Louisiana's Way Home
Louisiana's Way Home
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Candlewick Press
Annotation: Louisiana Elefante's granny wakes her up in the middle of the night and tells her they need to leave home immediately, and this time Granny intends for them never to return.
 
Reviews: 10
Catalog Number: #6622959
Format: Paperback
Publisher: Candlewick Press
Copyright Date: 2020
Edition Date: 2020 Release Date: 03/24/20
Pages: 227 pages
ISBN: 1-536-20799-3
ISBN 13: 978-1-536-20799-6
Dewey: Fic
LCCN: 2018959670
Dimensions: 20 cm.
Language: English
Reviews:
Starred Review ALA Booklist

Starred Review Last seen in Raymie Nightingale? (2016), Louisiana Elefante, daughter of dead trapeze artists and prone to fainting, is awakened in the middle of the night by her grandmother, who orders her into the car. Granny has been told in a vision that they have a date with destiny, an opportunity to reverse the family curse, but they must immediately hit the road. Once over the Florida border into Georgia, Granny's aching teeth become an emergency. Louisiana, 12, is forced to get behind the wheel and locate a dentist in the small town of Richford. Once there, she finds a friend, but loses both her bearings and her history when family secrets are disclosed, whereupon she discovers she has more moxie in her small body than she thought possible. DiCamillo, in an unusual turn for her, tells Louisiana's story in first person, bringing the reader close to what's in the girl's head and heart cluding pure anger at the disruption of her life. The writing is terse, with short paragraphs and even shorter sentences. DiCamillo offers a master class in how to tell and shape a story once all fat has been cut away. Though set in the mid-1970s, there's a fairy-tale quality to this, with heroes, helpers, villains, and one princess looking for a home.

HIGH-DEMAND BACKSTORY: DiCamillo's done it all cept write a sequel before. A 10-city author tour and coordinated global release are planned.

Starred Review for Kirkus Reviews

Abandoned twice over, Louisiana Elefante discovers in herself the "magic that puts things back together.""There is a great deal of power in writing things down," Louisiana observes as she begins her chronicle, a powerful tale of finding her way home. In a convincing first-person voice, the 12-year-old relates the facts of her 1977 journey to Richford, Georgia. She takes note of surprising details and adds her own philosophical thoughts. Readers who first encountered Louisiana in Raymie Nightingale (2016) will be heartened to learn more about her, but this is a stand-alone tale of how she lifted the "curse of sundering" she thought was her legacy. This is not only a story of a child deciding who she wants to be, but also of the power of generosity, especially in the family of Burke Allen, the boy who becomes her friend after she has left Raymie and Beverly behind in Florida. Louisiana's life with her grandmother has not been easy, but she has some amazing talents: a voice like an angel and skill at convincing others to meet her needs. Much about her experiences could be devastatingly sad—sometimes this vulnerable white child makes other characters cry—but there's also humor, especially in Louisiana's biting observations about some of the adults around her. The book adheres to the white default.For readers who relish thoughtfully constructed plots, well-developed characters, and carefully crafted language, this will be a special treat. (Historical fiction. 9-13)

School Library Journal Starred Review

Gr 3-6 DiCamillo returns to a character she introduced to readers in Raymie Nightingale . In a first-person account, spirited 10-year-old Louisiana Elefante tells the story of being abruptly awoken by her grandmother in the middle of the night. Together, they trek to Georgia where emergency dental surgery and a nearly empty wallet cause them to stop in their tracks. Stuck in the rural town of Richford, Louisiana must find a way home to her friends. An old family curse that prevents any Elefante from forging long-lasting relationships looms over her. Through a series of chance encounters with the eclectic residents of the small town, Louisiana discovers the power of her own voice and her ability to set her own course. DiCamillo is able to address complex topics in an accessible and ultimately hopeful way. There is never sadness without comfort, fear without consolation. Louisiana's soul-searching is no exception and further solidifies DiCamillo's reputation as a skilled storyteller who trusts her readers to wrestle with hard things. VERDICT A thoughtful and finely written story that earns its place among DiCamillo's other beloved novels. Katherine Hickey, Metropolitan Library System, Oklahoma City

Horn Book

Louisiana Elefante's flighty, unstable grandmother abandons her at a motel, leaving behind a letter revealing that Louisiana is a foundling whom she rescued and raised. Louisiana (Raymie Nightingale) is a resilient and sympathetic character, and the juxtaposition of her down-to-earth observations with Granny's capriciousness lightens the narrative and allows for a good deal of humor. Overarching themes addressing forgiveness, love, friendship, acceptance, home, and family ring honest and true.

