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Boys. Juvenile fiction.
Orphans. Juvenile fiction.
Criminals. Juvenile fiction.
Kidnapping victims. Juvenile fiction.
Bildungsromans. Juvenile fiction.
Boys. Fiction.
Orphans. Fiction.
Criminals. Fiction.
Kidnapping victims. Fiction.
Bildungsromans. Fiction.
London (England). Juvenile fiction.
London (England). Fiction.
Gr 4-8-This graphic adaptation of the classic retains the excitement of Oliver's captures, escapes, rescues, and eventual salvation. Malam has kept some of Dickens's original dialogue, suitably explained in footnotes, so that the work does preserve some of its flavor. Each page features up to nine small illustrations in a fairly dim palette with browns and grays dominating. The panels feature captions underneath that tell the story along with dialogue and thought balloons, but speaking characters do not always have open mouths. The art is curiously static for a story filled with fleeing and fighting. The book opens with a page of characters that helps readers keep track of them. The work concludes with brief information on Dickens, some early criticism of the original story, notes on stage and screen productions, and a few pages on London's poor during Oliver's day that help to put the story into context. Will Eisner's Fagin the Jew (Doubleday, 2003) retells Oliver's story within Fagin's own and is for somewhat older audiences. Though not as appealing as one might hope for a graphic adaptation, Oliver is a suitable alternative for kids who want some visuals with their texts.-Eric Norton, McMillan Memorial Library, Wisconsin Rapids, WI Copyright 2007 Reed Business Information.
Treats of the place where Oliver Twist was Born; and of the Circumstances attending his Birth.
Among other public buildings in a certain town, which for many reasons it will be prudent to refrain from mentioning, and to which I will assign no fictitious name, there is one anciently common to most towns, great or small: to wit, a workhouse; and in this workhouse was born: on a day and date which I need not trouble myself to repeat, inasmuch as it can be of no possible consequence to the reader, in this stage of the business at all events: the item of mortality whose name is prefixed to the head of this chapter.
For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country.
Although I am not disposed to maintain that the being born in a workhouse, is in itself the most fortunate and enviable circumstance that can possibly befal a human being, I do mean to say that in this particular instance, it was the best thing for Oliver Twist that could by possibility have occurred. The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration,-a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter. Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer; and a parish surgeon who did such matters by contract; Oliver and Nature fought out the point between them. The result was, that, after a few struggles, Oliver breathed, sneezed, and proceeded to advertise to the inmates of the workhouse the fact of a new burden having been imposed upon the parish, by setting up as loud a cry as could reasonably have been expected from a male infant who had not been possessed of that very useful appendage, a voice, for a much longer space of time than three minutes and a quarter.
As Oliver gave this first proof of the free and proper action of his lungs, the patchwork coverlet which was carelessly flung over the iron bedstead, rustled; the pale face of a young woman was raised feebly from the pillow; and a faint voice imperfectly articulated the words, "Let me see the child, and die."
The surgeon had been sitting with his face turned towards the fire: giving the palms of his hands, a warm and a rub alternately. As the young woman spoke, he rose, and advancing to the bed's head, said, with more kindness than might have been expected of him:
"Oh, you must not talk about dying yet."
"Lor bless her dear heart, no!" interposed the nurse, hastily depositing in her pocket a green glass bottle, the contents of which she had been tasting in a corner with evident satisfaction. "Lor bless her dear heart, when she has lived as long as I have, sir, and had thirteen children of her own, and all on 'em dead except two, and them in the wurkus with me, she'll know better than to take on in that way, bless her dear heart! Think what it is to be a mother, there's a dear young lamb, do."
Apparently this consolatory perspective of a mother's prospects, failed in producing its due effect. The patient shook her head, and stretched out her hand towards the child.
The surgeon deposited it in her arms. She imprinted her cold white lips passionately on its forehead; passed her hands over her face; gazed wildly round; shuddered; fell back-and died. They chafed her breast, hands, and temples; but the blood had stopped for ever. They talked of hope and comfort. They had been strangers too long.
"It's all over, Mrs. Thingummy!" said the surgeon at last.
"Ah, poor dear, so it is!" said the nurse, picking up the cork of the green bottle which had fallen out on the pillow as she stooped to take up the child. "Poor dear!"
"You needn't mind sending up to me, if the child cries, nurse," said the surgeon, putting on his gloves with great deliberation. "It's very likely it will be troublesome. Give it a little gruel7 if it is." He put on his hat, and, pausing by the bed-side on his way to the door, added "She was a good-looking girl, too; where did she come from?"
"She was brought here last night," replied the old woman, "by the overseer's order. She was found lying in the street. She had walked some distance, for her shoes were worn to pieces; but where she came from, or where she was going to, nobody knows."
Excerpted from Oliver Twist by Charles Dickens
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The classic story of a young boy who seeks his fortune on the streets of London. After Oliver Twist asks nasty Mr Bumble for more food, he has to flee the workhouse for the streets of London. Here he meets the Artful Dodger, who leads him to Fagin and his gang of pickpockets. When a thieving mission goes wrong, Oliver narrowly avoids prison and finds himself in the care of kind Mr Brownlow. But Fagin and the brutal Bill Sikes go in search of the young orphan, determined to drag him back . . . With an inspirational and light-hearted introduction by Garth Nix, Oliver Twist by Charles Dickens is one of the twelve wonderful classic stories being relaunched in Puffin Classics in March 2008.