The Family Romanov: Murder, Rebellion & The Fall of Imperial Russia.
The Family Romanov: Murder, Rebellion & The Fall of Imperial Russia.
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Random House
Annotation: Examines the last Russian imperial family, especially focusing on how their opulent lifestyle emphasized the glaring societal inequities that ultimately led to their downfall.
Genre: [Biographies]
 
Reviews: 12
Catalog Number: #86994
Format: Perma-Bound from Publisher's Hardcover
Common Core/STEAM: Common Core Common Core
Publisher: Random House
Copyright Date: 2014
Edition Date: 2014 Release Date: 07/08/14
Pages: 292 pages, 32 unnumbered pages of plates
ISBN: Publisher: 0-375-86782-1 Perma-Bound: 0-605-82902-0
ISBN 13: Publisher: 978-0-375-86782-8 Perma-Bound: 978-0-605-82902-2
Dewey: 920
LCCN: 2013037904
Dimensions: 24 cm.
Language: English
Reviews:
Starred Review ALA Booklist (Sun Jun 01 00:00:00 CDT 2014)

Starred Review History comes to vivid life in Fleming's sweeping story of the dramatic decline and fall of the House of Romanov. Her account provides not only intimate portraits of Tsar Nicholas; his wife, Alexandra; and the five Romanov children, but it also offers a beautifully realized examination of the context of their lives ssia in a state of increasing social unrest and turmoil. The latter aspect is shown in part through generous excerpts from letters, diaries, memoirs, and more that are seamlessly interspersed throughout the narrative. All underscore the incredible disparity between the glittering lives of the Romanovs and the desperately impoverished ones of the peasant population. Instead of attempting to reform this, Nicholas simply refused to acknowledge its presence, rousing himself only long enough to order savage repression of the occasional uprising. Fleming shows that the hapless tsar was ill equipped to discharge his duties, increasingly relying on Alexandra for guidance; unfortunately, at the same time, she was increasingly reliant on the counsel of the evil monk Rasputin. The end, when it came, was swift and r the Romanovs, who were brutally murdered rrible. Compulsively readable, Fleming's artful work of narrative history is splendidly researched and documented. For readers who regard history as dull, Fleming's extraordinary book is proof positive that, on the contrary, it is endlessly fascinating, absorbing as any novel, and the stuff of an altogether memorable reading experience.

School Library Journal Starred Review (Sun Jun 01 00:00:00 CDT 2014)

Gr 9 Up-The tragic Romanovs, last imperial family of Russia, have long held tremendous fascination. The interest generated by this family is intense, from debates about Duchess Anastasia and her survival to the discovery of their pathetic mass graves. A significant number of post-Glasnost Russian citizens consider the Romanovs holy to the extent that the Russian Orthodox Church has canonized them. This well-researched and well-annotated book provides information not only on the history of these famous figures but also on the Russian people living at the time and on the social conditions that contributed to the family's demise. The narrative alternates between a straightforward recounting of the Romanovs' lives and primary source narratives of peasants' lives. The contrast is compelling and enhances understanding of how the divide between the extremely rich and the very poor can lead directly to violent and dramatic political change. While the description and snippets on the serfs and factory workers are workmanlike, the pictures painted of the reclusive and insular Romanovs is striking. Unsuited to the positions in which they found themselves, Nicholas and Alexandra raised their children in a bubble, inadequately educating them and providing them only slight exposure to society. The informative text illuminates their inability to understand the social conditions in Russia and the impact it might have had on them. This is both a sobering work, and the account of the discovery of their bones and the aftermath is at once fascinating and distressing. A solid resource and good recreational reading for high school students.— Ann Welton, Grant Elementary School, Tacoma, WA

Horn Book (Wed Apr 01 00:00:00 CDT 2015)

Fleming has outdone herself with this riveting work of narrative nonfiction. Her focus here is not just the Romanovs, but the Revolutionary leaders and common people as well. The epic, sweeping narrative seamlessly incorporates scholarly authority, primary sources, appropriate historical speculation, and a keen eye for the most telling details. Two sixteen-page inserts contain numerous captioned photographs. Map, genealogy, and source notes included. Bib., ind.

Voice of Youth Advocates

They did not know that they were about to be shot dead. As the family of ex-tsar Nicholas gathered in the cellar, the youngest girl, Anastasia, smuggled in her dog. Moments later, the entire family, including the dog, lay lifeless on the dirty floor. The Romanov family had ruled Russia for three hundred years. How had they come to such a tragic end? Fleming answers that question by beginning with the meeting of the reluctant ruler, Nicholas, and his German-born wife, Alexandra. They shared a passionate bond that seemed fated to cripple the monarchy. Nicholas yielded to the guidance of his wife, who was dedicated to a self-purported mystic named Rasputin. Both parents were deeply devoted to their children; four girls and one son, Alexei, who suffered from hemophilia. Fleming keeps the reader close to the Romanov family as she relates the fateful sequence of events that led to their execution. There was war against Germany, which Russian soldiers fought with little ammunition or supplies. Families in the cities and villages were starving to death for lack of bread. There was an emerging philosophy called communism, espoused by Vladimir Lenin, that promised an equal distribution of Russia's wealth. Nicholas, wrapped in his own comforts and close family, did not comprehend the turmoil outside the palace walls.Fleming organizes the narrative of these events masterfully, guiding the reader through a complex period of history and always winding back to the Romanov children. Photographs, a map, and extensive source notes add to the power of this heart-wrenching story, a must-have for all libraries.Diane Colson.

