Perma-Bound Edition ©2013 | -- |
Murder. Fiction.
Death. Fiction.
City and town life. Kansas. Fiction.
Kansas. Fiction.
Starred Review It's Lord of the Flies on steroids! One strange day 12 people are murdered, all by relatives, friends, or neighbors e most unlikely of suspects. No one, including 18-year-old Cass, who murdered the toddler she was babysitting, knows why. Soon after, a terrible tornado ravages the town and removes all semblances of law and order. Anarchy rules; far too many adults and role models revert to their basest instincts. An unlikely band of teens reluctantly joins forces to plot escape: Jule, part of the meth-dealing Prevette clan; West, golden boy (but gay) football jock; sweet, unassuming Daniel; Ellie King, self-prescribed evangelist dubbed saint by the deacon during the strange times; Cass; and Gracie, the sister of the murdered toddler. This is a horror story worthy of Stephen King. Wasserman's tightly woven plot arouses our darkest fears government (or private industry) experimenting on its citizens, contemporary witch hunts that remind us of our Puritan heritage, and natural disasters that destroy basic infrastructure including communication systems. Her characters are antiheroes, seeking to hold themselves in check and fearing that they, or anyone around them, can suddenly become the monster they are trying to escape. It's a violent, edgy, well-written, and foreboding novel, so realistic that readers can only hope it's simply fiction.
School Library Journal Starred Review (Mon Jul 01 00:00:00 CDT 2013)Gr 9 Up-This contemporary thriller opens on an ordinary Tuesday afternoon in a small town in Kansas, when five people with no connection to one another inexplicably commit murders and then kill, or attempt to kill, themselves. This becomes known as "the killing day," and no one has an explanation for it. The dark story is told from the perspectives of five teenagers, each of whom suffers in a different way due to the crimes, but it's nearly a year before their linked lives truly converge. After a devastating tornado, the entire town is quarantined and the adults are descending into violent madness. The five teens seem to be the only ones who realize something terrible is happening; they struggle both to stay alive and unravel what's really going on and who is responsible. While the number of protagonists can be confusing at times, their alternating stories are all compelling. Great dialogue and intriguing subplots add to the action-packed story, which will have readers frantically flipping pages. Wasserman sustains a truly spooky mood throughout, and the suspense doesn't let up until the final pages.— Sunnie Lovelace, Wallingford Public Library, CT
Horn BookOleander, Kansas, is devastated first by a day of murder-suicides, then by a tornado; things only get worse as the townspeople become inexplicably violent. Five teens touched by "the killing day" unwillingly come together to protect each other. Suspenseful action viewed from multiple perspectives keeps the tension high in this (somewhat implausible) Stephen Kingesque story of darkness lurking within a small town.
Kirkus ReviewsAll the kids want out of Oleander, Kan.; few will make it alive. The small, isolated town has horrors in its past. The citizens begin a slow return to the surface on "the day of the killing," when five people with little in common go on a killing spree, and then four of them kill themselves. Teenager Cass, the only surviving murderer, is quickly institutionalized. Just as the town creeps back toward normalcy, an EF5 tornado whips through and destroys a quarter of the buildings and a nearby secret research facility. The U.S. government places the town under quarantine, with complete autonomy within it, and the citizens all begin to act out their worst impulses. As the adults slip into insanity and grab for power (when not killing each other), a small band of teens--gay footballer West, daughter of meth dealers Jule and struggling street-preacher's kid Daniel--fights to survive. When Cass returns to reveal the truth of their situation, they fight to escape. Wasserman's horror/science-fiction blend is ultraviolent in places, ludicrous in others and snooze-inducing in still others. It's a mess of an attempt at Stephen King–style small-town horror, undermined by an unrealistic and basically uninteresting portrayal of the classic breakdown of civilization amid a too-large cast. Skippable in the extreme. (Horror. 17 & up)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Wasserman (The Book of Blood and Shadow) delivers an exceptional horror novel that will lead to inevitable (and deserved) Stephen King comparisons. In the isolated Kansas town of Oleander, five people suddenly go on murder sprees, with four of them committing suicide. A year later, five survivors are united when a storm (and later, soldiers) isolate the town: loner Daniel, closeted jock West, newly evangelical Ellie, outcast Jule, and Cassie-the one remaining murderer, who has no recollection of what she did or why. As the days pass, the five grow increasingly aware that everyone else in Oleander is starting to act strange. The characters- own conflicts-Jule-s family deals meth, West-s parents are homophobic, etc.-help fuel the tension until the insanity really takes over. While the plot isn-t new (see either version of The Crazies), Wasserman juggles a huge cast, intense action, and some truly horrific moments with style and skill. The novel works just as well as mainstream horror as YA, and the ending is both effective and brutal. Ages 14-up. Agent: Barry Goldblatt, Barry Goldblatt Literary. (Sept.)
