Alchemy and Meggy Swann
Alchemy and Meggy Swann
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Houghton Mifflin
Annotation: In 1573, the crippled, scorned, and destitute Meggy Swann goes to London, where she meets her father, an impoverished alchemist, and eventually discovers that although her legs are bent and weak, she has many other strengths..
 
Reviews: 8
Catalog Number: #72176
Format: Perma-Bound Edition
Special Formats: Inventory Sale Inventory Sale
Publisher: Houghton Mifflin
Copyright Date: 2010
Edition Date: 2010 Release Date: 10/25/11
Pages: 167 pages
ISBN: Publisher: 0-547-57712-5 Perma-Bound: 0-605-72228-5
ISBN 13: Publisher: 978-0-547-57712-8 Perma-Bound: 978-0-605-72228-6
Dewey: Fic
Dimensions: 21 cm.
Language: English
Reviews:
Starred Review ALA Booklist (Mon Mar 01 00:00:00 CST 2010)

Starred Review Feisty Meggy, sent from her mother's village to live in London with the father she has never known, struggles with his evident disappointment when they meet. Not only lame, she is not the son he had expected. Initially, Meggy finds the city a horrible place, but slowly she begins to change her mind after making a few friends and helping her father a little with his alchemy work. When she learns that he has sold arsenic to men who intend to poison their master, she frantically seeks a way to save both the man from his murderers and her father from the law. An author's note discusses the Elizabethan era, including its language, the publication of broadsides, the practice of alchemy, and lingering medieval attitudes toward disabled people. Because so many historical novels set in this period feature girls of royal or noble lineage, it's bracing to meet Meg, who empties her own chamber pot into the ditch outside her door and trades strings of creative Elizabethan insults with Roger, her best friend. Writing with admirable economy and a lively ability to re-create the past believably, Cushman creates a memorable portrayal of a troubled, rather mulish girl who begins to use her strong will in positive ways.

School Library Journal Starred Review (Thu Apr 01 00:00:00 CDT 2010)

Gr 5-8 Cushman adds another intrepid, resourceful, courageous girl to her repertoire in this tale set in 16th-century London. Meggy Swann, deformed since birth, walks with a halting gait using two sticks. Many believe she is cursed by the devil. The 13-year-old has lived in a small village over an alehouse run by her mother and has only ever felt love from her deceased grandmother. Now she has been sent for by her father in London. The astounding sights, sounds, and smells of the city accost her, and readers see and hear them all through Cushman's deft descriptive and cinematic prose. When her father finally sees her, he is disappointed to discover that she is just a disabled girl. Roger Oldham, her alchemist father's apprentice, is leaving to become a player and she is to take his place. Meggy meets a varied cast of characters, and Roger remains her good friend despite her ill-tempered treatment of him at times. Her father, whom she nicknames Master Peevish, is single-minded in his focus, oblivious to all else. In order to do his life's work, he needs money and Meggy overhears him plotting what she believes is a murder to obtain it. Fearing his head might wind up on a pole on London Bridge, she is determined to stop him. Her courage and confidence grow with each obstacle overcome. Cushman fans who loved Catherine, Called Birdy (1994) and The Midwife's Apprentice (1995, both Clarion) will not be disappointed. Renee Steinberg, formerly at Fieldstone Middle School, Montvale, NJ

Kirkus Reviews

Queen Elizabeth I is on the throne. London is a sprawling, chaotic city that teems with all manner of humanity. Meggy has come to London ostensibly to serve her alchemist father, a man she has never met. When he rejects her because she is not male and because she is unable to walk normally, she needs all her pluck and determination to rise above her plight. Her loneliness and hunger are assuaged by Roger, an apprentice actor, and his troop of players, as well as a printer and a cooper who become her friends. She works tirelessly to gain her father's respect, but she finds her own self-respect instead. Meggy is a heroine in mind and deed. Cushman has the uncanny ability to take a time and place so remote and make it live. Readers can hear and see and smell it all as if they are right beside Meggy. She employs the syntax and vocabulary of the period so easily that it is understood as if it's the most contemporary modern slang. A gem. (author's note, bibliography) (Historical fiction. 10-14)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Cushman's (<EMPHASIS TYPE=""ITALIC"">Catherine, Called Birdy) newest novel has all the elements that have made her earlier books so beloved. With flawless historical prose, Cushman introduces Meggy Swann, a feisty, sharp-tongued girl just arrived in gritty Elizabethan London, who has had more than her share of hard knocks. Unwanted by both her parents, she describes herself as “the ugglesome crookleg, the four-featured cripple, the fearful, misshapen creature,” dependent on two “sticks” to hobble about. When Meggy is sent to live with her father, he is horrified to have to house and care for her—he wanted a son and an assistant. Meggy is equally unhappy until she tries her hand at her father's work: alchemy. While Cushman's story revolves around the potential magic and disappointing fraud of alchemy (and Meggy's father) as well as a murder plot, at its heart are relationships. Meggy must learn to open up to others to turn her life from loneliness and anger toward friendship and even joy. There is no unequivocally happy ending for Meggy, but a better life awaits her, and readers will gladly accompany her on the journey. Ages 10–14. <EMPHASIS TYPE=""ITALIC"">(Apr.)

