Publisher's Hardcover ©2022 | -- |
Paperback ©2023 | -- |
Families. Juvenile fiction.
March family (Fictitious characters). Juvenile fiction.
Mothers and daughters. Juvenile fiction.
Sisters. Juvenile fiction.
Young adult fiction.
Young women. Juvenile fiction.
Family life. Fiction.
March family (Fictitious characters). Fiction.
Mothers and daughters. Fiction.
Sisters. Fiction.
Young women. Fiction.
This lived-in take on Little Women explores the tribulations of sisterhood trapped within the confines of a classic novel while offering a mix of teen angst, love triangles, and Alcott quotes galore. Sellet's debut follows three Porter sisters g, Amy, and protagonist Jo o, trapped inside their mother's dedication to the family business, a "living literary experience" called "Little Women Live!," are rebelling against it in their own ways. When a magazine writer and her son come to town, Jo gets a taste of what might exist outside the world of Alcott's novel and the guts to finally try to break the mold. More of a "what if" than a retelling, this novel will interest fans of the original but will also appeal to teens who are looking to be the weavers of their own tales, clobber their bratty sister a bit, and savor the "almost" moments with the cute boy next door. With quick, breezy prose and relatable dialogue, the Porter sisters may not rival the Marches, but they leave their own mark.
Kirkus Reviews (Mon Jun 05 00:00:00 CDT 2023)Tensions-romantic and otherwise-abound for high school junior Jo Porter, better known (though still not all that well, to her dismay) for portraying Jo March in her family's theater production, Little Women Live!For the past seven years, Jo and her sisters, Meg, a senior, and Amy, a sophomore-in the absence of a fourth sister, they hold annual auditions for a Beth-have played their parts in turning their mother's favorite book into a "semiprofessional tourist attraction" on their small Kansas farm. As in Alcott's book, their father is vaguely elsewhere. From Jo's point of view the sisters' personalities track, too: Meg is pretty, Amy spoiled, and despite her wish to earn a cross-country scholarship to college, Jo gets stuck being resentfully responsible. She's got a crush on David, Meg's ex who's signed on to play John Brooke in the upcoming season. When a New York reporter comes to do a possible national feature story on the show, Jo sees her and her cute son, Hudson, as a possible way out of the life she finds stagnant. The main characters are all White except Laurie, a Black classmate with acting ambitions, and some of the Beths. The story starts out meanderingly slowly and heavy on bickering and Little Women references only existing fans will get. Eventually Jo comes into focus and the ending has honesty and heart, though some readers may crave a firmer resolution.Overly long and unevenly paced. (Fiction. 14-18)
School Library Journal (Mon Jun 05 00:00:00 CDT 2023)Gr 9 Up —Jo Porter lives with her older sister, Meg, and her younger sister, Amy, in New Concord, KS; it is not a coincidence that their mom is nicknamed Marmee and is consumed by Louisa May Alcott's Little Women . The teens were bred to be actors in Little Women Live! , a small-town theme park for devotees of Alcott and the simply curious. While Meg is emotionally and physically checked-out and Amy is enthusiastically all-in, narrator Jo is conflicted. She wants to help her mom sustain the family business, especially since money is tight, but she also craves her freedom and the life of a carefree adolescent. Sellet convincingly recreates the look and feel of a close-knit 1860s New England family, but that which makes the story appealing is also its Achilles' heel: readers unfamiliar with the source material will be lost. Without sufficient background knowledge of Little Women (and even with it, at moments), the main characters will grate on readers; Jo and Amy bicker constantly to the point of irritation. While Sellet thoughtfully continues the conversation started by Alcott about society's expectations of women, the book clumsily attempts to address topics such as racial diversity and sexual orientation in a seeming endeavor to compensate for its all-white (except for Laurie) and straight cast. These moments fall flat and go nowhere, as do mentions of climate change that are thrown into the narrative and then deserted. Overall, what could have been a charming, thoughtful recreation of a beloved story is bogged down with too many missteps. VERDICT Recommended only for diehard Alcott fans.—Melissa Kazan
ALA Booklist (Mon Jun 05 00:00:00 CDT 2023)
Kirkus Reviews (Mon Jun 05 00:00:00 CDT 2023)
School Library Journal (Mon Jun 05 00:00:00 CDT 2023)
Sharp and subversive, this delightfully messy YA rom-com offers a sly wink to the classic Little Women, as teenage Jo Porter rebels against living in the shadow of her literary namesake.
Lit’s about to hit the fan. Jo Porter has had enough Little Women to last a lifetime. As if being named after the sappiest family in literature wasn’t sufficiently humiliating, Jo’s mom, ahem Marmee, leveled up her Alcott obsession by turning their rambling old house into a sad-sack tourist attraction.
Now Jo, along with her siblings, Meg and Bethamy (yes, that’s two March sisters in one), spends all summer acting out sentimental moments at Little Women Live!, where she can feel her soul slowly dying.
So when a famed photojournalist arrives to document the show, Jo seizes on the glimpse of another life: artsy, worldly, and fast-paced. It doesn’t hurt that the reporter’s teenage son is also eager to get up close and personal with Jo—to the annoyance of her best friend, aka the boy next door (who is definitely not called Laurie). All Jo wants is for someone to see the person behind the prickliness and pinafores.
But when she gets a little too real about her frustration with the family biz, Jo will have to make peace with kitsch and kin before their livelihood suffers a fate worse than Beth.