Starred Review ALA Booklist (Thu Aug 01 00:00:00 CDT 2013)
Starred Review for Publishers Weekly
School Library Journal Starred Review (Mon Jul 01 00:00:00 CDT 2013)
ALA/YALSA Best Book For Young Adults
Bulletin of the Center for Children's Books
Horn Book
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Voice of Youth Advocates
Wilson's High School Catalog
That afternoon, that sticky, sweaty Tuesday in the dog days of summer, he'd seen nothing but heat waves shimmering from pockmarked concrete and a long walk home. He'd known only that it was hot, and that Gathers Drugs on the corner of Ashton and Main was the closest place to buy a Coke or maybe, because there was something about the sun and the sweat and the smell of scorched cement that made him feel like a kid again, one of the sodden ice cream sandwiches Mr. Gathers kept in a tank behind the register.
So he went inside.
The door chimed with his entrance and Gathers took the time to grin a hello before turning back to filling a prescription for Eugenia Wooden. The self-described spinster lived down the street from Daniel and spent half her life in the doctor's office cheerfully complaining of coughs and wheezes and stomach pains and all manner of imagined infirmity until the doctor wrote her a scrip for something or other just to get her to leave. She was nice enough, at least now that Daniel was too old to trample her flower garden with his bicycle or break her windows with an errant baseball. She believed in the healing powers of chamomile tea, strict rules about wearing white after Labor Day, the Republican Party ("after they booted the criminals out" and "before the kooks took over"), civil rights ("within reason"), the wisdom of the Lord and the foolishness of His self-assigned deputies, and, on occasion, a stiff shot of whiskey.
She had approximately ten minutes left to live.
They all did: Sally, the waitress at D'Angelo's who gave free breadsticks to anyone who knew enough to flirt with her. Kathleen Hanrahan, who had babysat for Daniel's little brother until the night Daniel's father stumbled home drunk enough to mistake her for his dead wife. Happy Jerry, a thirty-year-old who couldn't read past a third-grade level but loved comic books and spent every afternoon browsing through the drugstore racks. All of them, dead in ten minutes, except Old Winston, who'd been kicked out of the bar next door and had slumped down by the ladies' hosiery shelf rather than go home and face his wife. He survived for nearly half an hour--though if his desperate prayers to Please, God, just let me die already were any indication, he didn't exactly welcome the delay.
They all--except a snoring Winston--greeted Daniel by name, exchanging the standard pleasantries about the weather (too hot), the day (too long), and the town (waning). There were no polite inquiries about his father; there was no need. Anyone interested in Daniel Ghent Sr.'s well-being could take a field trip down to the church square, where the Preacher, as he preferred to be called, had set up camp. He'd fester in the plaza for a few weeks, shoving his wrinkled End of Days pamphlets at passersby until the spirit--or the Jack Daniel's--moved him to try somewhere new. Daniel, who'd overdosed on humiliation back in grade school, when the whistled chorus of "Son of a Preacher Man" followed him everywhere, was officially no longer bothered by his father's extracurricular activities. But he still kept track of the wandering ministry--if only to ensure he stayed, at all times, on the opposite side of town.
"You bringing someone pretty to the church picnic this weekend?" Gathers asked. Daniel didn't bother to wonder at the glaze in the old man's eyes or the perfunctory note in his voice. Nor did he spot anything unusual about the way Gathers kept fiddling with something beneath the counter, sneaking quick, nervous glances at whatever lay below. "Supposed to be a fine, fine day."
"Not going to the picnic," Daniel mumbled. Daniel never went to the picnics. Or the ice cream socials or the potlucks or the bingo nights or the theme dances that featured Reverend Willet dressing up as a pirate or a biblical forefather or, on one memorable occasion, a feather-headed, war-painted Navajo brave.
A damp, meaty hand landed on his shoulder. Every muscle went on alert. His fingers, of their own accord, twitched and balled themselves into a ready fist.
But it was only Happy Jerry, smiling and defenseless and meaning no harm.
"For Milo," Jerry said, shoving a sticky comic book into Daniel's hand.
"Thanks, Jerry--he'll love it." Daniel flipped through the wrinkled pages, past caped heroes who never arrived too late and punches that never left a bruise. He couldn't remember ever being young enough to believe in that kind of world; he didn't want to imagine his little brother ever being old enough to stop.