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

Abandoned twice over, Louisiana Elefante discovers in herself the "magic that puts things back together.""There is a great deal of power in writing things down," Louisiana observes as she begins her chronicle, a powerful tale of finding her way home. In a convincing first-person voice, the 12-year-old relates the facts of her 1977 journey to Richford, Georgia. She takes note of surprising details and adds her own philosophical thoughts. Readers who first encountered Louisiana in Raymie Nightingale (2016) will be heartened to learn more about her, but this is a stand-alone tale of how she lifted the "curse of sundering" she thought was her legacy. This is not only a story of a child deciding who she wants to be, but also of the power of generosity, especially in the family of Burke Allen, the boy who becomes her friend after she has left Raymie and Beverly behind in Florida. Louisiana's life with her grandmother has not been easy, but she has some amazing talents: a voice like an angel and skill at convincing others to meet her needs. Much about her experiences could be devastatingly sad—sometimes this vulnerable white child makes other characters cry—but there's also humor, especially in Louisiana's biting observations about some of the adults around her. The book adheres to the white default.For readers who relish thoughtfully constructed plots, well-developed characters, and carefully crafted language, this will be a special treat. (Historical fiction. 9-13)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Fans of Newbery Medalist DiCamillo-s Raymie Nightingale will delight in finding out what becomes of Raymie-s orphaned friend Louisiana Elefante in this -story of woe and confusion- that is also a -story of joy and kindness and free peanuts.- In Florida, 12-year-old narrator Louisiana is whisked out of bed at 3 a.m. by her grandmother-her caretaker-who declares that -the day of reckoning has arrived- and they must leave straightaway. The trip is aborted in Richford, Ga., when suffering Granny has to have all her teeth removed. Stuck in a motel while her grandmother recuperates, homesick Louisiana seethes with resentment but is distracted by young Burke Allen, who has a pet crow and knows how to get free food from the vending machine. Then Granny abandons Louisiana, leaving her with nothing but a letter revealing that everything Louisiana knows about her past is a lie. Populated with unforgettable characters, including kindhearted adults who recognize Louisiana-s dire situation and offer options, this bittersweet novel shows a deep understanding of children-s emotions and celebrates their resiliency. Readers will feel as much empathy for Louisiana as they did for her friend Raymie. Ages 10-up. (Oct.)

Word Count: 31,222
Reading Level: 4.5
Interest Level: 4-7
Accelerated Reader: reading level: 4.5 / points: 5.0 / quiz: 198417 / grade: Middle Grades
Reading Counts!: reading level:3.5 / points:9.0 / quiz:Q75810
Lexile: 630L
Guided Reading Level: V
Fountas & Pinnell: V
One
 
I am going to write it all down, so that what happened to me will be known, so that if someone were to stand at their window at night and look up at the stars and think, My goodness, whatever happened to Louisiana Elefante? Where did she go? they will have an answer. They will know.
   This is what happened.
   I will begin at the beginning.

. . .

The beginning is that my great-grandfather was a magician, and long, long ago he set into motion a most terrible curse.
   But right now you do not need to know the details of the terrible curse. You only need to know that it exists and that it is a curse that has been passed down from generation to generation.
   It is, as I said, a terrible curse.
   And now it has landed upon my head.
   Keep that in mind.
 
We left in the middle of the night.
   Granny woke me up. She said, "The day of reckoning has arrived. The hour is close at hand. We must leave immediately."
   It was three a.m.
   We went out to the car and the night was very dark, but the stars were shining brightly.
   Oh, there were so many stars!
   And I noticed that some of the stars had arranged themselves into a shape that looked very much like someone with a long nose telling a lie -- the Pinocchio constellation!
   I pointed out the starry Pinocchio to Granny, but she was not at all interested. "Hurry, hurry," said Granny. "There is no time for stargazing. We have a date with destiny."
   So I got in the car and we drove away.
   I did not think to look behind me.
   How could I have known that I was leaving for good?
   I thought that I was caught up in some middle-of-the-night idea of Granny's and that when the sun came up, she would think better of the whole thing.
   This has happened before.
   Granny has many middle-of-the-night ideas.
 
