Burn Our Bodies Down
Burn Our Bodies Down
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Random House
Annotation: "Margot doesn't know anything about her family, beyond her quiet life with her mother. But she wants more and when she finds a clue that leads her to a town called Phalene, she leaves to investigate. Only Phalene and her family history are full of secrets, some that may prove more dangerous and deadly than Margot ever could have bargained for"-- cProvided by publisher.
Genre: [Mystery fiction]
 
Reviews: 2
Catalog Number: #6683149
Format: Paperback
Publisher: Random House
Copyright Date: 2021
Edition Date: 2021 Release Date: 05/04/21
Pages: 342 pages
ISBN: 0-525-64565-9
ISBN 13: 978-0-525-64565-8
Dewey: Fic
LCCN: 2019040831
Dimensions: 22 cm.
Language: English
Reviews:
Kirkus Reviews (Wed Jul 06 00:00:00 CDT 2022)

A 17-year-old Nebraska girl's desperate search for her roots takes her down a path more twisted than she could have imagined.Margot Nielsen has lived her whole life under the thumb of her emotionally distant, manipulative mother and her strange set of rules. They have no connections to any family that Margot is aware of, but when a clue about their family history surfaces, Margot follows it. She finds the grandmother her mother never wanted her to know living on the family homestead in an economically depressed town where the Nielsen name seems to be shrouded in a cloud of suspicion that inspires trepidation among locals. Despite ominous foreshadowing, Margot still longs to find in her stoic grandmother, Vera, the love and connection that have been withheld from her. Their relationship is quickly complicated by a fire on the farm that results in the death of a girl with an uncanny physical resemblance to Margot-and whose existence her grandmother refuses to explain. Tension builds as the questions pile up, though the clues do not keep pace with the gaping concerns that readers are forced to grapple with. What could have been a tightly paced thriller suffers from pacing issues and plot holes along with thin character development and repetitive language. All major characters are white.A sinister story about the vicious cycle of generational abuse that falters under the weight of an unwieldy plot. (Fiction. 14-18)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

For Margot Nielsen, 17, it-s always just been her and her mother, Jo. Nearly identical down to the gray streaks in their hair, the two share a cramped one-bedroom apartment. Margot-s mother insists that she follow very specific rules: keeping a candle lit, and never asking about her father or her mother-s family. After a fight with Jo, Margot heads to the pawn shop to repurchase one of her mother-s trinkets as a means to apologize; there,

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Kirkus Reviews (Wed Jul 06 00:00:00 CDT 2022)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Word Count: 80,199
Reading Level: 4.3
Interest Level: 9-12
Accelerated Reader: reading level: 4.3 / points: 11.0 / quiz: 509868 / grade: Upper Grades

one 

flick and catch of the lighter, fire blooming between my fingers. It's too hot for this. Late June, sun close and watchful. Here I am anyway. Flame guttering in and out, in andout.

The candle I lit this morning is on the coffee table. Scented, cloves and pine--Mom stole it from work last year and we've been putting off using it, burning every other thing we can find. A bowl of tea lights, clean and bright, or a prayer candle she took from church. But we're running low, and this Christmas shit was the only one left in the box Mom keeps under her bed. Too sweet, too strong. But the rules are more important. They're always more important.

Keep a fire burning; a fire is what saves you. The first, the last, the heart of them all. She taught me that as soon as I was old enough to hold a lighter in my palm. Whispered it to me in the dark. Pressed it against my forehead in place of a kiss. And I used to ask why, because it makes less than any sense at all. But you learn quick when you're Jo Nielsen's daughter. It's answers or her, and you'll only ever get one of them, so you'd better be careful deciding which it is.

I picked her. And even so, I don't get much of her most days.

With one hand, I test the breeze coming through the window I'm sitting at. It's barely anything, but I want to be sure it won't put the candle flame out. She pretends not to care about that anymore, says the lighting is the important thing--and it is, it is. She watches me do it every morning with this look on her face I'll never understand. But still. I remember the fight we had the first time she came home to a blackened, bare wick. I won't let that happen again if I can help it. Especially not these days, with Mom always in a mood, holding herself open like a trap.

I get up from the windowsill and slide to the floor, tilt my head into the shade. Floorboards sticking to my thighs, salt on my tongue every second. Above me I can see the smoke gathering, blue against the crackling ceiling. Nothing to worry about. Detectors disabled ages back. Mom ripped them down herself, paid the fire department to stop coming around. They turned off the electricity that month, but it was worth it. To her, anyway. And me, I went to school, and I came home, and I did my homework with a flashlight between my teeth. Made a life for myself inside the mess of my mother's head, just like always.

I think I'd give anything to know what happened to leave her like this. As long as it's not waiting to happen tome.

The sun's dropped and left the room dim by the time I hear the station wagon rattle up outside. Mom back from her shift at the funeral home. She works at the front desk and takes all the calls, tells people if the coffin they picked is too short, helps them order enough whiskey for the wakes.