He was thinking about Milo as he picked out the least squashed of the ice cream sandwiches and dropped a wad of crumpled bills on Gathers' counter. About the things he'd overheard the kids screaming on the playground, the claims that Milo stank, that he was dirty and unwashed and probably diseased. He was thinking about the foot-thick layer of worn and reworn clothing that covered both their bedroom floors, and the broken washing machine and the empty refrigerator and the housekeeper, paid for by his father's disability checks, who had quit two weeks before.
But that was well-worn mental territory, and, as if his life were the scene of an accident, replete with mangled bodies and gasoline fires, he forced himself to look away. By the time he stuffed his wallet back into his jeans, cracked open his Coke, and murmured agreement with Eugenia Wooden that, yes, it was an excellent thing that flu-shot distribution had begun so early this year, you could never be too careful, he was instead thinking about her. Cassandra Porter, again, still, always, Cass Porter and those damn short skirts that tended to ride up on her long, tan legs when she bent to adjust her strappy sandals or with self-conscious whimsy pluck a dandelion for her hair. Cass Porter, who'd spent the first eight years of her life at his side--and barely looked at him in the nine years since. Any illusions he nurtured that they could pick up where they left off--if with a little less playing alien explorer in the backyard and a little more groping in the dark--were swiftly dispatched every time he set eyes on the real thing. There was only room in the family for one delusional Ghent, and his father had already laid claim to the role.
His father. There Daniel's thoughts finally landed, just before Gathers, with a bland smile, drew the secret thing from beneath the counter and the secret thing revealed itself to be a shotgun. Whether his father was getting worse. Whether Daniel would care if his father left one morning and never came back. Whether somewhere, in the deep recesses of Daniel's brain, rested a time bomb that would eventually explode and launch him into a dream world as bad as his father's, or worse. Whether he could, for one more day and then one more day after that, stop himself from leaving his father and his house and his brother behind, in hopes that even the nowhere he had to go would be better than the somewhere he longed to escape.
The first blast screamed past his shoulder. Behind him, a wall of ketchup exploded and showered him with a gush of sugary red. He didn't think. He dropped. Face down, arms sprawled, eyes closed. Playing possum. Playing dead. He tried not to move.
He tried not to hear the screams.
Excerpted from The Waking Dark by Robin Wasserman
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
The Waking Dark is “a horror story worthy of Stephen King” (Booklist) and “a book you won’t soon forget” (Cassandra Clare, author of the Mortal Instruments series)—perfect for readers of Gillian Flynn and Rick Yancey.
They called it the killing day. Twelve people murdered, in the space of a few hours, their killers also all dead by their own hand . . . except one. And that one has no answers to offer the shattered town.
Something is waking in the sleepy town of Oleander, Kansas—something dark and hungry that lives in the flat earth and the open sky, in the vengeful hearts of its upstanding citizens. As the town begins a descent into blood and madness, five survivors of the killing day are the only ones who can stop Oleander from destroying itself.
They have nothing in common. They have nothing left to lose. And they have no way out. Which means they have no choice but to stand and fight, to face the darkness in their town—and in themselves.
“Suspense, chills, gasps—all that and a gem-like writing style that will make you shiver with beauty and horror. A book you won’t soon forget.” —Cassandra Clare, author of the bestselling Mortal Instruments series and Infernal Devices trilogy
“Twisted, pulse-pounding, shocking, and very, very scary. With The Waking Dark, Robin Wasserman conjures vintage Stephen King as she peers into the dark heart of a nightmare America, where violence and evil lurk behind the golden glow of small-town life, and new terrors arrive by the hour. A superb horror story that is by turns visceral and lyrical, heartrending and heart-stopping.” —Libba Bray, bestselling author of the Gemma Doyle trilogy and the Diviners series
“This book has the combination of mystery and fright that I love. So many twists and shocks, I nearly jumped out of my chair several times! Trust me—this is a true chiller. Not to be missed!” —R. L. Stine
“A thriller dark and beautiful and—yes—achingly romantic at every unexpected twist and turn. Astounding.” —Lauren Myracle, New York Times bestselling author of The Infinite Moment of Us and Bliss
“Wild, nihilistic madness that will get true horror fans raising their pitchforks and torches in frenzied glee. Wasserman writes as if hooked up to IVs of Stephen King and John Carpenter's spiked blood.” —Daniel Kraus, author of Rotters and Scowler
"Great dialogue and intriguing subplots add to the action-packed story . . . the suspense doesn’t let up until the final pages." —School Library Journal, Starred Review
From the Hardcover edition.