In this picture-book biography, Martin Lunter King's older sister adds a personal stamp to King's childhood experiences that other books have lacked. When Martin asks his mother why the white boys across the street have been forbidden to play with the King children, she explains about prejudice, prompting Martin to say, Mother Dear, one day I'm going to turn the world upside down. The richly detailed illustrations capture the times and are striking portrayals of the individuals, with Soentpiet including a note describing his use of King family members and friends as models. The respectful tone of the text is augmented by the large, handsome design, with metallic-blue endpapers and halftone photographs used to accentuate front and back matter. A one-page poem by Mildred D. Johnson, You Can Be Like Martin: A Tribute to Dr. Martin Luther King, Jr., follows the short text, and an afterword adds context and personalizes the book. A testament to one person making a difference, the book is intended to be inspirational--and, in both art and text, it is.

Of the many stories about Dr. King, none is as personal and revealing as this memoir-tribute by his older sister. Starting with early family reminiscences, King Farris captures the drama of a life that would lead to the "I Have a Dream" speech. The brilliance of the realistic illustrations, the placement of the precise text, and the oversize format make this a dramatic contribution. With a poetic tribute by Mildred D. Johnson, an afterword, and an illustrator's note.

In the years since his death, too many biographers of Martin Luther King Jr. have made him so much larger than life that to the current generation of children he has become more of an idealized heroic icon than a real person. By sharing her memories of their childhood, Farris has opened a window to show Martin as a small boy in a loving extended family, a sometime prankster, protected for a while from the harsh reality of racism. When that reality became impossible to ignore, he and his brother and sister have the example of the strong faith, the encouragement, and the strength of their parents to guide them. Young Martin promises his mother that he will be an agent for change, that he will one day "turn this world upside down." Farris tells the story simply and gently, remembering Martin as her little brother and as the man who indeed turned the world upside down. Soenpiet's ( Dear Santa, Please Come to the 19th Floor , p. 1628, etc.) watercolors are both meticulous in their detail and beautifully expressive of the family's emotions. Farris's afterword, graced by childhood photos of Martin, further explains her need to share these memories. A poem by Mildred D Johnson, written in 1968, is included as a reminder that all children have the potential for greatness. A very welcome addition to the King story. (illustrator note) (Picture book/biography. 6-10)

Farris's stirring memoir of her younger brother "M.L." focuses on a pivotal moment in their childhood in Atlanta. The conversational narrative easily and convincingly draws readers into the daily life of Christine and her two brothers, M.L. and A.D., as they listen to their grandmother's stories, stage pranks and romp in the backyard with two white brothers from across the street. The adults in the King family—Daddy, a minister; Mother Dear, a musician; maternal grandparents (the grandfather is also a minister) and a great-aunt—try to shield the children from the overt racism of the times; the family rarely took streetcars, for example, because of "those laws [segregation], and the indignity that went with them." When the white boys announce one day that they cannot play with M.L. and A.D. because they are "Negroes," the young Kings are hurt and baffled. Mother Dear explains, "[Whites] just don't understand that everyone is the same, but someday, it will be better." M.L. replies, "Mother Dear, one day I'm going to turn this world upside down." Soentpiet (<EMPHASIS TYPE=""ITALIC"">Dear Santa, Please Come to the 19th Floor) illustrates this exchange with a powerful watercolor portrait of mother and son that encapsulates many emotions, including hope, pain and love. Unfortunately, in other paintings, the characters often seem frozen in exaggerated poses, or minor figures are rendered with less skill than demonstrated elsewhere. These inconsistencies detract from an otherwise gripping volume that makes the audience aware that heroes were once children, too. All ages. <EMPHASIS TYPE=""ITALIC"">(Jan.)

Gr 2-4-In the straightforward style of a master storyteller, Farris recalls the birth of her two younger brothers and relates anecdotes that demonstrate both the mischievous exploits of the siblings and the love and understanding that permeated the close-knit multigenerational family in which they grew up. Using plain language, she describes conditions in the South during her childhood that separated blacks and whites- "Because they just don't understand that everyone is the same, but someday, it will be better." From their father's church sermons and his actions when confronting the hatred and bigotry, the children learned the importance of standing up for justice and equality. The warmth of the text is exquisitely echoed in Soentpiet's realistic, light-filled watercolor portraits set in the King home, in their Atlanta neighborhood, and at Ebenezer Baptist Church. The simple directness of this short biography will help young children understand the concept of segregation and the importance of Dr. King's message. An appended poem by Mildred D. Johnson reflects Farris's own message: "-it is important for young people to realize the potential that lies within each of them-." This outstanding book belongs in every collection.-Susan Scheps, Shaker Heights Public Library, OH Copyright 2003 Cahners Business Information.