Spare and well written, this slim novel covers the days following a teacher's disappearance during a class outing. Eleven girls must make their way back to school where they are determined to keep their teacher's rendezvous with the local park's gardener a secret. The book's chilling atmosphere and mature tone are best suited for older readers.

Blending mystery with coming-of-age themes, Dubosarsky-s novel, set in 1967 at an Australian all-girls school, explores a class-s response to the unexplained disappearance of their teacher. Miss Renshaw, lover of poetry and hater of capital punishment, takes her group of 11 -little girls- on a field trip to visit a public memorial garden and -think about death.- There they meet an odd groundskeeper named Morgan, who leads them into a cave to see ancient Aboriginal paintings. The girls exit safely, but Miss Renshaw and Morgan do not reappear, and the girls return to school as the tide sweeps in. The incident, later reported to authorities, bonds the girls as each faces bewilderment, guilt, and grief when it becomes clear their teacher will not likely return. Dubosarsky (The Word Snoop) subtly shows the impact of the tragedy through fragments of conversations, observations, and memories, while expertly sketching a cast of vulnerable, inquisitive children and ridiculous authority figures. Laced with humor amid a steady feeling of dread, the atmospheric narrative chillingly evokes lurking forces capable of tarnishing even the most golden and innocent of days. Ages 12-up. (Aug.)

Starred Review The classic Australian film Picnic at Hanging Rock finds its literary equivalent in fellow Aussie Dubosarsky's dark, languid look into the inscrutable wells of secrecy to be found in little girls. In the shadow of the Vietnam War, 11 bored Australian schoolgirls are taken on a short field trip to the local gardens by their idealistic teacher. Together with the teacher's apparent paramour, the girls are led to a seaside cave wherein the two adults vanish forever. When the girls are repeatedly questioned about the disappearance, their own self-interest compels them to stay silent and senselessly guard the truth, until the keeping of the secret, not the secret itself, becomes the most important thing. In a stunning feat of perspective, Dubosarsky inhabits all 11 girls at once, snaking through a thousand small joys and triumphs and fears and petty grudges as they absorb life's bleakest truths as well as their own complicity in them: "Their eyes were clear but their hearts were dishonest." Reminiscent of Janne Teller's Nothing (2010), this is a masterful look at children's numb surprise to the most unsavory of adult developments. Though it's not really a surprise, is it? They knew all along that the world was full of terrible things.