Horn Book
(Wed Apr 01 00:00:00 CDT 2015)
Seven-year-old Melba Liston chose to play the trombone, an unconventional choice for a girl. By seventeen, she was touring with the greats, including Dizzy Gillespie and Quincy Jones, but--as a female African American musician traveling through the South--faced many challenges. This account is as smooth and stimulating as a trombone solo. Elongated, angular oil paintings perfectly convey the jazz scene. Discography. Bib.
School Library Journal Starred Review
(Tue Jul 01 00:00:00 CDT 2014)
Gr 2-5 Music lovers will enjoy this picture-book biography of Melba Liston (1926–99), child prodigy and virtuoso trombonist who collaborated with most 20th century jazz greats. An excellent match of breezy text and dynamic illustrations tells an exhilarating story. Always in tune with music, seven-year-old Melba chose her first instrument from Joe's Music Truck. Self-taught and determined, she survived the gender-based taunts of high school boys while playing in Alma Hightower's after-school music club (using her horn to "turn all those hurt feelings into soulful music") and racial discrimination while touring with Billie Holiday's band. In the end, Liston "[made] her trombone sing" for audiences around the world and was named a Jazz Master by the National Endowment for the Arts. Russell-Brown's text engages the senses ("[Melba] especially loved Fats Waller, with his growly voice and booming piano"), while Morrison's distinctive illustrations, stretched out like a slide trombone, draw the eye across each spread to the page turn. Back matter includes a detailed afterword with two photographs and a bibliography of books, articles, interviews, radio broadcasts, and websites, including a Jazz Caf&3;, where students can view Liston performing with Dizzy Gillespie's band. Pair this book with Jonah Winter's Dizzy (Scholastic, 2006) and Marilyn Nelson's Sweethearts of Rhythm (Dial, 2009) to explore more fully the jazz culture of the time. A celebration of the talent and success of a little-known African American female musician, this title will enrich library collections.— Toby Rajput, National Louis University, Skokie, IL
Publishers Weekly
(Fri Oct 06 00:00:00 CDT 2023)
A musician plucked from jazz history is the subject of Russell-Brown's debut picture book. In the music-filled Kansas City of the 1920s, young Melba Doretta Liston wants to play an instrument, eventually swooning over a shiny trombone and learning to play. Staccato rhythms pepper the fluid prose: "Blues, jazz, and gospel rhythms danced in her head-the plink of a guitar, the hummmm of a bass, the thrum-thrum of a drum." Eventually, Liston's talent attracts the attention of Dizzy Gillespie, Duke Ellington, and others, but her struggles are laid out plainly: "Some white folks didn't show good manners toward folks with brown skin. Hotel rooms were hard to come by, and the band members often had to sleep on the bus." Morrison's oil paintings practically sway with a jazz beat, though somber moments crop up, too: the shadows on Liston's face signify the trials of life on the road. A final image showing long-limbed Liston in profile as she plays under the glow of stage lights is exquisite. Ages 6-10. Author's agent: Adriana Dominguez, Full Circle Literary. Illustrator's agent: Lori Nowicki, Painted Words. (July)
ALA Booklist
(Mon Sep 01 00:00:00 CDT 2014)
Melba Doretta Liston grew up surrounded by music in Depression era Kansas City and L.A., and all through her family's home, notes stirred and rhythms bubbled. Even though her first trombone was almost bigger than she was, she couldn't keep her hands off of it. The cool brass of the horn felt swell on her fingers, and soon this trombone phenom was playing on the radio, writing tunes, and touring the world. As an African American woman, she experienced tough times along the way, but neither the fans nor the music would give up on Melba, and her career and accolades continued into the 1990s. In a smoothly paced narrative, this picture-book biography surveys the full life arc of a relatively unknown and unique jazz master. Brimming with inherent and inescapable enthusiasm, the oil-paint illustrations are the cat's pajamas, with brassy colors and jazzy perspectives that slide across the long pages, like Melba's own instrument. A strong afterword, discography, and source notes round out this enlightening, enjoyable introduction.