Paperback ©2020 | -- |
Series and Publisher: The Charles Dickens Children's Collection
Ghost stories.
Christmas. Juvenile fiction.
Misers. Juvenile fiction.
Poor families. Juvenile fiction.
Ghost stories.
Christmas. Fiction.
Misers. Fiction.
Poor families. Fiction.
London (England). Juvenile fiction.
London (England). Fiction.
Pairing a text shortened enough to be read in a single session with gasp-inducing illustrations, this rendition of the classic tale is well suited for reading aloud to younger audiences. Opening with an attention-getting "MARLEY WAS DEAD" in block letters, the narrative moves forward without long-winded descriptive passages and inessential details but with the original's sonorous tone intact: "The Spirit answered not, but pointed onward with its hand." The illustrations follow suit with full-page or full-spread scenes of a pared-down human cast in carefully drawn Victorian settings, led by a silver-haired Scrooge whose scowl and sharply chiseled nose perfectly capture his ill humor. The Ghosts of Christmas Past, Present, and To Come are particularly notable presences (the last could double as a Dementor), appearing suddenly and towering over the terrified miser as they guide him through what was, is, and very well could be unless he mends his ways. Which he does, of course, and is last seen happily squiring the newly nimble Tiny Tim and an unnamed Cratchit daughter home.
Horn BookThis simplified version of Dickens's classic Christmas story is accessible for a picture book audience. The text loses much of its richness in the abbreviation, but children may find it a useful (if pallid) introduction to the story's events. Illustrator Helquist (A Series of Unfortunate Events) uses sharp angles and saturated colors to create a spooky Victorian ambiance.
Kirkus ReviewsThe beloved Christmas classic is skillfully adapted for this simplified introduction to the tale, amplified by large-format art from the illustrator of A Series of Unfortunate Events. Helquist's artistic style is an excellent match for the Dickensian world of mysterious spirits and spooky graveyards, and the illustrations are full of authentic Victorian details in costumes and settings. The extra-large trim size gives him plenty of room to depict the complex scenes of Scrooge's travels through time and space, and the artist succeeds in making him a believable character who transitions from a grouchy, gray grump to a jovial fellow ready to enjoy life. This abridgement makes the original story accessible to a wide age range and would be a fine preparation for families preparing to attend a theatrical production of A Christmas Carol . (Picture book. 7-12)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Helquist's vision of the classic story depicts a hawkish Scrooge (who's a cadaverous shade of green) against a backdrop of bustling Victorian streets, with pleasing touches of detail, humor and a few frightful strokes. When the clock strikes one, announcing the arrival of the first ghost, the moon hangs in an unholy green sky, and the Ghost of Christmas Yet to Come stands in a tattered cloak, surrounded by eddying mists (but also draped with strings of Christmas lights). The eye-catching art makes a strong pairing to the accessible abridgment of Dickens's text. Ages 5–up. <EMPHASIS TYPE=""ITALIC"">(Oct.)
School Library JournalGr 5 Up-Over the years, Dickens's holiday classic has been embellished by some of the finest artists around. Michael Foreman, Trina Schart Hyman, Greg Hildebrandt, and Lisbeth Zwerger are just a few of the luminaries who have taken on the challenge originally set by Arthur Rackham in 1915. Joining the list is Lynch, whose watercolor-and-gouache illustrations lavishly enhance this handsome edition, which includes the complete text. Ranging from spot art to full spreads, with something to savor on almost every page, they offer a real flavor of Victorian England and make the most of the inherent drama of the story. The gold-embossed spine and thick, textured paper contribute to the appeal of the package.-Mara Alpert, Los Angeles Public Library Copyright 2006 Reed Business Information.
ALA Booklist
Horn Book
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Introduction A Christmas Carol: The Spirit of Christmas
From "Bah! Humbug!" to "God bless us, every one," Dickens's holiday classic, its characters, and even their dialogue embody the spirit of Christmas.A Christmas Carolhas become such a part of modern American and British culture that it would be difficult to find anyone unfamiliar with its story or with the characters of Tiny Tim and Scrooge. TheCarolis practically a manual for Christmas, with its depictions of playing games, adorning rooms with festive decorations, and enjoying a turkey feast. Not only does the tale inform certain traditions but it is also a tradition in itself. Indeed, many people would not find their Christmas complete without watching performances of theCarolon stage, on television, or at the cinema.