Bibliography Index/Note: Includes bibliographical references (page 167).
Word Count: 39,819
Reading Level: 5.6
Interest Level: 5-9
Accelerated Reader: reading level: 5.6 / points: 6.0 / quiz: 136589 / grade: Middle Grades
Reading Counts!: reading level:5.3 / points:11.0 / quiz:Q49597
Lexile: 810L
Guided Reading Level: X
Fountas & Pinnell: X

One

“Ye toads and vipers,” the girl said, as her granny often had, “ye toads and vipers,” and she snuffled a great snuffle that echoed in the empty room. She was alone in the strange, dark, cold, skinny house. The carter who had trundled her to London between baskets of cabbages and sacks of flour had gone home to his porridge and his beer. The flop-haired boy in the brown doublet who had shown her a straw-stuffed pallet to sleep on had left for his own lodgings. And the tall, peevish-looking man who had called her to London but did not want her had wrapped his disappointment around him like a cloak and disappeared up the dark stairway, fie upon him!

  Fie upon them all!

  She was alone, with no one to sustain and support her. Not even Louise, her true and only friend, who had fallen asleep in the back of the cart and been overlooked. Belike Louise was on her way back out of the town with the carter, leaving the girl here frightened and hungry and alone. Ye toads and vipers, what was she to do? She sat shivering on a stool as unsteady as her humor, and tears left shining tracks like spider threads on her cheeks.

  Her name was Margret Swann, but her gran had called her Meggy, and she was newly arrived from Millford village, a day’s ride away. The bit of London she had seen was all soot and slime, noise and stink, and its streets were narrow and dark. Now she was imprisoned in this strange little house on Crooked Lane. Crooked Lane. How the carter had laughed when he learned their destination.

  Darkness comes late in high summer, but come it does. Meggy could see little of the room she sat in. Was there food here? A cooking pot? Wood for a fire? Would the peevish-looking man—Master Peevish, she decided to call him—would he come down and give her a better welcome?

  Startled by a sudden banging at the door and in truth a bit fearful, Meggy stood up quickly, grabbed her walking sticks, and made her way into the farthest corner of the room. She moved in a sort of clumsy jig: reach one stick ahead, swing leg wide and drag it forward, move other stick ahead, swing other leg wide and drag it forward, over and over again, stick, swing, drag, stick, swing, drag. Her legs did not sit right in her hips—she had been born so—and as a result she walked with this awkward swinging gait. Wabbling, Meggy called it, and it did get her from one place to another, albeit slowly and with not a little bit of pain.

  The banging came again, and then the door swung open and slammed against the wall, revealing the carter who had fetched her to London.

  He was not gone! Meggy’s spirits rose like yeasty bread, and she wabbled toward the doorway. “Well met, carter,” she said. “I wish to go home.”

  “I were paid sixpence to bring you hither,” he said. “Have you another six for the ride back?”

  “Nay, but my mother—”

  He shook his head. “Your mother was right pleased to see the back of you.” He turned, took two steps, and lifted something from the bed of the wagon. Something that wriggled and hissed. Something that leapt from his arms. Something that showed itself to be a large white goose, her wings spread out like an angel’s as she made her waddling way over to the girl. Louise. Meggy’s goose and friend.  

  Meggy exhaled in relief and gladness. She bent down and looked into the goose’s deep black eyes. “Pray be not angry with me, Louise. In all the hurly-burly of arriving, I grew forgetful.” Louise honked loudly and shook herself with such a shake that there was a snowfall of feathers.

  When Meggy stood up again, the carter and the wagon had gone. Her eyes filled, but her hands held tightly to her walking sticks, so she could not dash the tears away. They felt sticky on her lips, and salty.

