The Snake Stone
The Snake Stone
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St. Martin's Press
Just the Series: Investigator Yashim Vol. 2   

Series and Publisher: Investigator Yashim   

Annotation: Detective, polyglot, chef, eunuch--Investigator Yashim returns in this evocative Edgar(R) Award-winning series set in Is... more
 
Reviews: 3
Catalog Number: #6746409
Format: Paperback
Copyright Date: 2008
Edition Date: 2008 Release Date: 09/30/08
Pages: 290 pages
ISBN: 0-312-42802-2
ISBN 13: 978-0-312-42802-0
Dewey: Fic
Dimensions: 21 cm.
Language: English
Reviews:
ALA Booklist (Tue Dec 03 00:00:00 CST 2024)

The teeming streets of nineteenth-century Istanbul are the backdrop for this second installment in Goodwin's Edgar-winning series starring Turkish investigator Yashim Togalu. Yashim is a most unlikely sleuth, a eunuch and epicure whose benevolent manner and appearance enable him to blend into the background wherever he goes. When French archaeologist Maximilien Lefevre is found murdered just outside the French embassy, the trail of clues leads Yashim to a secret society devoted to the revival of the Byzantine Empire. (Shortly before his death, Monsieur Lefevre hid a mysterious sixteenth-century manuscript on a bookshelf in Yashim's flat.) Goodwin, a historian of the Ottoman Empire, peppers his mystery with vivid descriptions of Istanbul's cultural riches, including the Hippodrome with its sinister Serpent Column, whose "green-black coils . . . referred to a dark enigma, like a blemish in the human soul." There are a few slow spots in the plot, but that's more than made up for by the host of intriguing characters. Among them: John Millingen, the notorious physician to Lord Byron, and Amelie, Monsieur Lefevre's lovely widow, who awakens in Yashim passions long suppressed.

Kirkus Reviews (Tue Dec 03 00:00:00 CST 2024)

A leisurely mystery set in 19th-century Istanbul, the second in a series which began with The Janissary Tree (2006), winner of the 2007 Edgar Award. Providing continuity is Yashim, the eunuch and investigator who worked for the sultan. Now it's two years later, 1838, the sultan is dying, and Yashim has less clout, though he's still a confidant of the Queen Mother. The story starts with a bang when George, a Greek, is almost killed next to his vegetable stall. We'll find out much later that his misadventure is merely a red herring. Someone of more consequence is Max Lefevre, a shady French archaeologist with a passion for Greek antiquities described in a book he hides in Yashim's apartment. Lefevre is being pursued and begs Yashim for help; the eunuch gets him a berth on an Italian vessel, but next thing you know Lefevre is found dead, his face eaten away by dogs, outside the French embassy, and Yashim finds himself under suspicion. Who was pursuing the Frenchman? Could it have been the Hetira, a super-secret organization pushing for a new Greek empire? Its name keeps cropping up, then fades away in a story that proceeds by fits and starts. There are more puzzling murders (an Albanian waterman, a Jewish moneylender) but they're over in seconds, leaving plenty of time for Yashim to indulge his first love, cooking, and Goodwin, a British historian, to fill us in on Istanbul's fabled past and exotic present. The large cast includes a Greek banking family and the English doctor who attended Byron at Missilonghi. Nobody is quite who they seem, there may or may not be valuable relics above ground or below (there are two scenes in Istanbul's maze of tunnels), and through it all glides Yashim, a gentle presence, who will fight only when he must. A mildly entertaining smoke-and-mirrors tale that teases more than it delivers.

