamin Franklin, the love letters of Abelard and Heloise, and the decadent French classic Dangerous Liaisons, as illustrated by Molly
Crabapple.
Edited by Russ Kick, The Graphic Canon is an extraordinary collection that will continue with Volume 2: "Kubla Khan" to the Bronte Sisters to The Picture of Dorian Gray in Summer 2012, and Volume 3: From Heart of Darkness to Hemingway to Infinite Jest in Fall 2012. A boxed set of all three volumes will also be published in Fall 2012.