I fell asleep and when I woke up, we were still driving. The sun was coming up, and I saw a sign that said Georgia: 20 miles.
   Georgia!
   We were about to change states, and Granny was still driving as fast as she could, leaning close to the windshield because her eyesight is not very good and she is too vain to wear glasses, and also because she is very short (shorter, almost, than I am) and she has to lean close to reach the gas pedal.
   In any case, the sun was bright. It was lighting up the splotches and stains on the windshield and making them look like glow-in-the-dark stars that someone had pasted there as a surprise for me.
   I love stars.
   Oh, how I wish that someone had pasted glow-in-the-dark stars on our windshield!
   However, that was not the case.
   I said, "Granny, when are we going to turn around and go back home?"
   Granny said, "We are never going to turn around, my darling. The time for turning around has ended."
   "Why?" I said.
   "Because the hour of reckoning has arrived," said Granny in a very serious voice, "and the curse at last must be confronted."
   "But what about Archie?"
   At this point in my account of what became of me, it is necessary for you to know that Archie is my cat and that Granny has taken him from me before.
   Yes, taken! It is truly a tragic tale. But never mind about that.
   "Provisions have been made," said Granny.
   "What sort of provisions?"
   "The cat is in good hands," said Granny.
   Well, this was what Granny had said to me the last time she took Archie, and I did not like the sound of her words one bit.
   Also, I did not believe her.
   It is a dark day when you do not believe your granny.
   It is a day for tears.
   I started to cry.

. . .

I cried until we crossed over the Florida-Georgia state line.
   But then something about the state line woke me up. State lines can do that. Maybe you understand what I am talking about and maybe you don't. All I can say is that I had a sudden feeling of irrevocableness and I thought, I have to get out of this car. I have to go back.
   So I said, "Granny, stop the car."
   And Granny said, "I will do no such thing."
   Granny has never listened to other people's instructions. She has never heeded anyone's commands. She is the type of person who tells other people what to do, not vice versa.
   But in the end, it didn't matter that Granny refused to stop the car, because fate intervened.
   And by that I mean to say that we ran out of gas.

. . .

If you have not left your home in the middle of the night without even giving it a backward glance; if you have not left your cat and your friends and also a one-eyed dog named Buddy without getting to tell any of them good-bye; if you have not stood on the side of the road in Georgia, somewhere just past the irrevocable state line, and waited for someone to come along and give you a ride, well, then you cannot understand the desperation that was in my heart that day.
   Which is exactly why I am writing all of this down.
   So that you will understand the desperation -- the utter devastation -- in my heart.
   And also, as I said at the beginning, I am writing it down for somewhat more practical matters.
   And those more practical matters are so that you will know what happened to me -- Louisiana Elefante.

Excerpted from Louisiana's Way Home by Kate DiCamillo
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

“Louisiana, with her quick, insightful takes on everyone she meets, grabbed readers’ hearts in Raymie Nightingale, and in this book she isn’t about to let go.” — The New York Times Book Review

When Louisiana Elefante’s granny wakes her up in the middle of the night to tell her that the day of reckoning has arrived and they have to leave home immediately, Louisiana isn’t overly worried. After all, Granny has many middle-of-the-night ideas. But this time, things are different. This time, Granny intends for them never to return. Separated from her best friends, Raymie and Beverly, Louisiana struggles to oppose the winds of fate (and Granny) and find a way home. But as Louisiana’s life becomes entwined with the lives of the people of a small Georgia town — including a surly motel owner, a walrus-like minister, and a mysterious boy with a crow on his shoulder — she starts to worry that she is destined only for goodbyes. Called “one of DiCamillo’s most singular and arresting creations” by the New York Times Book Review, the heartbreakingly irresistible Louisiana Elefante was introduced to readers in Raymie Nightingale. Now, with humor and tenderness, Kate DiCamillo returns to tell her story.


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