Perma-Bound Edition ©2012 | -- |
Publisher's Hardcover ©2012 | -- |
Paperback ©2014 | -- |
Dating (Social customs). Fiction.
Love. Fiction.
Family problems. Fiction.
Family life. Nevada. Fiction.
Nevada. Fiction.
Less artistically sharp than most of her oeuvre, this newest from Hopkins will nonetheless hook fans with its addictive pain and quick-turning pages. Mikayla, almost 18, sneaks out to have lots of sex with her boyfriend. Shane, 16, falls for his first boyfriend, who's HIV-positive. Harley's a 13-year-old late bloomer (for this community) striving not to be. How many real issues can one book hold before soapiness ensues? Alcohol, drugs, rape, infidelity, emotional disconnection, terminal illness, homophobia, teen pregnancy--etc. Threads among the three protagonists (Shane and Harley are cousins; Harley's best friend is Mikayla's sister) expand into a web of multiple narrators from greater Reno, which dilutes focus. Conversely, it supplies a potent variety of first-person perspectives, from Shane's 4-year-old sister Shelby, unable to walk or speak because she has spinal muscular atrophy, to weed-seller Lucas, prowling for "virgin meat." Hopkins' fast-paced, free-verse poems, conveying bare shards of thought, work best for characters who are dissociated (Impulse, 2006; Identical, 2008); here, as in Perfect (2011), the characters are more bored, angry and struggling than dissociated, so the format's a mismatch for--and gives mixed messages about--their level of emotional presence. Brimming with shoes about to drop (some do, some don't) and the drama her fans devour, this will (and should) point them toward Triangles (2011), an adult-aimed version from the protagonists' mothers' perspective. Why not? (Verse fiction. 12-18)
Horn Book (Mon Apr 01 00:00:00 CDT 2013)Mikayla, Shane, and Harley alternate narration as they struggle to find balance amidst poor choices, family issues, and personal crises; snippets from secondary characters add perspective. The issues-laden plot and labyrinthine web of characters is the stuff of soap operas, which older teens may relish. Hopkins's free verse, with thoughtful line breaks and word choices, is by turns poised and visceral.
ALA Booklist (Sun Jul 01 00:00:00 CDT 2012)Hopkins' latest novel in verse focuses on the adverse circumstances of the lives of three teens: Mikayla, Shane, and Harley. Much of their misery is vested in their dysfunctional families, which will be familiar to readers of Hopkins' recent adult novel, Triangles (2011), to which this is a YA companion. The three teens lead disparate lives but each must deal with the consequences of romantic choice. Mikayla has gotten pregnant; Shane, gay, has fallen in love with a boy who is HIV positive; and Harley, though only 14, has foolishly given her heart to an older boy who takes sexual advantage of her. This will be recognizable territory to anyone who has read Hopkins' earlier novels, as will her depiction of teens' uneasy relationships with the adults in their lives. As a cautionary tale, it offers helpful insights into the continuing presence of HIV in teen lives and the urgency of making better choices in matters involving sex. HIGH-DEMAND BACKSTORY: Hopkins expanded her already sizable fan base with Triangles, and both teen and adult readers will be on the lookout for this.
School Library Journal (Mon Oct 01 00:00:00 CDT 2012)Gr 9 Up-A companion to Triangles (Atria, 2012), Hopkins's recent foray into adult publishing, Tilt fleshes out the stories of the children of Marissa, Andrea, and Holly. Mikayla cannot imagine loving anyone more than Dylan, yet when she becomes pregnant she begins to understand the limits of that love. Shane finally feels fully himself with Alex, but when mortality bears down on him in the form of Alex's HIV and his own terminally ill sister, it all becomes overwhelming. Harley wants nothing more than to be noticed by guys, even if it turns her into someone even she can no longer recognize. In Hopkins's usual style, the characters' lives are described in graphic, bitingly honest, and voluminous verse, all attributes her fans have come to expect and love. In that regard, they won't be disappointed. Yet this title might not work quite as seamlessly for those who chose not to follow her into the realm of midlife issues in Triangles . The mothers' stories weave in and out frequently enough to impact the narrative, yet because they are not fully developed here, they lend a feeling of loose ends hanging in the background. Ultimately, though, readers will care most about the clear, anguished voices of the teens. Jill Heritage Maza, Montclair Kimberley Academy, Montclair, NJ
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)In this companion to Hopkins-s adult book, Triangles (2011), the author offers a gripping novel-in-verse about teens whose lives shift dramatically because of sex. High school junior Mikayla is in love, but her relationship with her boyfriend is tested when she gets pregnant. Shane, 16, is dating a boy with HIV and coping with his four-year-old sister-s incurable illness. Harley, a freshman, starts experimenting with drinking and drugs, as an older boy pressures her to have sex. Readers unfamiliar with Triangles may have trouble tracking the characters- interlinked relationships, but Hopkins-s many fans will find plenty of authenticity, especially in Harley-s story (-I-m Running/ With a fast crowd and I-m not/ sure how I got here... I never expected to go/ this far-), and appreciate the author-s clever touches (the closing words/lines of the three narrators- sections lead into single-page poems from the POV of other key characters). While these stories are not quite as compelling as those in Hopkins-s previous books, readers will likely move through this installment just as quickly. Ages 14-up. Agent: Laura Rennert, Andrea Brown Literary Agency. (Sept)
Kirkus Reviews
Horn Book (Mon Apr 01 00:00:00 CDT 2013)
ALA Booklist (Sun Jul 01 00:00:00 CDT 2012)
School Library Journal (Mon Oct 01 00:00:00 CDT 2012)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Mikayla
My World Tilted
Completely off its axis the night
I hooked up with Dylan Douglas.
It was New Year’s Eve—five
months ago—so maybe part of that
earth-sway had something to do with
the downers, weed and cheap beer,
a dizzying combo on an empty stomach.
What I know for sure is, when he came
slinking up like a cougar—all tawny
and temperamental—something inside
me shifted. Something elemental.
I, probably the oldest prude in my whole
junior class, transformed into vamp.
When he smiled at me—me!—I knew
I had to make him mine. I would
have done anything. Turned out, all
I had to do was smile back. Just like
that, we belonged to each other.
Excerpted from Tilt by Ellen Hopkins
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Love—good and bad—forces three teens’ worlds to tilt in a riveting novel from New York Times bestselling author Ellen Hopkins.
Three teens, three stories—all interconnected through their parents’ family relationships. As the adults pull away, caught up in their own dilemmas, the lives of the teens begin to tilt...
Mikayla, almost eighteen, is over-the-top in love with Dylan, who loves her back. But what happens to that love when Mikayla gets pregnant the summer before their senior year—and decides to keep the baby?
Shane turns sixteen that same summer and falls hard in love with his first boyfriend, Alex, who happens to be HIV positive. Shane has lived for four years with his little sister’s impending death. Can he accept Alex’s love, knowing that his life, too, will be shortened?
Harley is fourteen—a good girl searching for new experiences, especially love from an older boy. She never expects to hurdle toward self-destructive extremes in order to define who she is and who she wants to be.
Love, in all its forms, has crucial consequences in this standalone novel.