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Making vibrant use of primary sources that emerged since the collapse of the Soviet Union in 1991, Fleming (Amelia Lost) brings to life the last imperial family of Russia. Writing with a strong point of view based on diary entries, personal letters, and other firsthand accounts, she enriches their well-known story with vivid details. The narrative begins in February 1903 (with some flashbacks to the meeting of tsar Nicholas and German-born tsarina Alexandra) and also features primary sources from peasants and factory workers-including an excerpt from Maxim Gorky-s 1913 memoir-that help to affectingly trace the increasingly deplorable conditions and growing discontent that led to the Russian Revolution; key figures such as Rasputin and Lenin are profiled in some depth. Fleming-s fulsome portraits of Nicholas and Alexandra, along with her depiction of their devoted relationship, highlight the role their personalities played in their downfall, as well as that of their beloved country. A wonderful introduction to this era in Russian history and a great read for those already familiar with it. Ages 12-up. Agent: Ethan Ellenberg, Ethan Ellenberg Literary Agency. (July)

Bibliography Index/Note: Includes bibliographical references (pages 258-[266]) and index.
Word Count: 69,196
Reading Level: 7.2
Interest Level: 5-9
Accelerated Reader: reading level: 7.2 / points: 12.0 / quiz: 167384 / grade: Middle Grades+
Reading Counts!: reading level:7.4 / points:17.0 / quiz:Q64123
Lexile: 950L
1881-1895

The Boy Who Would Be Tsar

On a frosty March day in 1881, the boy who would become Russia's last ruler glimpsed his future. That morning, Nicholas's grandfather, Tsar Alexander II, was riding through the streets of St. Petersburg when a man stepped off the sidewalk. He hurled a bomb at the imperial carriage. Miraculously, the tsar went uninjured, but many in his retinue were not as lucky. Concerned about his people, Alexander stepped from his carriage. That's when a second bomb was thrown. This one landed between his feet. An explosion of fire and shrapnel tore away Alexander's left leg, ripped open his abdomen, and mangled his face. Barely conscious, he managed one last command: "To the palace, to die there."

Horrified members of the imperial family rushed to his side. Thirteen-year-old Nicholas, dressed in a blue sailor suit, followed a thick trail of dark blood up the white marble stairs to his grandfather's study. There he found Alexander lying on a couch, one eye closed, the other staring blankly at the ceiling. Nicholas's father, also named Alexander, was already in the room. "My father took me up to the bed," Nicholas later recalled. " 'Papa,' [my father] said, raising his voice, 'your ray of sunshine is here.' I saw the eyelashes tremble. . . . [Grandfather] moved a finger. He could not raise his hands, nor say what he wanted to, but he undoubtedly recognized me." Deathly pale, Nicholas stood helplessly at the end of the bed as his beloved grandfather took his last breath.

"The emperor is dead," announced the court physician.

Nicholas's father--now the new tsar--clenched his fists. The Russian people would pay for this. Alexander II had been a reformer, the most liberal tsar in centuries. He'd freed the serfs (peasant slaves) and modernized the courts. But his murder convinced his son, Alexander III, that the people had been treated too softly. If order was to be maintained, they needed to "feel the whip." And for the next thirteen years of his reign, Alexander III made sure they did.

Young Nicholas, standing beside his grandfather's deathbed, knew nothing of politics. Frightened, he covered his face with his hands and sobbed bitterly. He was left, he later confessed, with a "presentiment--a secret conviction . . . that I am destined for terrible trials."

Excerpted from The Family Romanov: Murder, Rebellion, and the Fall of Imperial Russia by Candace Fleming
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

“[A] superb history.... In these thrilling, highly readable pages, we meet Rasputin, the shaggy, lecherous mystic...; we visit the gilded ballrooms of the doomed aristocracy; and we pause in the sickroom of little Alexei, the hemophiliac heir who, with his parents and four sisters, would be murdered by the Bolsheviks in 1918.” —The Wall Street Journal
 
Here is the tumultuous, heartrending, true story of the Romanovs—at once an intimate portrait of Russia's last royal family and a gripping account of its undoing. Using captivating photos and compelling first person accounts, award-winning author Candace Fleming (Amelia Lost; The Lincolns) deftly maneuvers between the imperial family’s extravagant lives and the plight of Russia's poor masses, making this an utterly mesmerizing read as well as a perfect resource for meeting Common Core standards.

"An exhilarating narrative history of a doomed and clueless family and empire." —Jim Murphy, author of Newbery Honor Books An American Plague and The Great Fire

"For readers who regard history as dull, Fleming’s extraordinary book is proof positive that, on the contrary, it is endlessly fascinating, absorbing as any novel, and the stuff of an altogether memorable reading experience." —Booklist, Starred

"Marrying the intimate family portrait of Heiligman’s Charles and Emma with the politics and intrigue of Sheinkin’s Bomb, Fleming has outdone herself with this riveting work of narrative nonfiction that appeals to the imagination as much as the intellect." —The Horn Book, Starred

Winner of the Los Angeles Times Book Prize for Young Adult Literature
Winner of the Boston Globe–Horn Book Award for Nonfiction
A Robert F. Sibert Honor Book
A YALSA Excellence in Nonfiction Award Finalist 
Winner of the Orbis Pictus Award for Outstanding Nonfiction


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