The Cooking Gene: A Journey Through African American Culinary History in the Old South
The Cooking Gene: A Journey Through African American Culinary History in the Old South
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HarperCollins
Annotation: 2018 James Beard Foundation Book of the Year | 2018 James Beard Foundation Book Award Winner inWriting | Nominee for the... more
 
Reviews: 3
Catalog Number: #6646299
Format: Paperback
Publisher: HarperCollins
Copyright Date: 2017
Edition Date: 2018 Release Date: 07/31/18
Pages: xvii, 443 pages, 8 unnumbered pages of plates
ISBN: 0-06-237927-5
ISBN 13: 978-0-06-237927-6
Dewey: 641.59
LCCN: 2017003374
Dimensions: 21 cm.
Language: English
Reviews:
Starred Review ALA Booklist

Starred Review Referring to the Old South as a forgotten Little Africa, culinary historian Twitty explores southern cuisine through the lens of the nation's troubled racial past, which has created an amalgam of races and cultures, a blend often denied. Through a crowd-funded campaign, the "Southern Discomfort Tour," Twitty traveled from Civil War battlefields to southern plantations to black-owned organic farms, reviving old recipes and using old cooking methods to get a taste and feel for the food that sustained his ancestors. Along the way, he uncovers his own family history and rediscovers for himself a connection he felt he was losing. Twitty puts his revelations in the broader context of the heritage of black cooking, noting contributions by unsung great black American cooks, including James Hemings, enslaved by Thomas Jefferson. Hemings learned French cuisine while in Paris with Jefferson but added his own heritage to create a blend for Monticello that was credited to his master. In this amazing memoir of food culture, Twitty draws the connection between Hemings and many other historic individuals and contemporary notions of southern cuisine that have ignored a neglected and often-bitter past. This is a joyous journey of discovery by a man with obvious love for history and the culinary arts.

Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)

Food historian Twitty, creator of the Afroculinaria blog, serves up a splendid hearth-based history, at once personal and universal, of the African-American experience.The author accounts himself a citizen of the Old South, "a place where people use food to tell themselves who they are." It is also, he continues, a fraught place where food controversies—whether to put sugar and not molasses in cornbread, say—pile atop controversies of history, all pointing to the terrible fact of slavery. Twitty's book is not just about food, though it certainly covers the broad expanse of African-American cooking over the centuries and how it shaped the larger Southern American culinary tradition. The author delights in the "world of edible antiques" that his researches take him into, a world requiring him to think in terms of gills, drams, and pecks. Twitty also traces his own family history, beyond the eight or so generations that carry documents, to places all over the world: a white ancestor here, an Indonesian by way of Madagascar forebear there, Native Americans and West Africans and Anglos meeting in bloodstreams and at table. On all these matters, the author writes with elegant urgency, moving swiftly from topic to topic: on one page, he may write of the tobacco economy of the Confederacy, on another of the ways in which "the food of the Chesapeake grew legs as the culture of the Upper South was forced to branch out" beyond the Appalachians and Mississippi into new territories, such that "turkey with oyster dressing on a Maryland plantation became turkey with freshwater clam and mussel sauce on a slaveholding Missouri farmstead." Drawing on a wealth of documentary digging, personal interviews, and plenty of time in the kitchen, Twitty ably joins past and present, puzzling out culinary mysteries along the way—e.g., "chickens got served to preachers because chickens had always flounced in the hands of African priests, and nobody remembered why." An exemplary, inviting exploration and an inspiration for cooks and genealogists alike.

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

Food historian Twitty, creator of the Afroculinaria blog, serves up a splendid hearth-based history, at once personal and universal, of the African-American experience.The author accounts himself a citizen of the Old South, "a place where people use food to tell themselves who they are." It is also, he continues, a fraught place where food controversies—whether to put sugar and not molasses in cornbread, say—pile atop controversies of history, all pointing to the terrible fact of slavery. Twitty's book is not just about food, though it certainly covers the broad expanse of African-American cooking over the centuries and how it shaped the larger Southern American culinary tradition. The author delights in the "world of edible antiques" that his researches take him into, a world requiring him to think in terms of gills, drams, and pecks. Twitty also traces his own family history, beyond the eight or so generations that carry documents, to places all over the world: a white ancestor here, an Indonesian by way of Madagascar forebear there, Native Americans and West Africans and Anglos meeting in bloodstreams and at table. On all these matters, the author writes with elegant urgency, moving swiftly from topic to topic: on one page, he may write of the tobacco economy of the Confederacy, on another of the ways in which "the food of the Chesapeake grew legs as the culture of the Upper South was forced to branch out" beyond the Appalachians and Mississippi into new territories, such that "turkey with oyster dressing on a Maryland plantation became turkey with freshwater clam and mussel sauce on a slaveholding Missouri farmstead." Drawing on a wealth of documentary digging, personal interviews, and plenty of time in the kitchen, Twitty ably joins past and present, puzzling out culinary mysteries along the way—e.g., "chickens got served to preachers because chickens had always flounced in the hands of African priests, and nobody remembered why." An exemplary, inviting exploration and an inspiration for cooks and genealogists alike.

Reviewing Agencies: - Find Other Reviewed Titles
Starred Review ALA Booklist
Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Bibliography Index/Note: Includes bibliographical references (pages [433]-447).
Reading Level: 6.0
Interest Level: 9+

2018 James Beard Foundation Book of the Year | 2018 James Beard Foundation Book Award Winner inWriting | Nominee for the 2018 Hurston/Wright Legacy Award in Nonfiction | #75 on The Root100 2018

A renowned culinary historian offers a fresh perspective on our most divisive cultural issue, race, in this illuminating memoir of Southern cuisine and food culture that traces his ancestry—both black and white—through food, from Africa to America and slavery to freedom.

Southern food is integral to the American culinary tradition, yet the question of who "owns" it is one of the most provocative touch points in our ongoing struggles over race. In this unique memoir, culinary historian Michael W. Twitty takes readers to the white-hot center of this fight, tracing the roots of his own family and the charged politics surrounding the origins of soul food, barbecue, and all Southern cuisine.

From the tobacco and rice farms of colonial times to plantation kitchens and backbreaking cotton fields, Twitty tells his family story through the foods that enabled his ancestors’ survival across three centuries. He sifts through stories, recipes, genetic tests, and historical documents, and travels from Civil War battlefields in Virginia to synagogues in Alabama to Black-owned organic farms in Georgia.

As he takes us through his ancestral culinary history, Twitty suggests that healing may come from embracing the discomfort of the Southern past. Along the way, he reveals a truth that is more than skin deep—the power that food has to bring the kin of the enslaved and their former slaveholders to the table, where they can discover the real America together.

Illustrations by Stephen Crotts


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