Little did Dickens know when he finishedA Christmas Carolafter just six weeks of feverish writing that this brief story would become one of his most famous works. Though the story was successful as soon as it was published on December 19, 1843, Dickens bolstered its renown further by choosing to perform it aloud when he began touring in 1853. His name became synonymous with Christmas in England to the extent that, after his death in 1870, some feared the holiday would become culturally obsolete. Nothing could have been further from the truth -- the story itself spawned an endless parade of adaptations and interpretations, from musicals to cartoons to comedies, and the holiday it celebrates has never been more popular.
Charles Dickens is perhaps best remembered for his efforts to draw attention to the plight of the poor at the dawn of the modern era. HisGreat ExpectationsandOliver Twist,two masterpieces of English literature, led to the coinage of a new word,Dickensian,to describe something particularly harsh, bleak, or wretched. But as large as that literary legacy may be, Dickens is most beloved for this book, his gift to the poor and affluent alike: a template for a warm, loving, charitable, and thankful family holiday.
The Life and Work of Charles Dickens
Charles Dickens was one of the nineteenth century's most prolific and respected novelists. The second child of John Dickens and Elizabeth Barrow, he was born February 7, 1812, in Portsmouth, England. When he was five years old, the family moved to Chatham on the southern coast of England, where they would spend the next six years. In 1823, the Dickens family moved again, to London. When Charles was twelve, his father was imprisoned for debt, remaining incarcerated for three months. During that time, Charles's family lived in debtors' prison with his father, leaving Charles largely on his own. He worked at Warren's Blacking factory, gluing labels to bottles of shoe polish, finding himself very poor and often hungry. Young Charles was tormented by the thought that his parents had abandoned him to this hard life. Dickens's time as a child laborer left a permanent, traumatic impression on him; he did not discuss this ordeal publicly, but it surfaced in his fiction. His sympathetic descriptions of Tiny Tim and of Scrooge as a boy spurned by his father inA Christmas Carolreveal his deep compassion for poor, abandoned, or neglected children.
Dickens attended school at the Wellington House Academy in London until he was fifteen, but primarily he educated himself at the library of the British Museum in London. Before becoming a writer he worked as a law clerk, a shorthand reporter, and a news reporter; his fictional writing drew extensively from these experiences. His first published novel,The Pickwick Papers(serialized starting in 1836), a lighthearted and popular work, established the young writer's reputation and raised readers' expectations. He went on to serialize what would become some of his lengthier novels:Oliver Twist(1837),Nicholas Nickleby(1838),The Old Curiosity Shop(1840), andBarnaby Rudge(1841). In 1842, he traveled with his wife, Catherine, to America, where he enjoyed immense popularity. He wrote a partially critical account of his observations on his trip,American Notes for General Circulation(1842), which offended many readers and critics, who became defensive about their country.
When a report exposing exploitive child labor practices in England was released in 1842, Dickens made a special trip to Cornwall, where he could see for himself the horrible environment child mine workers endured. His wealthy friend and philanthropist Baroness Angela Georgina Burdett-Coutts requested his opinion of her sponsoring the Ragged Schools of Field Lane, Holborn -- free schools for the poor -- so he visited them and wrote to her, "I have very seldom seen...anything so shocking as the dire neglect of soul and body exhibited in these children." His sympathy for the poor and outrage at public indifference toward poor children inspired him to writeA Christmas Carol in Prose,which he published at his own expense on December 19, 1843. It became so popular that he followed with other Christmas stories such asThe Chimes(1844),The Cricket on the Hearth(1845),The Battle of Life(1846), andThe Haunted Man(1848).
