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Interpersonal relations. Fiction.
Rape. Fiction.
Brothers. Fiction.
Pigeons. Fiction.
Caribbean Americans. Fiction.
New York (N.Y.). Fiction.
Thulani, 16, is on the roof of his Brooklyn apartment with his beloved pigeons when he witnesses a brutal rape in the alley below. He helps the naked, injured teenager, Ysa, and afterward tries to get to know her. He looks for her at school and follows her on the street; he can't stop thinking of her. This is the first time he's been freed from the grief that has immobilized him, since his mother went home to Jamaica to die three years ago. For a long time Ysa furiously turns him away, but gradually she lets him closer. She tells him her story, including the horror of her boat journey from Haiti, and finally they become friends and lovers. Once again, Williams-Garcia creates characters that are both fierce and gentle. Without graphic language, she portrays violence and anger in contemporary troubled teens who find courage and connection. Ysa's meanness and Thulani's obsession get tiresome, but the scenes between them are electric, almost all in dialogue: her hurt and fury, his stubborn tenderness and passion. There's a strong sense of their Brooklyn neighborhood, a home to immigrants from many places who have left family behind. Ysa gets a college scholarship; Thulani is dropping out. But their intimacy helps him break free.
Horn BookDespite its gritty milieu and violent central motif, this is a love story. Sixteen-year-old Jamaican-born Thulani's only friends are the pigeons on the roof of the Brooklyn brownstone he shares with his brother and sister-in-law. He witnesses a rape from the roof; after he intercedes on the victim's behalf, he becomes obsessed with her. Well-observed and subtle, this novel artfully interplays harsh urban realities with adolescent innocence.
Kirkus ReviewsAn immigrant teen is shaken out of his reclusive existence into a world of love and life when he witnesses a girl being raped and decides he must act. Thulani has cared only for his pigeons since his mother left Brooklyn to return to Jamaica to die. His older brother and sister-in-law, with whom he lives, are absorbed in each other and are routinely callous to his needs. His rescue of the girl from her three attackers catapults Thulani into the world around him. Mesmerized with the nameless girl's suffering and a desire to know her, he resists her indifference and hostility to create a connection and through this struggle he grows. The writing is haunting and beautiful, with the island patois present in the rhythmic speech patterns of short sentences without a superfluous word. This is a romance told by a young boy becoming a man, learning about sex, work, lust, and honesty. Without becoming gratuitous, Williams-Garcia has found the right words poetically to describe anatomy and the sex that takes place, and does so without self-consciousness. It's astounding to contrast the horror of rape with an honest depiction of love and sex as part of a young-adult novel. A simultaneous increase of distance from his brother's family and as well as increased closeness is a delicate counterpoint to the main story line. Every aspect of Thulani is affected by his awakening to his choices. Guilt and concern, empathy, and attraction combine to set his feet off the rote path he has been mindlessly treading and into actively choosing his life. Even more outstanding than any of this author's previous strong titles, this captures the grit and feel of urban living in a powerful, yet gentle coming-of-age story. Romance for realists. (Fiction. YA)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)"A remarkably sympathetic portrait of 16-year-old Thulani, who came to Brooklyn from Jamaica with his mother and brother, and aids a rape victim," wrote <EMPHASIS TYPE=""ITALIC"">PW in a starred review. "With its layered yet understated language, and complex yet truthful characterizations, this novel will hold the rapt attention of sophisticated readers." Ages 14-up. <EMPHASIS TYPE=""ITALIC"">(May)
<EMPHASIS TYPE=""BOLD"">Note: Additional reviews of children's books can be found in the Children's Religion section (p. 64).
School Library JournalGr 9 Up-Williams-Garcia delivers an insightful, sensitive, and engaging tale where realistic grit fails to swamp the teen characters as they make strong and healthy choices. Thulani is shy and withdrawn when readers meet him on the rooftop of his Brooklyn home, caring for his pigeons. However, the sight of a brutal rape in the street below brings him to life for the first time since his mother's death three years earlier. Thulani rescues the girl who, not surprisingly to either Thulani or readers, fails to show any gratitude. He, however, is smitten by her beauty and self-possession and works hard to gain her recognition over the ensuing weeks and months. A strong subplot pits Thulani against his older married brother and his wife, with whom he lives. Williams-Garcia writes convincingly from Thulani's viewpoint while allowing readers to understand and respect Ysa, the rape victim, in her initial coldness. Minor characters, including Thulani's elderly neighbor, the shopkeeper who employs him, and his sister-in-law, are multidimensional, with motivations that young people can comprehend and consider. Both book lovers and reluctant high school readers will appreciate this story and will find much to discuss during and after reading it.-Francisca Goldsmith, Berkeley Public Library, CA Copyright 2001 Cahners Business Information.
ALA Booklist
Horn Book
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Chapter One
From on top of Brooklyn, Thulani watched the sun bed the clouds, waiting, as he always did, for his birds to return. He woke each morning with one thought: freeing his birds. Their cooing pulled him from sleep, called him up the attic steps and onto the roof of his brownstone. Each and every time it gave him a thrill to unlatch the door of the dovecote he had built and find himself besieged by fourteen pigeons, each a variation of white: snowy, spotted, dingy, or wing-stained. Every morning without fail he dropped cereal or seeds on the asphalt roof, recalled the meanderings of dreams better told to birds than people, then watched them fly off toward Prospect Park. As sure as he knew the view from the rooftop, he knew his birds would always return to him.