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ALA Booklist (Tue Dec 03 00:00:00 CST 2024)
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Kirkus Reviews (Tue Dec 03 00:00:00 CST 2024)
Reading Level: 9.0
Interest Level: 9+
Chapter 1
The voice was low and rough and it came from behind as dusk fell.
“Hey, George.”
It was the hour of the evening prayer, when you could no longer distinguish between a black thread and a white one, in ordinary light. George pulled the paring knife from his belt and sliced it through the air as he turned. All over Istanbul, muezzins in their minarets threw back their heads and began to chant.
It was a good time to kick a man to death in the street.
The grainy ululations swept in sobbing waves across the Golden Horn, where the Greek oarsmen on the gliding caïques were lighting their lamps. The notes of prayer rolled over the European town at Pera, a few lights wavering against the black ridge of Pera Hill. They skimmed the Bosphorus to Üsküdar, a smudge of purple fading back into the blackness of the mountains; and from there, on the Asian side, the mosques on the waterline echoed them back.
A foot caught George in the small of his back. George’s arms went wide and he stumbled toward a man who had a long face as if he were sorrowing for something.
The sound swelled as muezzin after muezzin picked up the cry, weaving between the city’s minarets the shimmer of a chant that expressed in a thousand ways the infirmity of man and the oneness of God.
After that the knife wasn’t any good.
The call to prayer lasts about two and a half minutes, but for George it stopped sooner. The sad-faced man stooped and picked up the knife. It was very sharp, but its end was broken. It wasn’t a knife for a fight. He threw it into the shadows.
When the men had gone, a yellow dog came cautiously out of a nearby doorway. A second dog slunk forward on its belly and crouched close by, whining hopefully. Its tail thumped the ground. The first dog gave a low growl and showed its teeth. 
2
Maximilien Lefèvre leaned over the rail and plugged his cheroot into the surf which seethed from the ship’s hull. Seraglio Point was developing on the port bow, its trees still black and massy in the early light. As the ship rounded the point, revealing the Galata Tower on the heights of Pera, Lefèvre pulled a handkerchief from his sleeve to wipe his hands; his skin was clammy from the salt air.
He looked up at the walls of the sultan’s palace, patting the back of his neck with the handkerchief. There was an ancient column in the Fourth Court of the seraglio, topped by a Corinthian capital, which was sometimes visible from the sea, between the trees. It was the lingering relic of an acropolis that had stood there many centuries ago, when Byzantium was nothing but a colony of the Greeks: before it became a second Rome, before it became the navel of the world. Most people didn’t know the column still existed; sometimes you saw it, sometimes not.
The ship heaved, and Lefèvre gave a grunt of satisfaction.
Slowly the Stamboul shore of the Golden Horn came into view, a procession of domes and minarets that surged forward, one by one, and then modestly retired. Below the domes, cascading down to the busy waterfront, the roofs of Istanbul were glowing red and orange in the first sunlight. This was the panorama that visitors always admired: Constantinople, Istanbul, city of patriarchs and sultans, the busy kaleidoscope of the gorgeous East, the pride of fifteen centuries.
The disappointment came later.
Lefèvre shrugged, lit another cheroot, and turned his attention to the deck. Four sailors in bare feet and dirty singlets were stooped by the anchor chain, awaiting their captain’s signal. Others were clawing up the sails overhead. The helmsman eased the ship to port, closing in on the shore and the countercurrent that would bring them to a stop. The captain raised his hand, the chain ran out with the sound of cannon fire, the anchor bit, and the ship heaved slowly back against the chain.
A boat was lowered, and Lefèvre descended into it after his trunk.
At the Pera landing stage, a young Greek sailor jumped ashore with a stick to push back the crowd of touts. With his other hand he gestured for a tip.
Lefèvre put a small coin into his hand and the young man spat.
“City moneys,” he said contemptuously. “City moneys very bad, Excellency.” He kept his hand out.
Lefèvre winked. “Piastres de Malta,” he said quietly.
“Oho!” The Greek squinted at the coin and his face brightened.
“Ve-ery good.” He redoubled his efforts with the touts. “These is robbers. You wants I finds you porter? Hotel? Very clean, Excellency.”
“No, thank you.”
“Bad mans here. You is first times in the city, Excellency?”
“No.” Lefèvre shook his head.
The men on the landing stage fell silent. Some of them began to turn away. A man was approaching across the planked walk in green slippers. He was of medium build, with a head of snowy white hair. His eyes were piercingly blue. He wore baggy blue trousers, an open shirt of faded red cotton.
“Doctor Lefèvre? Follow me, please.” Over his shoulder he said: “Your trunk will be taken care of.”
Lefèvre gave a shrug. “À la prochaine.”
“Adio, m’sieur,” the Greek sailor replied slowly.  Excerpted from The Snake Stone by Jason Goodwin. Copyright © 2007 by Jason Goodwin. Published in October 2007 by Sarah Crichton Books, a division of Farrar, Straus and Giroux, LLC. All rights reserved.

Excerpted from The Snake Stone: A Novel by Jason Goodwin
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Detective, polyglot, chef, eunuch--Investigator Yashim returns in this evocative Edgar(R) Award-winning series set in Istanbul at the end of the Ottoman Empire Istanbul, 1838. In his palace on the Bosphorus, Sultan Mahmud II is dying and the city swirls with rumors and alarms. The unexpected arrival of a French archaeologist determined to track down lost Byzantine treasures throws the Greek community into confusion. Yashim Togalu is once again enlisted to investigate. But when the archaeologist's mutilated body is discovered outside the French embassy, it turns out there is only one suspect: Yashim himself. As the body count starts to rise, Yashim must uncover the startling truth behind a shadowy society dedicated to the revival of the Byzantine Empire, encountering along the way such vibrant characters as Lord Byron's doctor and the Sultan's West Indies-born mother, the Valide. With striking wit and irresistible flair, Jason Goodwin takes us into a world where the stakes are high, betrayal is death--and the pleasure to the reader is immense.


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