Starred Review for Publishers Weekly (Thu Apr 28 00:00:00 CDT 2022)

Forget the lean, mean King of Misery, Gerald's Game and Dolores Claiborne. This is the other King-the Grand Vizier of Verbosity who gave us It, The Tommyknockers and Needful Things. There's much of everything in these 800 pages, including the worthy. Notable is a rare septuagenarian hero, recently widowed Ralph Roberts, whose broodings on old age immerse readers into the aging psyche almost as clearly as other King heroes have revealed the minds of children. Then there's the slam-bang final 300 pages, in themselves a novel's worth of excitement as Ralph battles demonic entities to prevent a holocaust in his small town of Derry, Maine (site of It). The problem is that the finale is preceded by more than a novel's worth of casual, even tedious buildup: Ralph's growing insomnia; his new ability to see auras around all living things; his dismay as Derry's citizens divide violently over the impending visit of a radical pro-lifer; his slow realization that celestial forces have marked Derry as a battleground between good and evil. King remains popular fiction's most reliable mirror of cultural trends, in particular our continuing love affair with horror (Barker and Koontz are palpable influences here). If this novel were liposuctioned, it would rank among King's best; as is, it's another roly-poly volume from a skilled writer who presumes his readers' appetite for words is more gourmand than gourmet. 1,500,000 first printing; $1 million ad/promo; paperback rights to Signet; simultaneous audio release from Penguin Highbridge; BOMC selection. (Oct.)

ALA Booklist

King's last few novels have been, by his standard, slim and economical. With this dark fantasy based on the conception of a multilevel ultimate reality, he returns to the massiveness of The Stand (1978, 1990) and It (1986). On one of the long, exhausting walks old Ralph Roberts starts taking as a brain tumor slowly kills his wife, he witnesses a friendly young neighbor, Ed Deepneau, behaving totally out of character deed, like someone possessed. About a year later and after his wife's death, Ralph begins waking early and then earlier and earlier. He also starts seeing things--intense colors streaming off people and animals. Meanwhile, Ed has turned into an antiabortion fanatic and wife-beater. Ralph intervenes to help Helen Deepneau escape from Ed, for which Ed threatens him. Or is it Ed? Ralph senses that someone or something else is in control of the troubled man. Ralph's right, of course. Ed has been involuntarily recruited on one side, and, it develops, Ralph and his also-widowed neighbor, Lois Chasse, on the other, of a supercosmic struggle the import of which King reveals with deliciously tantalizing gradualness. This is a yarn so packed with suspense, romance, literary reference, fascinating miscellaneous knowledge, and heart that only Stephen King could have written it. Marvelous at is, full of marvels.

Kirkus Reviews

A small town in Maine again serves as King's (Nightmares and Dreamscapes, 1993, etc.) setting in this deft, steady tale, in which two lovable geezers travel through hyper-reality to balance the books of human existence, or something to that effect. Since his wife's recent death, Ralph Roberts, age 70, has been beset by insomnia and hallucinations. These hallucinations appear as auras, terminating in fine lines of light resembling balloon strings. In these strings, Ralph believes he can see other people's states of mind and being (e.g., disease, anger, calm). Ah, but 68- year-old gal pal Lois Chasse shares these visions, which by now include three little bald entities in doctors' smocks. These three, naturally, are not really of this earth. They are brokers for what we mortals call death. The first two, whom Ralph and Lois name Clotho and Lachesis—from a Greek myth about three yarn-spinning sisters—are benevolent and serve The Purpose,'' or natural, timely demise. The third, a malevolent sprite named Atropos, representsThe Random'' and takes great pleasure in prematurely cutting folks' balloon strings with his rusty scalpel. Atropos takes advantage of a pro-life rally currently polarizing the hamlet and enlists a local crazy to help him make a literal killing in the afterlife futures market. In the climax, our oldsters serve as earthly agents to thwart a potentially calamitous disruption in the order of the universe. King throws in a tender romance, sensitive and often funny portrayals of the ravages of age, and the somewhat loopy presence of Rite-Aid drugstores, Cup-A-Soup, and Port-O-Sans smack-dab in the middle of hyper-reality. This commingling of the supernatural and the commonplace is what makes this hefty read so enjoyable. Still, at 800 pages, it ain't no coffee-table book—it's a coffee table. (First printing of 1,500,000; Book-of-the-Month Club main selection; $1,000,000 ad/promo)"

School Library Journal

YA--Ralph Roberts has been waking earlier and earlier every night for weeks, and the forgetfulness and weariness caused by sleep deprivation are starting to affect him. When he begins to see brilliant auras around people and objects, his concern grows. As his nights become shorter, his visions become more terrifying, and yet more real. Strange forces are maneuvering for power in Derry, Maine, and somehow Ralph is a part of the conflict. Well-read students will note references to Greek mythology, the Bible, and to Tolkien's Lord of the Rings (Houghton, 1967) interspersed with modern cultural allusions. King's forte, however, is characterization, and there is no shortage of it here. Good guys and evil are well developed, with a depth that makes them believable. Although Ralph is clearly identified as a septuagenarian, he is never stodgy or prudish, and will appeal to teens. Some of King's more recent novels, such as Gerald's Game (1992), have been disappointing, but Insomnia is closer to It (1987) and Needful Things (1992, all Viking) in its suspense and entertainment potential. A good return trip to Derry, Maine.--Robin Deffendall, Bull Run Regional Library, Manassas, VA