ALA Booklist
(Wed Apr 01 00:00:00 CDT 2020)
"Benjamin Whitaker, the artist formerly known as Dad, had hugged a telephone pole while traveling at approximately sixty miles an hour. Swerve, smash, gone." In mere seconds, he's gone, but Sydney isn't sure it was an accident. It doesn't help Sydney's peace of mind when she notices a classmate, June Copeland, at her father's funeral, and later leaving flowers at his grave. As the girls start to bond following the funeral, Sydney wonders where exactly their relationship might be headed, especially since June already has a boyfriend. And then there are the ominous text messages Sydney starts to receive from a restricted number. Tensions continue to mount as the texts become more threatening and Sydney's best friend, her mother, and the police all refuse to believe there's anything sinister at play. Both ominous and deliciously twisted, and populated by an unreliable cast of characters, Brown's debut novel is a slow-burn, character-driven thriller that will satisfy fans of mystery who yearn for a proverbial path of breadcrumbs leading to a hopeful, satisfying conclusion.
Kirkus Reviews
In the depths of intense grief, a teen suspects her father's fatal car accident was actually murder.Sydney's devastated by her father's sudden death and can't help thinking there was more to the story than a random accident—after all, as the town's only therapist, he knew everyone's secrets. She's surprised to see her high school's resident golden girl, June, at the funeral. While drowning in grief—depicted in a visceral, pitch-perfect first-person voice—Sydney links her father's death to mysterious text messages she's receiving that contain harassing, homophobic content. At the same time, she develops a friendship with June—who had been one of her father's patients—that quickly turns into an infatuation and then obsession (made awkward when Sydney befriends June's longtime boyfriend). The emotional character- and relationship-driven story arcs move slowly without sacrificing narrative tension. In the final act of the story, the mystery component—June's secrets, the text messages, Sydney's father's death, and the identity of the true antagonist—tumble out in a fast (if somewhat predictable) whirlwind of pages. Tough and morbid topics are broached—death, abuse, homophobia—but not sensationalized. While the community—including Sydney—is mostly white, brown-skinned June is mixed race (ethnicities not specified), and there is some diversity of race and sexuality in secondary characters.A captivatingly moody, introspective drama. (author interview, resources) (Fiction. 14-adult)