Footsteps on the stairs, but I don't stand up. My whole body languid and heavy, the humid air pinning me down. Mom can carry the groceries by herself.

She's a mess when she gets inside. Hair loose, sticking to her mouth, and a coffee stain on the lapel of her shirt. We look so alike that people are always calling us sisters,and not in a way that's flattery. The same somber mouth, the same streaks of gray at our temples. Mine came early, so early I don't remember what I looked like without them, and sometimes I catch Mom staring. Sometimes I catch her about to cry. I used to think maybe it was that I reminded her of my father--the man she never talks about, the man who must have given me something. But then I stopped thinking about him at all. Started wondering about where Mom came from instead. About who gave her the face that looks so much like mine.

"Hey," she says, squinting over the top of the grocery bag at me, and there's a smudge of something at the corner of her left eye, just above the scar there, spreading and raised and older than me. That's one thing we don't share, at least.

I peel my legs off the hardwood and hug my knees to my chest. We're having a good day so far. Both of us out of sight, both of us quiet--it's the talking that's gonna ruin it. "Hey," I say.

"You want to help me with this?"

She sets the groceries down on the rickety table by the door. I can see her checking the apartment. Everything the way she likes it, the candle burning strong in the center of the room, but her expression curdles anyway.

"You couldn't have closed the window?" she says. I don't answer as she crosses to it, her knee brushing my temple where I'm sitting on the floor. I can hear her rock the window in its frame, working it shut. It was only an inch. An inch, and if she were someone else's mother she wouldn't mind, wouldn't notice, wouldn't have these rules in the first place. But she's right. I should've closed it.

And still, it could be worse. She hooks her fingers through mine and pulls me to my feet. My stomach twists at her touch. We go for weeks without it, sometimes, her body flinching if I get within a yard or two.

"Help me," she says again, something nearly painful in the strain of her smile. "You can stand in front of the fridge."

It's even hotter in the kitchen, and fruit flies we can't get rid of cover the fluorescent bulbs under the upper cabinets. Mom scrapes her hair off her face and starts unbuttoning her work shirt while I bring in the grocery bag. I can't see everything inside it, but what I can see isn't promising. She never learned how to grocery shop, and when it's just her she comes home with melba toast and cherry tomatoes, or seltzer and string cheese. Enough for both of us, if I'm lucky.

It's not that she forgets about me. I really don't think that's it. More like Mom usually has only enough energy to look after one person, and that person's always her.

It's easier when I'm in school. Lunch in the cafeteria, people who call themselves my friend as long as I'm right in front of them, and the lingering looks of the teachers who notice that I'm still wearing summer clothes deep into fall. I can pretend Mom's just like the other parents, pretend there's more for me than this apartment, than waiting for her to want me again.

Because she does, sometimes. Tucks me into her body and whispers, "Nobody but you and me." Good, because she's decided she loves me, and bad, because the hooks we've got in each other are too deep to ever come out, no matter how much we pull at them. But I don't care. Me, and Mom, and the whole world right here.

Today she's brought home a six-pack of seltzer and a bag of baby bell peppers. I know what she'd say if I shopped like that--we have tap water at home, and produce is too expensive--but I've watched her in the grocery store, watched how she freezes, how the sight seems to drain from her eyes. I stay quiet, put everything in the fridge alongside the hot dogs and American cheese from her last trip.

"What should we make?" I ask. I'm picturing it, the two of us at the counter together, our dinner disgusting and oddly assembled, but ours.

That's my mistake. Maybe it wouldn't be one on a different day, but I see it happen in her. See her jaw tighten, her eyes narrow.

"Make?" she says.

I can save it. I can pull it back. "Yeah," I say, grabbing the hot dogs from the fridge, ignoring the horrible slide of the liquid in the package. I have to show her I meant I'd do it for the both of us. That I don't expect anything more from her than what she's already given. "I could sauté the peppers, or--"

"If what I brought home isn't good enough," Mom snaps, "you can go back out yourself."

She pulls the car keys out of her pocket, tosses them down on the counter. I will myself into stillness. If I take the keys, the argument has started, and I won't be able to end it without getting into the driver's seat and weaving to the nearest gas station for a bag of pretzels. Mom's like that. So am I--I learned it from her. Ride it until the end, no matter what.

"No," I say carefully, "it's fine."

But she's picking up steam. "Take some of my money, too, and just go get whatever you want." She leans into me, pressing the keys against my chest, the metal cold and scratching. "Go on. If you don't want to drive, you can walk."

I knot my fingers together, squeezing tight to keep from snatching the keys and taking the bait. She's feeling guilty. That's why she's picking a fight. But understanding that doesn't make it feel any better.

"Really," I say. "I didn't mean it like that."

That's not what she wants from me. I know it's not. But if I can get out of this without giving that to her, I will.

"Do you want me to make you a plate?" I try instead. I can end this fight. I can. I've done it before. "I'm not hungry."

"Since when does it matter what I want?" Mom says, turning away from me and going to the sink, twisting the tap until water is pouring over her wrists, cooling her blood.