  She sat down on the stool again and put one arm around the goose, who stretched her neck and placed her head on Meggy’s lap. “You may observe, goosie,” the girl said, stroking the soft, white head, “that I be most lumpish, dampnified, and right bestraught. This London is a horrid place, and I know not what will befall us here.”

  Meggy and Louise rocked for a moment, and Meggy softly sang a misery song she had learned from her gran.I wail in woe, I plunge in pain, with sorrowing eyes I do complain,she sang, but the sound of her trembly voice in the empty room was so mournful that she stopped and sat silent while darkness grew.  

  Meggy and the carter had arrived in London earlier that day while the summer evening was yet light. Even so, the streets were gloomy, with tall houses looming on either side, rank with the smell of fish and the sewage in the gutter, slippery with horse droppings, clamorous with church bells and the clatter of cart wheels rumbling on cobbles. London was a gallimaufry of people and carts, horses and coaches, dogs and pigs, and such noise that made Meggy’s head, accustomed to the gentle stillness of a country village, ache.

  “Good even’, mistress,” the carter had called to a hairy-chinned woman with a tray of fish hanging from her neck. “Know you where we might find the house at the Sign of the Sun?”

  “I cannot seem to recall,” the fishwife said, “but belike I’d remember if my palm were crossed with a penny.” She stuck out a hand, knobby and begrimed. The carter frowned and grunted but finally took a penny from the purse tied at his waist and flicked it at her.

  She plucked it from the air and flashed a gummy smile. “Up Fish Street Hill but a little ways is Crooked Lane,” she said. “You will see the Sign of the Sun six or more houses up the lane.”

  Crooked Lane. Meggy had pulled her skirts tighter around her legs, and the carter had laughed.

  As the fishwife had said, six houses up Crooked Lane, be-low a faded sign of, indeed, the sun, was the narrowest house Meggy had ever seen, hardly wider than a middling-tall man lying edge to edge, and three stories high. Its timbers were black with age, and the yellow plaster faded to a soft cream. A bay window on each floor was fitted with small panes of glass, dusty and spotted and, here and there, cracked. The upper floors hung over the street, as was true of all the houses in Crooked Lane, so the street was shadowy and damp. To one side of the house was a shop, shuttered and dark, with a large shoe hanging in front, betokening a cobbler’s shop, Meggy thought. There was a bit of garden next to it, although what would grow in that damp gloom Meggy could not say. On the other side was a purveyor of old clothes. “Old cloaks? Have you an old cloak to sell?” the merchant called from the door of his shop. “Or mayhap—”

  “Away, fellow,” the carter said. “We have business with the master here.”

  The clothes seller snorted. “Business? With him? Abracadabra more like.” And he spat.

  Abracadabra? Meggy shivered now, remembering. “What could he have meant?” she asked Louise. But the goose, busily grooming her feathers, did not answer.  

  “And hearken to me, Louise,” Meggy went on. “On London Bridge I beheld heads, people’s heads, heads black with rot and mounted on sticks, hair blowing in the summer wind like flags at a fair. Traitors, the carter said, a lesson and a warning.” The girl shivered again. Heads. What sort of place was this London?

  As darkness grew, Meggy lay down carefully and with some difficulty and undertook to make herself comfortable on the straw pallet, she who had slept on Granny’s goose-feather mattress. She did not know what hurt her most—her aching legs or her empty belly or her troubled heart. Pulling her cloak over her and nestling Louise beside her, she breathed in the familiar smell of goose and grew sleepy.

  Mayhap this was but a bad dream, she thought. The dark, the cold, the strange noises, and the unfriendly man who had judged her, found her wanting, and left her alone—perhaps these were but part of a dream, and she would wake again in the kitchen of the alehouse. “Sleep well, Louise,” said Meggy to her goose, “for tomorrow, I pray, we be home.”



Excerpted from Alchemy and Meggy Swann by Karen Cushman
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Meggy arrives in London expecting to be welcomed by her father, who sent for her, but he doesn't want her to assist in his laboratory when he sees that not only is she female, she needs two sticks to walk. Sent on trivial errands, she learns to navigate the city, which is earthy and colorful as well as dirty, noisy, and filled with rogues and thieves. Meanwhile she is befriended by the alchemist's former assistant, and when it appears that her father may be arrested and beheaded forpracticing magic, together she and her new friend devise a plan to save him. Building strength and street smarts, Meggy goes from helpless to confident and from friendless to surrounded by warmth and love. Elizabethan London has its dark side, but it also has much to offer Meggy Swann.


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