All Helena has known her whole life has been the Communist regime in the East German city of Leipzig. Locked behind the Iron Curtain, she finds solace in playing the piano, but, after the defection of her best friend and the subsequent crackdown on her community by the East German Stasi, Helena feels her dream of being a composer threatened. She must choose whether to protect herself by giving up others' secrets cluding those of the young man she may be falling for to join the burgeoning protests fighting for a brighter future for all East Germans. Helena's story captures a ground-level view of the Monday demonstrations, peaceful protests that pitted the brutal Communist German government against citizens armed with only prayer and song. Poems carry the narrative, giving the book a very personal, introspective feel, impressing upon the reader the paranoia that many East Germans lived with after WWII. However, it also shows the power of hope against fear, as well as the strength of a united people in the face of tyranny.

Gr 7–10— Set in East Germany during the days leading up to the fall of the Berlin Wall in 1989, this accessible verse novel is told from the perspective of Helena, a 16-year-old pianist who dreams of one day working as a conductor. When her best friend escapes over the border with her family, Helena begins to question the restrictions and surveillance imposed upon the citizens of the German Democratic Republic. Her burgeoning activism is further stoked by her father's involvement with the freedom movement and by a romantic relationship with Lucas, an idealistic piano student who wants Helena to flee to the West with him. When Helena is approached by the secret police, the Stasi, to inform on Lucas, she is forced to evaluate her loyalties and make decisions that will define her as an artist, daughter, citizen, and friend. Helena's voice is clear and earnest, and her desires and challenges easy for readers to grasp, although the consequences of Helena's choices are somewhat anticlimactic at times. Green's lyrical style features restrained use of imagery, with poetic elements most visibly expressed through line breaks and the positioning of words and phrases for rhythmic and expressive effect. Personification is also employed, with Helena's first-person narration interspersed with short sections in the voice of St. Nicholas Church in Leipzig; these sections use a pattern poem format, with the lines arranged in a pillar shape to reinforce the notion of collective strength. VERDICT This verse novel has thematic and stylistic similarities to works by Kip Wilson and will be of interest to those seeking read-alikes, as well as lovers of classical music. It could also support classroom units relating to the German Democratic Republic or political activism.— Leonie Jordan