"It always does." And fine, fine, if it gets us out of this stalemate, I will give up some ground. I will take another piece of blame--those pieces are the only things I can really call my own. "I'm sorry," I say. "It was my fault."

For a moment she doesn't acknowledge that I've spoken. And then she looks up, an emptiness in her eyes like I'm one of the bodies she sees at work. The water running over her paper skin, until I reach across her to turn it off.

She blinks. Reaches up to touch my cheek, brushing the spot on my skin where the scar sits on hers. Her palm is cold and wet, but all the same I can feel my face flushing, feel my eyes flutter shut.

She moves then, and there's a tug at my hairline. When she draws back, it's with a long gray hair pinched between her fingers. She went gray right at my age, later than I did, but I can't remember who told me that, and suddenly it's seeming like it couldn't have been her.

"Oh," I say, blinking back a moment of dizziness to watch as she winds the hair around her finger so tightly the skin turns red.

"What a shame," she says, almost to herself.

She leaves me to handle my own dinner and disappears into her room. Runs the bath all night, and at first I think she must be cooling down, but when I go in later to brush my teeth, the mirror is fogged and the taps are hot.

How to keep a fire burning. How to stitch a fight up until it's only a scar. That's the kind of thing you learn with a mother like mine. Mostly, though, you learn how to be loved without any proof. Seventeen years and I'm still getting that part wrong.

 

two

mom wakes me up before she goes to work. My room is right next to hers, not even really separate. A speckled beige partition we bought at an office supply store, a foot too short, cutting the room in half, and on the other side, her bed. Now, in the early gray light, she perches on the foot of mine, yesterday's candle cupped in her hands.

I sit up, rub the sleep from my eyes, and fumble for the lighter on my nightstand. The day's already too hot, my sheets sticking to my legs.

"Let's go," Mom says. "I'm running late."

Her hair damp from a shower, dripping onto her lilac work shirt. She'll leave the windows down in the car and it'll be dry by the time she gets to the funeral home.

"Sorry," I say. "Okay."

The flame jumps up, stands steady and stark. My hand used to shake when I did this, but it doesn't anymore. No nerves as I hold the fire to the wick until it catches. No fear as I let the lighter go out, lean in to feel the heat on my skin.

This is the part that matters to Mom. Watching me. On good days it comes with a kiss to my temple, with her favorite rule whispered in my ear. On most days it comes with nothing at all. Just the feeling that this is a test, somehow, and I've only barely passed.

"All right." She gets up, firelight gathering under her chin. "Go back to sleep."

She leaves the candle on my nightstand. I lie down, turn my back to it. One of these days it'll burn us both down. I don't even know if I'll care.

It's late, full morning when I wake up again. Don't bother checking my phone--my data's run out, and besides, nobody's looking for me. Now that school's out I have nothing to do, and nobody to do it with. Too many days laid out in a line. Nothing to put inside them. It used to be Mom would take me to work with her. She'd stick me under her desk and I'd watch her stomach move, watch her suck it in whenever the phone rang. The gaps between the buttons of her shirt, the paleness of her skin and the wrinkles pressed red into it. For a while that was what I thought of when I pictured her. That shadow and curve, and the smell of the funeral home, like powder, like roses, like dust.

I get to my feet. I can hear the kettle whistling. Just faintly, but there, and when I lean out my door I can see through the living room to the kitchen. Burner still on. She must have forgotten to turn it off. I can picture her rushing, gulping down a cup of weak tea, no breakfast because she bought all the wrong groceries. Shut my eyes, ignore the pang in my chest.

I love her so much more when she's not here.



Excerpted from Burn Our Bodies Down by Rory Power
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

"[A] deliriously creepy tale...that'll keep your nightmares up at night." --Melissa Albert, New York Times bestselling author of The Hazel Wood

From the author of the New York Times bestseller Wilder Girls comes a feverishly twisty thriller about a girl whose past has always been a mystery--until she decides to return to her mother's hometown . . . where history has a tendency to repeat itself.

Ever since Margot was born, it's been just her and her mother, struggling to get along. But that's not enough for Margot. She wants family. She wants a past. And she may have just found the answer: A photograph, pointing her to a town called Phalene. Only, when Margot gets there, it's not what she bargained for.

As soon as they see her face, everyone in town knows who Margot belongs to. It's unmistakable--she's a Nielsen. And when a mysterious girl who could be Margot's twin is pulled from a fire, Margot realizes that her mother left Phalene for a reason. But was it to hide her past? Or was it to protect Margot from what's still there?

The only thing Margot knows for sure is there's poison in their family tree, and their roots are dug so deeply into Phalene that now that she's there, she might never escape.

Praise for Wilder Girls:
4 STARRED REVIEWS!

"Fresh and horrible and beautiful....readers will be consumed and altered by Wilder Girls."-NPR

"This thrilling saga...is sure to be one of the season's most talked-about books, in any genre."--EW

"The perfect kind of story for our current era."--Hypable

"Your new favorite book."--Cosmopolitan


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