Thulani looked out into the graying predusk. Below him, in their apartment, his sister-in-law, Shakira, rubbed her belly, waiting for her husband to come in from work. On the street city buses became scarce, leaving Eastern Parkway to gypsy cabs and vans. Store owners locked up their shops, and street vendors packed up their tables. The day was coming to a close.
Thulani gazed down upon a couple who stopped to kiss. He watched how the man held the woman's head with both hands as she pulled herself into him. Even if they had felt his eyes, they would not have cared. From above them he could see that the world around the two did not exist.
Caught up in this couple, their kiss, and thinking about what drew people to be entwined so, Thulani was suddenly surprised by a legion of wings flapping about him.One by one, five rock doves descended on him, their pink feet touching down on his arms and shoulders; the nine other birds stopped at his feet.
Of his birds, he loved Yoli and Dija best, two of three snowy hens he found as squabs on his roof. Yoli was the first to recognize him as a mother, and Dija followed her lead. Their sister, Esme, however, was indifferent to his attention. Of all his birds, she would be the one to run off with another flock.
His treasured cocks, Bruno and Tai-Chi, were brothers with identical black wing stains whom Thulani could easily tell apart. Bruno was bold, a leader, and Tai-Chi, the graceful one, was proud of his wingspan. Both birds had become his when they followed Esme to the rooftop one evening, but they had eventually mated with her sisters.
These were the only birds he had bothered to name. The three hens, the cocks, and their brood were simply my birds. Truer friends did not exist. In the two years since Thulani had become owner and caretaker of his flock, there had been no discord, no change in routine, and, in spite of Esme's iffiness, no defections. His birds needed him to free them in the morning; he needed them to return before nightfall. Only when they died would they leave him.
In an act of dominance Bruno hopped from Thulani's shoulder to his head. Thulani grabbed Bruno's feet and carefully pried the bird's talons from his dreadlocks. Stop showing off for Yoli. I know she's yours.
He threw Bruno up to the sky, then flung the others perched on his arms airborne as well. This was how his birds began their chasing game'running, hopping, and flying in circles around the roof. Each bird aimed for Thulani, to land on his shoulders, arms, or head.
Bruno wanted his head, but Thulani swerved, missing those pink feet. He twisted, turned, waved his arms, and ducked. He could not shake Bruno or Tai-Chi, nor could he resist his hens.
When he tired or they tired, or when Shakira yelled up from the apartment window, Cut the mischief! he unlatched the door of the dovecote so they could roost.
Home, he said in response to their cooing and flapping. Home.
On his word they gathered to be let into the dovecote, an improvement on the avocado crate from Yong Moon's Fresh Fruits. The crate had served Yoli, Dija, and Esme as squabs but would not do as the three sisters grew into voluptuous hens that attracted other birds to the rooftop. In shop class he had made a bigger home with a lock and a swinging door. He had enjoyed building the dovecote and was at ease with a hammer.Home, Dija; home, Yoli; home, Bruno, he coaxed, until all hopped into the dovecote to roost.
Only one hen, Esme, lingered. Esme refused to breed, which went against the very nature of a hen. He'd watch his cocks do the mating dance, puff their necks, bob their heads in and out, and hop to one side, only to be spurned by Esme, who took the role of coquette too far, never allowing any to catch her. Even though Esme had attracted many male pigeons, a mourning dove, and a seagull, Yoli and Dija were responsible for increasing the brood.
Home, Esme.
The lone hen stood her ground.
Thulani made kissing noises at her. This wouldn't do. He knelt and held out his hand filled with seeds, which caused a stir in the dovecote. Still, Esme showed no interest. She preferred to roost under the ledge where she and her sisters had been found, although the dovecote was kept clean and the water bowls were filled.Don't make me come and get you.
Esme tried to hop away. Thulani seized her, his thumb firmly planted against her beating heart. He grabbed her body before her wings could open. It's better when you cooperate, he said, and dropped her into the box, then flipped the latch.
The July air began to cool. Thulani sat on the tarred roof next to his birds, his baggy T-shirt pulled over raised knees. Each pair, Yoli and Bruno, Dija and Tai-Chi, and others settled wing to wing. Even Esme recovered from the indignation of having been handled and joined in the low cooing.
Every Time a Rainbow Dies. Copyright © by Rita Williams-Garcia. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Excerpted from Every Time a Rainbow Dies by Rita Williams-Garcia
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
From Newbery Honor and Coretta Scott King Award winner Rita Williams-Garcia, Every Time a Rainbow Dies is a moving, lyrical, and diverse love story—perfect for fans of One Crazy Summer who are ready for an older voice.
Dreamy Thulani spends most of his time up on the roof, taking care of the flock of doves in the cote and watching the streets of Brooklyn bustle below him.
He is up there on the day he sees a girl being brutally attacked in an alley.
Though the girl makes it clear she wants nothing more to do with him after he helps her home, he can’t stop thinking about her. Is she okay? What is her name? Would she be scared if he tried to talk to her?
Suddenly, for the first time since his mother died, Thulani finally has a reason to come down from the roof. But as much as he wants to care for this girl, Ysa—more fragile and fiercer than his birds—she will not trust easily. Is it possible to shelter someone who needs to be free?
First published in 2001, the novel has now been repackaged with gorgeous new cover art. Previously available only as an e-book, this remarkable novel is now back in print!