ALA Booklist (Fri Mar 01 00:00:00 CST 2002)

Except for Sook Nyul Choi's Year of Impossible Goodbyes (1991), very little has been written for young people about the Japanese occupation of Korea. Park, who won the Newbery Medal this year for A Single Shard , set in twelfth-century Korea, draws on her parents' experiences as well as extensive historical research for this story. The plot unfolds through the alternating first-person narratives of Sun-hee, who is 10 years old in 1940, and her older brother, Tae-yul. They lose their names and their language when they are forced to use Japanese at school and in public. The far-off war comes closer and hardship increases with brutal neighborhood roundups. Always there are secrets: Who's a traitor? Who's pretending to be a traitor? Sun-hee tries to help her uncle in the resistance, and she's overcome with guilt when she puts him in terrible danger. Tae-yul becomes a kamikaze pilot for the Japanese: he loves learning to fly, but his secret aim is to help the Americans. There's also family conflict, especially about the submissive role of a young girl: does she disobey her father for the good of her country? Why doesn't her father resist? The two young voices sound very much the same, and the historical background sometimes takes over the narrative. The drama is in the facts about the war, and Park does a fine job of showing how the politics of the occupation and resistance affect ordinary people. Be sure to check out Park's Writers and Readers column, Staying on Past Canal Street: Reflections on Asian Identity, BKL Ja 1 & 15 02.

Kirkus Reviews

The author of three novels set in different periods of Korean history ( A Single Shard , 2001, etc.) now turns to WWII for the story of a brother and sister and their lives with their parents and uncle. Telling their story in alternating voices, the two siblings offer complementary and sometimes different versions of events. Sun-hee, in the last year of elementary school in 1940, loves studying and is an obedient daughter while older brother Tae-yul loves speed and machines. Their uncle is a source of concern because he publishes an underground, anti-Japanese newspaper. The Japanese had conquered Korea in 1910 and as the war looms their demands on the Koreans intensify. Food grows scarcer and the Koreans, long forbidden to study their own culture and language, now must take Japanese names. Thus Sun-hee becomes Keoko. In one memorable passage, Sun-hee misunderstands an oblique warning from her Japanese friend and assumes that her uncle's life is in danger. He flees, never to be seen again as the war and the post-war communist government in the north keep them apart. This beautifully written story captures these events through the eyes of a very likable young girl. In her voice, readers share the joys of playing cat's cradle, eating popcorn, and tasting American chewing gum for the first time. Through Tae-yul's they experience his gritty determination to join a kamikaze unit in order to protect his family from the suspicious Japanese. There is food for thought when Sun-hee's father tells her that "they burn the paper—not the words" when referring to the Japanese soldiers who destroy her diary. There have been relatively few stories for young readers that are set in Asia during WWII. This powerful and riveting tale of one close-knit, proud Korean family movingly addresses life-and-death issues of courage and collaboration, injustice, and death-defying determination in the face of totalitarian oppression. (afterword, bibliography) (Fiction. 10-15)

Starred Review for Publishers Weekly

A brother and sister alternate as narrators in Newbery Medalist Park's (<EMPHASIS TYPE=""ITALIC"">A Single Shard) well-constructed novel, which takes place from 1940–1945 in Japanese-occupied Korea. The Japanese government forbids the Korean language to be spoken and the country's flag to be flown, and even forces Korean families like Tae-yul and Sun-hee's to change their names (Sun-hee becomes Keoko). Through the use of the shifting narrators, Park subtly points up the differences between male and female roles in Korean society; and the father's process of choosing the family's Japanese name speaks volumes about his strength and intelligence. As the war intensifies, each family member asserts his or her individuality, from Sun-hee, who continues to keep a journal after a soldier calls it "a crime against our Divine Emperor," to her uncle, who prints a revolutionary newspaper in hiding, to Tae-yul, who joins the Japanese army to avoid helping the military police capture his uncle—only to be chosen as a kamikaze pilot. The son comes to an understanding of his father rather abruptly at the novel's close, and some readers may wonder why Tae-yul was not labeled a <EMPHASIS TYPE=""ITALIC"">chin-il-pa ("lover of Japan" ). But, in the end, telling details provide a clear picture of Sun-hee and Tae-yul and their world. Readers will come away with an appreciation of this period of history and likely a greater interest in learning more about it. Ages 10-14. <EMPHASIS TYPE=""ITALIC"">(Mar.)

School Library Journal

Gr 6-9-Living in Korea in the 1940s was difficult because the Japanese, who occupied the country, seemed determined to obliterate Korean culture and to impose their own on its residents. Sun-hee and her older brother, Tae-yul, still go to school every day, but lessons now consist of lectures and recitations designed to glorify Japan. To add to their unhappiness, everyone, adults and children alike, must give up their Korean names and take new Japanese ones. Sun-hee, now called Keoko, and Tae-yul, newly named Nobuo, tell the story in alternating narrative voices. They describe the hardships their family is forced to face as Japan becomes enmeshed in World War II and detail their individual struggles to understand what is happening. Tension mounts as Uncle, working with the Korean resistance movement, goes into hiding, and Tae-yul takes a drastic step that he feels is necessary to protect the family. What is outstanding is the insight Park gives into the complex minds of these young people. Each of them reacts to the events in different ways-Sun-hee takes refuge in writing while Tae-yul throws his energies into physical work. Yet in both cases they develop subtle plans to resist the enemy. Like the Rose of Sharon tree, symbol of Korea, which the family pots and hides in their shed until their country is free, Sun-hee and Tae-yul endure and grow. This beautifully crafted and moving novel joins a small but growing body of literature, such as Haemi Balgassi's Peacebound Trains (Clarion, 1996) and Sook Nyul Choi's The Year of Impossible Goodbyes (Houghton, 1991), that expands readers' understanding of this period.-Barbara Scotto, Michael Driscoll School, Brookline, MA Copyright 2002 Cahners Business Information.

Horn Book (Thu Aug 01 00:00:00 CDT 2002)

In alternating chapters covering the years 1940 to 1945, two Korean siblings describe their lives during the Japanese military occupation. Tae-yul admires their uncle, who works for the resistance; younger sister Sun-hee is more like their father, subdued and introspective, rebelling in quiet but significant ways. The novel provides an accessible introduction to this painful history.