Dickens would next write his most autobiographical novel,David Copperfield(starting in 1849). With the publication ofBleak House(1852), he entered what many call his "late period," writing a series of darkly pessimistic novels such asLittle Dorrit(1857) and what would become his most popular novel,Great Expectations(1860). In 1858, just as he was separating from Catherine, he began an extensive tour of public readings in London and would eventually travel to Paris, Scotland, Ireland, and America for appearances and readings. His health declined seriously in the next decade, partly as a result of his busy work schedule. In 1870, he collapsed during a public reading in England, just after an American lecture tour. Dickens died from a stroke shortly thereafter. His last novel,The Mystery of Edwin Drood,was in serialization at the time and remained unfinished.
Historical and Literary Context ofA Christmas Carol
Christmas in Victorian England
Just a few decades beforeA Christmas Carolwas written, the celebration of Christmas in England had become almost obsolete. Christmas was once a lavishly celebrated holiday, with festivals that combined pagan customs and Christian symbolism in masques (a dramatic performance usually by actors in masks), plays, and other traditions. After Puritans took control of England during the seventeenth century, celebrations of Christmas were outlawed. The holiday was revived when the monarchy was restored in the eighteenth century, but it was not as elaborate as it had been in the past.
During the years leading up to the publication ofA Christmas Carolin 1843, however, the holiday was enjoying a renaissance in England. Ten years earlier, William Sandys publishedSelection of Christmas Carols, Ancient and Modern(1833), a collection of Christmas songs that would become extremely popular and incite a tradition of caroling in England. Thomas K. Hervey published a scholarly history of Christmas inThe Book of Christmasthree years later. Britain's young Queen Victoria married the German Prince Albert in 1840, who popularized many Christmas traditions of his native country, such as the Christmas tree, in his wife's homeland. In 1843, the same year A Christmas Carol was published, Sir Henry Cole commissioned the first Christmas card from John C. Horsley. It was a three-paneled drawing with a simple Christmas scene in which a family enjoys a dinner celebration in the center with the caption "A Merry Christmas and A Happy New Year to you" with a small space for the name of the sender. Dickens's short novel would further promote and solidify these and other Christmas traditions in both English and American culture.
Poverty: The Poor Laws and the Workhouse
At the time of the publication ofA Christmas Carol,England was still coming to terms with the Industrial Revolution. Technological innovations had shifted the basis of England's economy from agriculture to industry between 1750 and 1850. The development of steam power and a boom in the cotton textiles industry caused a population shift from rural to urban areas. New steam-powered railroads and ships broadened the market for England's output. Laborers were more at the mercy of their employers than ever before, and working conditions in factories, mines, and mills were often brutal. Children and adults alike commonly worked as much as sixteen hours a day, six days a week in dangerous conditions for very small wages. England went through particularly severe growing pains during the 1830s and 1840s. An economic depression in the early 1840s led to widespread unemployment and riots.
In 1834, the Poor Law Amendment Act completely overturned previous methods of aiding the poor that had been in place for over two centuries. Before the poor laws were amended, parishes were required to feed, clothe, or otherwise financially support the poor in what was called "outdoor relief." The poor laws replaced outdoor relief with mandatory rules that the poor who received aid must receive "indoor relief," and to live in workhouses, or government-run shelters provided in exchange for work. The conditions in these workhouses were so grim and at times so unbearable that some preferred to starve on the streets.
Dickens, having spent a few months in a workhouse with his family when his father was sent to one, fiercely opposed the practice. His fiction, essays, and letters often reflect this view. Clearly Dickens's critical attitudes about both the poor laws and the workhouse show transparently in the narrative, as does his belief that a person's wealth is not a reflection of his character.
Supplementary materials copyright © 2007 by Simon & Schuster, Inc.
Excerpted from A Christmas Carol by Charles Dickens
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
An illustrated adaptation of Charles Dickens's Victorian classic - at an easy-to-read level for readers of all ages! Who can help a mean old man to love Christmas? How about a ghost? (... or three!) Scrooge's heart is colder than snow, he's richer than half the banks in England and meaner than, well, everyone. But when three seriously spooky ghosts turn up to take him on an adventure through time, he soon learns that being cold isn't cool. Can he change his ways before it's too late? About Sweet Cherry Easy Classics: Sweet Cherry Easy Classics adapts classic literature into illustrated stories for children, introducing these timeless tales to a new generation. (All titles in the series are leveled for classroom use, including GRLs.)